367 Royalty-Free Audio Tracks for "Octave"

A gunshot sound effect recorded for a high school production of the musical heathers. It was recorded on a zoom h1 and was made by a theatrical cap gun. I recorded it at a distance of about 5 feet and then again at a distance of about 40 feet from the audience and allowed the sound to reverberate both times. Then i duplicated both and mixed in both original sounds on top of each other, plus each sound pitched down 1 octave and the 40-feet away recording at 2 octaves down, plus the closer recording pitched one octave up. We then added and adjusted reverb in audacity and adjusted the sync of all the clips to be aligned, and adjusted the mix to make it sound as real as possible.

Same program as in https://freesound. Org/s/457868/ butthe main clock (lfo_2) frequency is about 1hz. It's a minor scale?! as have split the octave in 5 equal parts. This strange scale sounds like a sort of minor scale.

The deep, low octave sound effect popularised by eric serra for the goldeneye film score. It is available on the e-mu proteus 2 fx synth module under the patch "infinite". Alternatively, you can make a similar sound by sampling a woodblock/tambourine/cowbell and then pitching it down heavily (with added reverb).

Beam, hoover, hover, starting spaceship soundcreated by accident from an a-capella bass drum recordingsliding upwards exactly one octave (pitch shift). Recorded by an ic recordermodified with audacity. This sound is part of the public domain. You can use it without any credit.

This is me playing the ancient (very rare) notes which bach created being really drunk. I'm a classics master, so i worked really hard to play it perfectly just as the note sheet says. Feel free to use anywhere, it's classic!(created with care using ableton, grand piano and 2-octave keyboard).

A recording of page turns and riffles. Recorded right up near the grille of the mic so perhaps not the most natural sounding recording out there. 80hz high-pass filter was applied with a 12db an octave slope. Normalized to -3db. Signal chain: cad e100s and a focusrite scarlett 2i2.

An imitation of an australian police siren using synthesizer and a big outdoor-style reverb. The siren consists of two oscillators, one of them loops at 4bars at 115bpm. The other is approx 14 times faster. They both move in same approximate freq range from approx f#5 up to g#6, about an octave.

Register Violin demo, played with modulation. You will hear every key. Violin (4') is the same as Viola ('), but one octave higher. This is the famous and well known sound of the Arp/Solina String Ensemble! Data of instrument: Series 76 (Manufacturing year) No. 0131202 Manufactured by B. V. Eminent - Bodegraven - Holland

More dark loops on my youtube channelhttps://www. Youtube. Com/watch?v=pzy5rrmcw8m&list=pl9bdtoyt75awjdsqpjgsusmolm1tjjt_l&index=3. Donations directly to me are welcome at this link below, i appreciate it. Https://www. Paypal. Com/paypalme/josefpres1. This sound can be combined with other sounds in the pack. Otherwise, it is well usable up to 60 bpm. Subscribe my youtube channel :-)for new samples. Https://youtu. Be/fzhu2rkaxvc?t=17. Facebook. Https://www. Facebook. Com/simplesamplesweb. Subscribe my youtube channel :-)for new samples. Https://youtu. Be/iqddwaji3s0. Facebook. Https://www. Facebook. Com/simplesamplesweb.

Starting with a couple of blackbirds chatting to one another, their conversation broken by the arrival of a load of people on the monorail. Recorded mid_may at the national motor museum, beaulieu, hampshire, uk on a zoom h5 using custom mics. A 6db/octave high pass at 60hz has been applied.

A request fulfillment for djkasamyo. One octave plus a few on two different synths i made that i thought might fit the bill of what you're looking for. At the end of each play through is the opening riff of the song i modeled this off of, at your request. If you have any critique, let me know.

The source of this sound is https://freesound. Org/people/doomyd/sounds/530580/ - a clean electric guitar open a string. This sound has been processed using the harmonic plus stochastical analysis of the sms-tools package https://github. Com/mtg/sms-tools with frequency scaling and frequency stretching, to give a metallic flange & 2 octave bend effect.

Took a drum loop and pitched out 3 different layers of itself, one at half speed an octave down, one at quarter speed 2 octaves down, and one on top that starts out chopped up into separated transients and returns to full speed at the end. I originally made this to be 3 different levels of progression for a backing drum-loop, with the first section being the buildup, the second as the transition/windup, and the third as the breakdown.

