43 Royalty-Free Audio Tracks for "One Octave"

Part of a series of piano notes spanning one octave.

One minute of tampura at 136,10hz, the 32th octave of the solar tropic year.

One minute of monochord at 136,10hz, the 32th octave of the solar tropic year.

These are some synths i tuned in reason. I've included them as an octave long run of notes so you can use them in your own productions. I hope you find them useful :].

The vowel “i" ordered within a standard scale of one octave starting with root. Made with supercollider formant class.

The vowel “e" ordered within a standard scale of one octave starting with root. Made with supercollider formant class.

The vowel "o" ordered within a standard scale of one octave starting with root. Made with supercollider formant class.

The vowel “a" ordered within a standard scale of one octave starting with root. Made with supercollider formant class.

A#2 glockenspiel note in mono, recorded using an akg c3000b and straight into my 'puter. Part of a set. The glockenspiel is a 3 octave educational type, not abig orchestral one, so the octave numbers supplied are actually about 4octaves lower than true!.

The chord progression of the ostinato from "Creep" played with block chords with each chord in root position within one octave.

Took a drum loop and pitched out 3 different layers of itself, one at half speed an octave down, one at quarter speed 2 octaves down, and one on top that starts out chopped up into separated transients and returns to full speed at the end. I originally made this to be 3 different levels of progression for a backing drum-loop, with the first section being the buildup, the second as the transition/windup, and the third as the breakdown.

Lots of echo and reverb, also layered 1 regular pitch and the other one octave down. Free to use as you like.

Whitney music box, variation 6. In this variation the 48 dots are arranged to trigger microtonal pitches in one octave. Music generated using my own syd synthesis software. Visualization:http://www. Coverpop. Com/whitney/index. Php?var=v6.

A thirteenth chord "collapsed" into one octave results in a dissonant, seemingly secundal[1] tone cluster. Created by Hyacinth (talk) 22:18, 5 July 2009 using Sibelius 5.

The original source for stretchdrone01. Aiff. Made back in 1980 on an octave/cat synthesizer and recorded to cassette. It's from a series of work tapes that i and my friend stephen mackay made under the "band" name late capitalism. The title for this one was "a five year contract with disney". We never did much with this material so feel free to use it as you see fit. Enjoy.

Register Violin demo, played without modulation. You will hear every key. Violin (4') is the same as Viola ('), but one octave higher. Data of instrument: Series 76 (Manufacturing year) No. 0131202 Manufactured by B. V. Eminent - Bodegraven - Holland

A series of three octave tones dropping in pitch, with the highest one fading in to create a dropping effect ending at a higher frequency. Just my attempt to recreate the dropping bells effect. Start the sound over from the beginning after finishing.

In the range of three octaves, sung by me in 13 tracks. Not completely in tune. The first one is unedited sound. The second is transposed an octave lower. The third is transposed two octaves lower. In the fourth all the latter are sounded together (39 voices). The transposing makes a peculiar effect to the voice specially in the second (12 semitone) transposition.

Register Viola demo, played without modulation. You will hear every key. Viola (8') is the same as Violin (4'), but one octave lower, like Trumpet/Horn. Data of instrument: Series 76 (Manufacturing year) No. 0131202 Manufactured by B. V. Eminent - Bodegraven - Holland

Register Viola demo, played with modulation. You will hear every key. Viola (8') is the same as Violin (4'), but one octave lower, like Trumpet/Horn. Data of instrument: Series 76 (Manufacturing year) No. 0131202 Manufactured by B. V. Eminent - Bodegraven - Holland

Made on fl5 back in 2005 for one of my first rap beats. . Used a pluck instrument on fl5 to create this loop. Has a harmony on the second time around on a higher octave.

Doing a test of how this looks on this site. Triangle wave raising octaves in steps. Took 5 tries but got one that im happy with. If you notice at the end the color starts going backward when the frequency gets too high, instead of going towards red. (which is actually the opposite of the wave length ratios in the light spectrum).

