131 Royalty-Free Audio Tracks for "No Signal"

Scary "no signal".

No signal tv no information. I will be so appreciated by your likes and comments below.

A no signal 'chhhssss' sound effect that you are free to use at your own discretion for your projects. If you'd be so kind as to link me in the comments section to where you used the sound effect, i'd gladly check your project out!___________________created using audacitywhite noise ^^___________________mattskydoodle.

Mus152 no signal tv sound_1 thy nguyen.

Signal from left intermission.

Pause or time signal from a planet in our solar system. We can hear their broadcastings but we have no clue were the planet is.

Recorded radio signal using software defined radio (sdr) around 450 mhz. The sound is the result of demodulating a larger signal using cw-l mode in gqrx and skipping through the band with the signal. Therefore this sound has no real meaning it's just a part of a larger signal.

Ambience at a subway platform, footsteps, people in the distance, no trains. The recording starts with an announcement signal but there is no following announcement. Recorded at a vienna subway line, xy recording to tascam dat, 1998.

Really popular sound effect used by many popular youtubers.

Signal from a poorly tuned a. M. Radio station on a digital receiver, so no waver to the tuning just the sounds of a distant signal capturing mostly interference from the ionosphere.

Signal from a poorly tuned a. M. Radio station on a digital receiver, so no waver to the tuning just the sounds of a distant signal capturing mostly interference from the ionosphere.

Signal from a poorly tuned a. M. Radio station on a digital receiver, so no waver to the tuning just the sounds of a distant signal capturing mostly interference from the ionosphere.

Signal from a poorly tuned a. M. Radio station on a digital receiver, so no waver to the tuning just the sounds of a distant signal capturing mostly interference from the ionosphere.

Signal from a poorly tuned a. M. Radio station on a digital receiver, so no waver to the tuning just the sounds of a distant signal capturing mostly interference from the ionosphere.

Signal from a poorly tuned a. M. Radio station on a digital receiver, so no waver to the tuning just the sounds of a distant signal capturing mostly interference from the ionosphere.

I've recorded this by accident. I left ardour recording on my laptop via zoom h2 and forgot about it. Meanwhile my cellphone must have communicated with the gsm network, and the zoom h2 have captured the signal. Luckily no background noise is present. Enjoy this annoying sample :).

Free! really high annoying white noise. Use it for tv and/or high disturbed signal or whatever. Ripped, recorded, worked and mixed with audacity. (mp3 - 11:39 mins).

Old-school sound made with analog modular synth - the old way. . . The reverb is a spring reverb - what else. . . ?.

Just some experimenting around with my modular. . . . . I take a signal from an lfo and split. I invert one of the signals and mix them.

A short recording of a flute for an assignment in the course "audio signal processing for music applications".

Free! brown-noise background effect generated and mixed with audacity. Modified to make it a bit different. (mp3 - 1,10 mins).

Sound is me being gross! setup: mic, into eq, into stereo pedal (used as a signal splitter-- one signal went to one multi effect on a pitch-down setting, the other into a second multi effect on a pitch-up setting. ), into stereo delay (no delay added, though. ) burp. . .

The nightly visit of something unidentified object, got a new and historic aftermath. Jay prusse at nasa happened to have his radio scanner on and captured a strong but short signal that was repeated for one minute. Specialists found that the signal actually formed this word 'mirabut'. No one has a clue what this word means.

No, i cant really describe what this is! but i use a ring modulator. Two audio signals goes in. I guess the side band frequencies goes out??? or?! anyway the original frequencies are also in the mix. So, two audio signal and the result from a diy ring mod. Have to learn more. . . Read below!!! in this sound you are listening to, the result, the ring modulation, carrier signal and modulator signal. After some research. . . I write this for myself. . . Correct me if i'm wrong!!!from youtube (audiocollage)ring modulation is the sum and the differences of the carrier and modulator signal. Feed the ring modulator with 261,626hz and 391,995hz and you get (261,626 + 391,995) 653,621hz and (391,995 - 261,626) 130,369hz. From wikipedia". . . Neither the carrier nor the incoming signal is prominent in the outputs, and ideally, not at all. "". . . In the basic case where two sine waves of frequencies f1 and f2 (f1 < f2) are multiplied, two new sine waves are created, with one at f1 + f2 and the other at f2 – f1. The two new waves are unlikely to be harmonically related and (in a well-designed ring modulator) the original signals are not present. It is this that gives the ring modulator its unique tones. ". Above is true when using pure sine waves! waves with no harmonics. I have a passive diy ring modulator. I guess it's not acting "perfect". . .

This is a precise emulation of the audible time signal broadcast by radio station wwv of the nist in the usa on shortwave. This recording was produced via a program i wrote that emulates the time signal and recreates it from scratch, but it conforms precisely to the specs of the real signal. The only part missing is the voice announcement of the time, which, in the real broadcast, is made during the last fifteen seconds of each minute (which is why the tone changes to just clicks during that time). There are two minutes in the recording, but it should be easy to loop it or otherwise modify it for other durations. Since this audio file was computer-generated from scratch, it contains no noise, but the real broadcast has some static and noise, especially at large distances from the transmitter in colorado. Generated by special software / 48. 1 khz 16-bit stereo.

Supposed to sound like a ‘traditional spaceship computer’. Not perfect… but i used it in this track https://youtu. Be/-2di7zlyepwcan you hear the sound?.

This signal was not from space. No, it came from our planet and seemed to be directed by a extremely powerful transmitter. It seemed as the beam was directed at the cyclades. The sender position was somewhere on the yucatan peninsula, but the exact place was never found.