My piano music on my youtube channelhttps://youtu. Be/bldz4oblauy. Donations directly to me are welcome at this link below, i appreciate it. Https://www. Paypal. Com/paypalme/josefpres1. This sound can be combined with other sounds in the pack. Otherwise, it is well usable up to 60 bpm. Subscribe my youtube channel :-)for new samples. Https://youtu. Be/iqddwaji3s0. Facebook. Https://www. Facebook. Com/simplesamplesweb.

Blue noise is also called azure noise and its power density increases 3 db per octave with increasing frequency over the frequency range. I created this by looping http://en. Wikipedia. Org/wiki/file:blue_noise. Ogg which is copylefted, however i claim that they can't be protected based on http://en. Wikipedia. Org/wiki/threshold_of_originality (check language sidebar on wikipedia page for other jurisdictions).

This is a kick i made with my mouth. I've been making this hardcore kick sound with my mouth since high school, more than 10 years. I blended two layers of the sample, one normal pitch one an octave down. Added a distortion and eq to it. Used adobe audition and fl studio to make this. 请享受.

Miracle scale, derived from the secor (s = 116.72 cents), plus the difference between 10 secors and a perfect octave (q = 32.84 cents). MIDI pitch bend appears to match intervals. The Miracle scale is 0 1 2 3 4 5 6 7 8 9 0' s s s s s s s s s s+q The difference between s and q (r) is used in the File:Blackjack scale.mid.

A12 4 7 10 on C. Traditional notation: C B♭ E. MIDI pitch bend matches intervals. Other non-octave tunings investigated by Bohlen besides the Bohlen-Pierce scale include twelve steps in the tritave, named A12 by Enrique Moreno [1] and based on the 4:7:10 chord.

This is the second of two fx i've posted of the beast i used for beauty and the beast in our theatre. I was having a terrible time finding a good sound so i just pitch shifted my own voice down an octave. This is the second where the beast is panting just before his second entrance. The other one is 3 growls (and one meow) of the beast. Enjoy. Kp.

Sound demo, played with modulation. You will hear random akkords. The registers (choires) are Viola, Violin and Trumpet. Violin (4') is the same as Viola ('), but one octave higher. Trumpet offers the effect of the brass section in an orchestra. Note: Horn is the low pass filtered version of the register Trumpet, not an additional register! Data of instrument: Series 76 (Manufacturing year) No. 0131202 Manufactured by B. V. Eminent - Bodegraven - Holland

Td-3-tg recorded with zoom h-1. Td was performing slide through octaves with "slide" button pressed in program, and subsequent cs were played, in octave -1 and 0, and higher c in octave 0 and +1, back and forth. Program takes 7 16th notes and the space between notes takes 9 rests. Tempo of the td-3 was set to maximum and the volume control was set to high amount, to let zoom h-1 with rec level setting to 37, be driven up to -6db. Sound recorded in 96khz and 24bits. Trimmed and saved in flstudio edison, what made sound 32bit. No amplify, no normalisation. "tune" knob of td-3 was set to maximum as well as "cut off", "envelope" and "accent". "resonance" and "decay" was set to one o'clock. "waveform" swicth was set to square. No distortion. Zoom h-1 was plugged by a cable, td-3 output to line in. Cable was named vitalco - 1/8 inch trs to 1/4 ts, male to male, 3m.

*1 step in 17 equal temperament on C = D♭ (Easley Blackwood's notation). Equal-tempered: 21/17:1 = 70.59 cents. MIDI pitch bend: 75,54 17 tone equal temperament is the tempered scale derived by dividing the octave into 17 equal steps (equal frequency ratios). Each step represents a frequency ratio of 21/17, or 70.6 cents.

Violet aka purple noise power density increases 6 db per octave with increasing frequency over the frequency range. It is also known as differentiated white noise, due to its being the result of the differentiation of a white noise signal. I created this by looping http://en. Wikipedia. Org/wiki/file:purple_noise. Ogg. Which is copylefted, however i claim that they can't be protected based on http://en. Wikipedia. Org/wiki/threshold_of_originality (check language sidebar on wikipedia page for other jurisdictions).

I'm a character designer and a soundtrack composer , kojiro miura is a name of one of my favorite heroes manga character i have created before. . As a beginner and as a fan of adventures stories , i decided to enter the music making field to make my own music , which is closed to manga and anime and game style. Nt: your encouragement and criticism interest me in self development. Thanks.