This is a bass sound, not tuned but it is a perfect loop withouth clicks. It has no panning effect - i will do that on another sample. It is not tuned - use a program that tunes the samples to tonal. You must use it only in one octave from c5 to c6. In other octaves sounds not like a normal bass.

This is a kick i made with my mouth. I've been making this hardcore kick sound with my mouth since high school, more than 10 years. I blended two layers of the sample, one normal pitch one an octave down. Added a distortion and eq to it. Used adobe audition and fl studio to make this. 请享受.

Beam, hoover, hover, starting spaceship soundcreated by accident from an a-capella bass drum recordingsliding upwards exactly one octave (pitch shift). Recorded by an ic recordermodified with audacity. This sound is part of the public domain. You can use it without any credit.

This is the second of two fx i've posted of the beast i used for beauty and the beast in our theatre. I was having a terrible time finding a good sound so i just pitch shifted my own voice down an octave. This is the second where the beast is panting just before his second entrance. The other one is 3 growls (and one meow) of the beast. Enjoy. Kp.

Register Violin demo, played with modulation. You will hear every key. Violin (4') is the same as Viola ('), but one octave higher. This is the famous and well known sound of the Arp/Solina String Ensemble! Data of instrument: Series 76 (Manufacturing year) No. 0131202 Manufactured by B. V. Eminent - Bodegraven - Holland

An imitation of an australian police siren using synthesizer and a big outdoor-style reverb. The siren consists of two oscillators, one of them loops at 4bars at 115bpm. The other is approx 14 times faster. They both move in same approximate freq range from approx f#5 up to g#6, about an octave.

This is a sound of vintage soviet transistor organ junost 75. I have sampled one tone per octave in its 5-octave range, which is sufficient to re-create the original sound (tested on ensoniq asr-10, korg tr6 and casio ctk-900). But if you use only the middle sample, you can still simply create a great combo organ sound. This sample has ben recorded while all 4 registers were switched on. For succesful re-creation i recommend to slightly decrease filter cut-off, to add some resonance and fast vibrato. Enjoy!.

A request fulfillment for djkasamyo. One octave plus a few on two different synths i made that i thought might fit the bill of what you're looking for. At the end of each play through is the opening riff of the song i modeled this off of, at your request. If you have any critique, let me know.

Starting with a couple of blackbirds chatting to one another, their conversation broken by the arrival of a load of people on the monorail. Recorded mid_may at the national motor museum, beaulieu, hampshire, uk on a zoom h5 using custom mics. A 6db/octave high pass at 60hz has been applied.

Example 12 from Stockhausen's article "… wie die Zeit vergeht …", illustrating with a version of the series from Gruppen fur drei Orchester that, "if you start from the intervals of a proportion series, then with every step forward the register of each duration is also already chosen" (Stockhausen 1963b, 117). There are "a number of basic durations, indicated in metronome marks and corresponding with the pitch proportions within the series, reaching far as the octave positions (basic duration units)" (Leeuw 2005, 174), or "a duration scale which changes its 'time register' … corresponds to a twelve-tone scale that extends over more than one octave" (Misch 1998, 157–58).

A gunshot sound effect recorded for a high school production of the musical heathers. It was recorded on a zoom h1 and was made by a theatrical cap gun. I recorded it at a distance of about 5 feet and then again at a distance of about 40 feet from the audience and allowed the sound to reverberate both times. Then i duplicated both and mixed in both original sounds on top of each other, plus each sound pitched down 1 octave and the 40-feet away recording at 2 octaves down, plus the closer recording pitched one octave up. We then added and adjusted reverb in audacity and adjusted the sync of all the clips to be aligned, and adjusted the mix to make it sound as real as possible.

Sound demo, played with modulation. You will hear random akkords. The registers (choires) are Viola, Violin and Trumpet. Violin (4') is the same as Viola ('), but one octave higher. Trumpet offers the effect of the brass section in an orchestra. Note: Horn is the low pass filtered version of the register Trumpet, not an additional register! Data of instrument: Series 76 (Manufacturing year) No. 0131202 Manufactured by B. V. Eminent - Bodegraven - Holland

I'm a character designer and a soundtrack composer , kojiro miura is a name of one of my favorite heroes manga character i have created before. . As a beginner and as a fan of adventures stories , i decided to enter the music making field to make my own music , which is closed to manga and anime and game style. Nt: your encouragement and criticism interest me in self development. Thanks.