This sound is an audio file that slowly breaks up the further it is played. I recorded this with an in-built microphone, no idea what make though. I recorded this on audacity, and added gradual distortion. Warning: you may need to turn down the volume for the last 6 seconds!.

3 recordings of various rfis made by refreshing the radio signal on myphone and putting it close to my microphone. First sound however, was coming from my electric piano, because my phone was on top of it.

My dream talk recorder app picked up my smoke alarm which went off for some unknown reason at 4 am. There was no emergency but thought someone might want to use the sound.

[warning] |this audio contains sound that may make people feel uneasy and anxious. Please listen with caution. |this is a 3 minute long sound of horror! you may use this in horror movies, for war movies, a remake of twister, even anything you want! no credit needed.

Studio technologies - stereo simulator (generation ii). Https://studio-tech. Com/products/generation-ii-stereo-simulator/. The generation ii stereo simulator from studio technologies creates a convincing stereo imagefrom a mono audio source. The fully mono-compatible signal simulates space withoutreverberation by using random, non-recursive filter techniques. The mode switch (found on the hardware unit) controls the overall sound of the generation ii. In the music position, the full audio bandwidth of the input signal is simulated. This mode isappropriate for audio material with little or no voice-only content. In the music & voice position, the input signal is sent through a band-reject filter prior togetting sent to the simulator circuits. This creates stereo simulation over the low and highfrequency range, while limiting simulation in the voice band. This mode is appropriate for audiomaterial that contains voice-only content, such as a film track or television show. The stereo intensity control determines the amount of stereo simulation that is produced. Inthe fully counterclockwise position (ir files “0” – included for process comparison), no simulatedstereo is produced. The mono input signal is sent equally to the left and right outputs. As thecontrol is turned clockwise (ir files “1 – 6”), the amount of stereo simulation increases.

Electronic descending tones, could be used for a game over or lost a life for a game, or perhaps for a digital signal for another kind of event in a game?. I make other sfx and short musical compositions for games/apps, i release all sounds here under creative commons no restrictions to do as you wish with, so check out my other sounds.

A recreation of a lavalier microphone pop. Useful for reality or documentary where an interviewee may rip off their mic or you simply want to create the illusion of that drama. Also useful to incorporate into a "signal lost" effect, etc. Processed with some limiting so it's tamed and ready to throw in a mix. Recorded with an mxl lsm-3 dynamic mic, no reason to abuse my real lav mics.

Birds of paradise displaying in their usual frantic manner. Uses the dpo and edorphin. Es furthrrrrgenerator as sound sources. Mimeo phone and qpas- erbe-verb for effects. Part of signal passed trhrough morphagene, variable grain size and speed. Thanks to the guys and gals at endorphin. Es and make noise. No sponsors, just great inventive people, like all other modular manufacturers out there!. Stay safe and healthy,best,. Jim bretherick.

Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 31, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Ivan Kucherenko - Pro udovu.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 31, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Ivan Kucherenko - Pro udovu.flac.

Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 59, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Filaret Kolessa - Temna nichka.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 59, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Filaret Kolessa - Temna nichka.flac.

Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 1, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Hnat Honcharenko - Kozachok Polianka.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 1, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Hnat Honcharenko - Kozachok Polianka.flac.

Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 39, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Stepan Pasiuha - Pro udovu.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 39, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Stepan Pasiuha - Pro udovu.flac.

Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 37, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Ostap Kalnyi - Pro udovu.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 37, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Ostap Kalnyi - Pro udovu.flac.

This sound is a 1-sample long impulse at 48 khz. It covers the whole frequency range with equal power. This is a perfect sample for exciting your guitar amp or reverb unit to capture it's impulse response (ir). You can also play it through a speaker in a reverbant room to capture it's reverb characteristics. Remember that the ir sample will be no flatter than your speaker's performance multiplied by your microphone's performance (frequency response characteristics). The sample has exaclty 1 second of silence, then the impulse, then another second of silence to ensure the impulse will be played clean and untruncated on any sound system or device. My test with ir lv2 convolution plugin have proven, that this sample has absolutely flat frequency response - convolved signal was identical to the source signal. After normalization and sample-alignment of the sound clips i have inverted the polarisatin of one of them and summed them - result was absolute silence, even no hiss was present as a result. This shows the accuracy of the convolution process and proves this sound to be perfect for sampling ir. The impusle was generated with c* dirac ladspa plugin. Created using audacity.

Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 23, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Opanas Slastion - Plach Nevolnykiv 2.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 23, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Opanas Slastion - Plach Nevolnykiv 2.flac.

Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 11, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Yavdokha Pylypenko - Pro pikhotyntsia 1a.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 11, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Yavdokha Pylypenko - Pro pikhotyntsia 1a.flac.

Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 16, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Antin Skoba - Pro pikhotyntsia 3.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 16, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Antin Skoba - Pro pikhotyntsia 3.flac.

Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 61, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Stepan Pasiuha - Pisnia pro smert kozaka.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 61, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Stepan Pasiuha - Pisnia pro smert kozaka.flac.

Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 50, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please see the files in the "Other versions" field below. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 50, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте файли у полі «Інші версії» нижче.

Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 62, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please see files listed in the "Other versions" field below. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 62, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка, перейдіть до файлів, зазначених у полі «Інші версіїї» нижче.

Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 28, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Mykhailo Kravchenko - Pro udovu 2.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 28, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Mykhailo Kravchenko - Pro udovu 2.flac.

Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 2, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Mykhailo Kravchenko - Pro pikhotyntsia 2.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 2, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Mykhailo Kravchenko - Pro pikhotyntsia 2.flac.

Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 34, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Platon Kravchenko - Pro pikhotyntsia var a.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 34, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Platon Kravchenko - Pro pikhotyntsia var a.flac.