Strega almost reproducing the organ at the royal albert hall (ha ha ha!). Just a sequence from 0-ctrl fed into rings, strega and karplus-strong (mu) of mimeophon. Octave lower reproduction using morphagene. Erbe-verbe adds depth. Outs to x-pan. Rendered @48khz 32bit with markers for all you morphagene fans out there. Enjoy! play it anywhere except at my funeral. . .

Simple patch. Two oscillators, ring modulation, lfos, vcas and digital effects. No spring reverb this time. Important module is the clock divider. The oscillators where tuned to the same tone one octave apart. Well. . . Not exactly. After having recorded i measured the frequencies 228,8 hz and 117,7 hz. . . But that made the output from the ring modulator interesting. What is generative with this? i modulate amplitude of the sounds and the decay for all thee sounds. This also affects the rhythm sound.

This is a 808 bass which i sampled from my novation drum station. The sample covers one full octave from c#0-c1. The sound was recorded through a yamaha m1516 which pretty much has the same circuit as a api. As you can hear it sounds pretty much the same as a roland 808. The drum station uses analog modeling so the sound is pretty nice. Feel free to use in your productions. There is no need to contact me if you release a track with this sample just enjoy.

Atmosphere in the interior of the sagrada familia, or more formally, the basílica i temple expiatori de la sagrada família, in barcelona, spain. Antonio gaudi's as-yet unfinished masterwork, begun in 1882, and set to be completed around 2026. It's an awe-inspiring building, with soaring, tree-like pillars and flooded with color from the stained-glass windows. This is a recording, made 2022 june 14, of the hubbub of sound inside the nave with multi-lingual tourists milling about, taking selfies, and gazing upward in awe. (try playing it back pitched down by and octave or more too!). .

This is a sawtooth waveform suitable for easily tuning guitar by ear, comprised of 20 seconds each of e-a-d-g-b-e in sequence. Adjust guitar volume to same volume as the tone, ideally through the same audio output. Tune the string close to the tone, then listen for the subtle beat-frequency indicating not-quite-perfect tune. When the beat frequency goes away, your guitar string is in perfect tune. Also useful for adjustable bridges. The open string and its 12th fret octave will both produce no beat-frequency when the bridge is adjusted properly.

Small sample of "mandolin tremolo", using syntheway banjodoline virtual banjo and mandolin vst vst3 au (mandolin tremolo effect) and a bit of dal flute vsti at its fade-out (vst plugins software). Brief 27 seconds demo of "the godfather waltz" (nino rota). Banjodoline is a virtual banjo and mandolin vst, vst3 and audio unit plugin software, including a mandocello, mandola, octave mandolin, banjolin and electric mandolin fretted stringed instruments emulation.

My childhood piano, an old german upright. Recorded using a studio projects b3 condenser mic through a presonus tubepre into an akai mpc1000. Mic'd from the top with the lid up, closer to the bass end. The piano is old and slightly out of tune, with a crack in the soundboard. The only processing was with analogx autotune to tune the samples, which did a very good job. Sampled 3 notes per octave so each sample only needs to be tuned + or - a semitone to span the whole range. It is a dark and moody sounding, a lot of character but in now way "pristine".

A request for freesounder neilreynolds1980, intended as a soundtrack for the play dr faustus at the point the eponymous character is sucked into hell. A bit of technical information: the basic sound is a stacked set of ‘devil’s intervals’ (augmented fourths) with doubling at the octave, playing an instance of calf organ set to a truly horrifying demonic choir patch i created. The rest of the effects are accomplished using automation of this instrument as well as calf pulsator and calf filter in ardour. This sounds much better when downloaded than it does in the freesound player. The stereo image and sample rate are much reduced in the version you hear in the player.

Stereo recording made in the generator hall of tate modern between exhibitions. The end of the hall furthest from the entrance was empty, so i ran the recorder for a couple of minutes just to sample the reverberation. Because it is a school holiday in the uk, there were large numbers of children in the gallery, especially on the upper deck bridge about 25m from the recorder, and their voices are higher pitched and their behaviour extrovert. The space is large, so the echoes give a lot of atmosphere. Recorded on zoom h2. Transferred to audacity and high pass filter with breakpoint of 180hz used (12db/octave) to remove the hum that is prevalent at this site. +6db of amplification used, so peaks at -18dbfs.