This is a 808 bass which i sampled from my novation drum station. The sample covers one full octave from c#0-c1. The sound was recorded through a yamaha m1516 which pretty much has the same circuit as a api. As you can hear it sounds pretty much the same as a roland 808. The drum station uses analog modeling so the sound is pretty nice. Feel free to use in your productions. There is no need to contact me if you release a track with this sample just enjoy.

Simple patch. Two oscillators, ring modulation, lfos, vcas and digital effects. No spring reverb this time. Important module is the clock divider. The oscillators where tuned to the same tone one octave apart. Well. . . Not exactly. After having recorded i measured the frequencies 228,8 hz and 117,7 hz. . . But that made the output from the ring modulator interesting. What is generative with this? i modulate amplitude of the sounds and the decay for all thee sounds. This also affects the rhythm sound.

Td-3-tg recorded with zoom h-1. Td was performing slide through octaves with "slide" button pressed in program, and subsequent cs were played, in octave -1 and 0, and higher c in octave 0 and +1, back and forth. Program takes 7 16th notes and the space between notes takes 9 rests. Tempo of the td-3 was set to maximum and the volume control was set to high amount, to let zoom h-1 with rec level setting to 37, be driven up to -6db. Sound recorded in 96khz and 24bits. Trimmed and saved in flstudio edison, what made sound 32bit. No amplify, no normalisation. "tune" knob of td-3 was set to maximum as well as "cut off", "envelope" and "accent". "resonance" and "decay" was set to one o'clock. "waveform" swicth was set to square. No distortion. Zoom h-1 was plugged by a cable, td-3 output to line in. Cable was named vitalco - 1/8 inch trs to 1/4 ts, male to male, 3m.

This is my recreation of the noise in the background of a video shot on a consumer grade minidv camcorder (a well used one). I haven't had a minidv camcorder on hand for a few years and nobody i knew would give me a recording of just tape motor noise so i went to create the noise myself. This sound is a combination of a very badly pressed dvd in my computer's drive mixed with a tone made in audacity (up one octave from the tone that the disc ended up creating), all mixed down and brought down in volume. I know it's not a prefect recreation, but i don't have a minidv camcorder on hand so this is about as good as i can get it. If anyone has access to an anechoic chamber, a fresh tape, and a well used consumer grade minidv camcorder, please get in touch with me. I'd like the real deal better than my recreation that i did in my spare time. Note on recreating the noise out of hdv camcorders. They have slightly different hardware and as such will create different bearing noise (most times, there's an extra whine on top of the familiar bearing whine heard from standard dv camcorders). I forget the exact frequency, but it's somewhere in the neighborhood of 840hz-860hz and it's a sort of sine wave, but a modest bit more jagged. You'll have to provide your own stock camcorder mic hiss as each camcorder is different (not for definite sure on sony camcorders, but canon camcorders have a pink-ish white noise in about that era).

I used one of the trilobyte waveforms with a saw shaped fm being applied to it two octaves higher with a bunch of crazy filters.

Made using two synths. One is a noise generator that has been pitched down three octaves. It has a 12-hertz sine tremolo on either side, one of which is offset by half a wavelength. The other synth is a deep organ playing e3 and g3. I cut the sound in audacity, and the waves line up perfectly, so you don't need to worry about looping it badly.

3rd in chromatic order. I recorded 16 notes from a music box. I waited for the motor to loose juice then i wound it forward manually so i could record each separate note chromatically. There are two octaves plus one note. Begins with d and climbs up the scale ending with e.