Blackjack scale, derived from the secor (s = 116.72 cents), the difference between 10 secors and a perfect octave (q = 32.84 cents), and the difference between that and a secor (r = s-q = 83.88 cents). MIDI pitch bend appears to match intervals. If the Miracle scale is 0 1 2 3 4 5 6 7 8 9 0' s s s s s s s s s s +q q +r q +r q +r q +r q +r q +r q +r q +r q +r q +r +q then the Blackjack scale is 0 >0 1 >1 2 >2 3 >3 4 >4 5 >5 6 >6 7 >7 8 >8 9 >9 <0 0' q r q r q r q r q r q r q r q r q r q r q

Algorithmic modular music program (man3_2019). The computer is my analog modular synth. 00 rem -------------- man3_2019 --------------00 rem man3 - modular algorithm no 300 rem the steps/command lines, 01 to 08, are steps on a step sequencer00 rem main clock (lfo_2) 3hz00 rem the cv sequencer (seq) are tuned to an octave split in 5 equal parts. 00 rem seq has its own clock00 rem lfo_2 controls vco_2 via vca_2 and vca_300 rem lfo_3 controls wave shaper and vcf00 rem vco_1 tuned to 150hz sin -> wave shaper00 rem vco_2 tuned to 150hz tri00 rem vco_3 tuned to 75hz sqr -> vcf00 rem ----------------------------------------01 sampl lfo_1 -> vca_1 (vco_1)02 sampl seq -> vco_203 sampl lfo_1 -> vca_2 (vca_3) : rem [lfo_2 -> vca_2 -> vca_3 (vco_2)]04 sampl seq -> vco_105 trg -> noise -> delay_106 sampl seq -> vco_307 trg -> env (vco_3)08 trg -> noise -> delay_110 goto 01.

This wav file is a take-away from a midi track my current project. The vst instrument is 4front e-piano and it's free! - the root key is g major, starting off in the piano roll at g3. The bottom drops to g2 and uses heavy steps, separated by a key to reach g2. Going back up to g3, the notes are shortened and no keys are skipped. Hence the fairytale stares ascents. The ceiling above g3 is g5. So 1 octave down, 2 up. The tight stairstep is maintained above g3. There is just downward notes to keep it sounding like a saw form. The entire sound should be in-key and loopable. Each of the 16 bars is unique. I didn't just copy and paste the same notes several times. - my next step is to apply a different midi sound. Sorry for the book. I hope this helps someone.

guardians of limbo (spectral voices, ethereal sounds, odd vocals) sample of fx preset from magnus choir vsti software. Virtual choir (musical instrument). Software description:. Magnus choir is a vst, vst3 and audio unit virtual instrument which can be used to create natural and synthetic choirs. The male and female choruses combine to form a mixed choir, featuring the classic satb (soprano, alto, tenor, bass) structure: women sing soprano and alto, while men sing tenor and bass. Versatile to generate a wide spectrum of choirs, vocal textures, choral pads and voices with modulation capabilities for a new level of realism in digital sound creation. • 54 preset sounds ready to use, including a vast array of natural and synthetic sounds, from oohs, aahs, men and women in mixed choirs to the celestial choir of angels, reso pads, dark atmos, creepy voices, ambient ghostly and birdsong effects, as well as cinematic and soundscapes. 01. - abbey ghost02. - ad infinitum formant03. - ad libitum chorale04. - aeternus lux lucis05. - alchemical signals06. - angelic vox07. - angels between us08. - apocalyptic chamber09. - astral singers10. - aurum vox pad11. - birds sonic sweep12. - caelestis kingdom13. - celestial choir14. - choral ensemble15. - choralis pad16. - cinematic padilius17. - cosmic odyssey voice18. - cryogenic dimension19. - dark cantus20. - digital voice21. - dystopian chorus22. - elves land23. - enchanted goblins24. - ethereal voices25. - guardians of limbo26. - lost souls in the dark27. - male & female aahs28. - morph dreams29. - morphed vowels30. - mystical vowels31. - nebula dark atmos32. - necromancer summons33. - neo choir34. - octave aahs choir35. - octave vox pad36. - oniric sequences37. - oohs choir38. - psychedelic vox39. - psychomanteum reso40. - quasi spatial voices41. - relaxing paradise42. - restless spirits43. - sanctus holy chant44. - sonorous skies45. - sopranvox c4-c646. - spatiotemporal atmos47. - spectral hell48. - synthetic chorus49. - synthesized vocals50. - underworld embryos51. - vinyl chorus52. - voices in the mist53. - vowelled soundscape54. - vox vocis texture. • low frequency oscillator section: these knobs apply modulation to the selected instrument. By using the lfo to modulate various aspects of the audio signal, you can apply effects such as vibrato or tremolo. • adsr envelope generator with attack, sustain, decay and release parameters. • pitch bend: the pitch bend knob directly changes the pitch of the selected instrument. • reverb built-in: provides a spaciousness and depth to simulate the sound reflections from walls, floors and ceilings following a sound created in an acoustically reflective environment. Small rooms can be modeled as well as large spaces. • filter section: with filter type box for low pass filter and high pass filter. • amplitude range parameters: it controls the loudness, the way in which we perceive amplitude. The sensitivity level is set by the user. • panning potentiometer control. • midi cc automation: implementation of midi continuous controller parameters for use with external hardware control via daw.

Twinkle Twinkle Little Star melody doubled in four octaves: consonant and equivalent. Created by Hyacinth (talk) 14:49, 26 July 2009 using Sibelius 5.

Harp pluck recording octaves down.

Harp recording octaves up.

Ratio between pitch and length of an organ pipe: octaves.

Waldorf rocket and 2-pole filter. Four octaves. Enjoy!.

This is a very small part of a song of mine called cyanean rocks. I used. Tempo: 140 bpmsguitar: prs se santana - guitar strings: ernie ball rps 10 slinkybass: vst cobra satin - bass strings: 3 vst, 1 fenderamp: yamaha thr 10 - select aco,a gentle amount of chorus & delayprogramms: fl8, wavelab 6drums: dw, tama. I do not tune my guitar and bass with the standard tuning. Veiler's personal tuning for guitar. Mi bass -remains-> mi bassla -becomes-> sol thin string - it is a sol string like the classic solre -becomes->do# the closest to re stringsol -remains-> sol, and it is exactly the same with the upper sol- buy extrasi -becomes-> do# the closest to si stringmi cantini -remains-> mi cantini. You must perform intonational adjustment to the bridge saddlesif your guitar has permanent bridge saddles - it sounds like ass. If you don't know what intonational adjustment of the bridge saddlesgo ask a guitarist because you are not - even if you say so. [we fix the harmonics - we focus in the octave tuning usually usinghex key = allen key]. In some guitars we may have to fix the harmonics once a month. If you don't know anything, search it on wikipedia. You have to throw away the la string. You have to purchase an extra sol to replace the unused la string. If you don't understand that, please don't speak to me, i hate idiots. Effects: phase deleting 25 ms of the right channel(if you destroy a critical drum-attack remix it to the right channel). Please brush your teeth!!!.

This is my recreation of the noise in the background of a video shot on a consumer grade minidv camcorder (a well used one). I haven't had a minidv camcorder on hand for a few years and nobody i knew would give me a recording of just tape motor noise so i went to create the noise myself. This sound is a combination of a very badly pressed dvd in my computer's drive mixed with a tone made in audacity (up one octave from the tone that the disc ended up creating), all mixed down and brought down in volume. I know it's not a prefect recreation, but i don't have a minidv camcorder on hand so this is about as good as i can get it. If anyone has access to an anechoic chamber, a fresh tape, and a well used consumer grade minidv camcorder, please get in touch with me. I'd like the real deal better than my recreation that i did in my spare time. Note on recreating the noise out of hdv camcorders. They have slightly different hardware and as such will create different bearing noise (most times, there's an extra whine on top of the familiar bearing whine heard from standard dv camcorders). I forget the exact frequency, but it's somewhere in the neighborhood of 840hz-860hz and it's a sort of sine wave, but a modest bit more jagged. You'll have to provide your own stock camcorder mic hiss as each camcorder is different (not for definite sure on sony camcorders, but canon camcorders have a pink-ish white noise in about that era).

A saw wave sweeping up a few octaves.

1st release date: 1916

I am playing on a viola softly on c e and g across 4 octaves without applying eq recorded with a dynamic microphone in my room with a computer using my hands to play the instrument.

Stretched out chorus sample with extra octaves.

Saw wave arpeggio with lfo, 2 octaves. Tools: jp8080 & fx.

Pseudo-rising flute on different octaves.