Calm ambient track. Winter woods / pinewood february 12. 41 pm (noon) in the netherlands near village giersbergen. Bram’s admin request-text and my answer in audio. Hello freesounders,it happens very infrequently that i post requests. However, i have an extraordinary sad reason to do so today. I don't want to go into detail in this public forum, but someone incredibly important and incredibly young in my life and my wife's just passed away. I am thus looking for an extra long recording of a peaceful "forrest ambience" to play during the good-bye ceremony. Something with some birds and perhaps some wind through the leaves,. . . . Currently the ceremony is planned for april 6th so i would need this before then. I know i can look through freesound, but i would like something specifically recorded with this in mind, something we will be able to listen to later as well, remembering this important and sad time in our life. . . Yours in grief,- bram & familywhat you hear;general-noise; soft wind in woods, sometime a bit increasing. A far kid at the edge of hamlet giersbergen. Far hum of the woods. Remark that the far high altitude planes are on a very lo noise level. Off and on craws and woodpeckers. 00. 00-02. 18 clean background-sound02. 18-06. 57 far high altitude plane- 04. 08-05. 42 people passing06. 05- 08. 13 clean background-sound- 07. 15-08. 12 woodpecker08. 16-10. 33 far high altitude plane10. 33-11. 44 clean background-sound- 10. 44-11. 32 (far) woodpeckers11. 33-12. 53 far police serine12. 55-14. 11 clean with some far yelling kids and woodpeckers14. 15-16. 14 far high altitude plane16. 14-26. 11 clean background-sound with some friendly increasing wind gusts- 23. 06-23. 56 woodpeckers- 25. 53-26. 08 woodpecker26. 08-end far high altitude plane and people. More recordings here search: giersbergen. About the area, national park loonse en drunense duinen. (text by irma de potter,ranger of this area) dutch website: https://www. Natuurmonumenten. Nl/natuurgebieden/nationaal-park-loonse-en-drunense-duinen. In the loonse en drunense duinen you will find forest, heathland and especially a lot of sand. It is one of the largest shifting sand areas in western europe. The wind can blow undisturbed in many places, resulting in an ever-changing landscape. By purchasing it in 1921, it has been protected for 100 years and we can still enjoy this brabant sahara today. You can roam freely on the sand plain. So there is plenty of room to explore extensively. Marvel at the submerged trees, enjoy the chirping field crickets and quench your thirst at one of the many cafes or restaurants on the edge of this nature reserve. Walking, cycling or on horseback: it's all possible here. With the wind in your hair and the sand in your shoes. You may even come across the sheep herd. The sheep keep the heath short and eat away saplings. This is how they keep the area open. The loonse en drunense duinen still has 270 hectares of shifting sand. That sand creates rather extreme conditions: the soil is dry and nutrient-poor. The difference in temperature between day and night can be as much as 50 degrees celsius. This ensures a unique flora and fauna. The animals and plants have adapted or feel at home in drought, aridity and temperature fluctuations. Sand sedge and various lichens, for example. And the viviparous lizard, sandpit beetles and sand bees. All species that love sand. In the last ice age, the polar winds blew sand from the north to brabant, where it remained in thick packages. For a long time this sandy plain was covered with primeval forests. Until the fourteenth century the trees were felled by people. They used the wood as fuel. The bare plain was filled with heather, where the farmers grazed their cattle. This intensive grazing and the sod cutting of the soil depleted the soil. This gave the sand free play. For a long time, the sand was a major problem for the residents. Villages and fields threatened to disappear under it. Trees were planted to stop the advancing sand. You can still see the traces of this today: find the submerged trees that only peak above the sand hills with their crowns. Date/time: february 15th tuesday 2017, start 12. 44 pm. Weather: 13c, clear sky, wind se 2-3bft , 1023 hpa. Mic pointed ne. Location; soft-wood-forest giersbergen (drunen), national park “loonse en drunense duinen”, drunen, noord-brabant, netherlands (holland), europe geo 51. 65566 5. 15774. Gear chain: sennheiser mkh30/50 ms, in rycote cyclone small, windjammer > sound devices 302 >tascam dr-100 mk2. Low cut 140hz 6db/octave. Level around -33db for background. Decoded mid-side to stereo.