1,528 Royalty-Free Audio Tracks for "Piece"

Movement V, "Basse et Dessus de Trompette" of Suite du Premier Ton (Suite in C major [literally "on the first tone"]) from Louis-Nicolas Clérambault (1676–1749) 1710 book of organ compositions, Livre d'Orgue. Basse et Dessus de Trompette, pièce pour orgue (for pipe organ), de Louis-Nicolas Clérambault (1676–1749)

Recorded at tea, a museum in santa cruz de tenerife. I was invited by dancer masu fajardo to create some sound ambients for a dance piece she was doing there, we decided to use only the sounds being created by her body and her interactions with the space. Here we can hear her running around a big hall, taking breaths and shouting. Recorded with a zoom h4 n.

This is a piece of music i made in fl studio. The hits are really hard so you may want to turn down your volume a bit.

A piece of music i made in garageband for something called victors crypt. The tune starts out with a bassline, pretty slow. But when the beats come in it's a pretty fast paced piece. Kept things simple and just added some low pitched strings and, voices and some reverbed sounds. It ends in a kind of mysterious and spooky way. Suited for anything dark, spooky, eerie, suspence, thrilling for instance. Think it would work great to a game, youtube-channel or episode, movie or whatever you feel like. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

Note: audio may not sound of good quality in preview. A bass loop made with the free brainstormer synth (it's awesome, you can find it here: http://roazhondsp. Storm-mastering. Com/), and then heavy modulated using lots of bandpass & notch filtering automation, pitch automation, distortion, resampling, & multiband compression. I'd recommend to splice things up a bit by slicing it into pieces & arranging them into something new.

My dog and the nieghbour's dog don't like each other. While i was asleep they went to the fence and from the calmness they barked and growled at each other. The neighbour's dog who has sharper voice tore some pieces of the wooden fence on the nieghbour's side but the another layer of the fence is iron and cannot be toren apart by them. Recorded by sony stereo dictaphone.

Why does everything i upload sound like people screaming and/or chainsaws!?. Sound source is a contact mic producing feedback into various fx. The main fx used for the clip are a sirkut electronics gnarler, boss metal zone, dod grunge, and finally, a danelectro french fries auto wah. Recorded direct-to-sound card as usual. This is a sample taken from a longer piece.

This sound is piece of night atmosphere i recorded years ago with reel-to-reel nagra4 and mkh416. You can hear night ambience of large hangar with lot of silent insects flying directly to electronic trap light and burn in very close detail. Another detail sound comes from hiting the metal body of film light.

Hammer hitting a nail: in this sound you hear a metal hammer hitting a metal nail into a slab of wood, creating a harsh sounding sound. Recorded using the zoomh4n and using the rode ntg1 condenser shotgun microphone. A high shelf and a band was added to the sound to make the hammer hitting the nail more clear. The hammer used was 2kg hammer and the nail was 5 cm long nail and the wood was a piece of eucalyptus tree wood.

March of the Emperor at the entrance to the temple - piece from China (between 6th and 5th century BC). Work is written for melodic and percussion instruments This file: koto and high floor tom. Marsz na wejście Cesarza do świątyni - utwór powstały w Chinach między VI a V w. p.n.e. Przeznaczony jest dla instrumentu melodycznego i perkusyjnego. W tym pliku jest to koto i high floor tom.

Clean sounds of twistling a 3/4 full dark chocolate bar (200 grams in full) in it's plastic wraps. Lastly there is a pure snap of one choco piece in half, which is just awesome. The chocolate is moderately thick (approx 1 cm) and it is originally meant for baking.

Screams of a female warrior on the battle field. Encouraging her companions forward, taking blows, giving blows and hacking something to pieces. #adpprecorded using a rode nt-1 microphone through a uk=r22-mkii interface using reaper. I recorded this within a blanket fort to reduce external noise and potential echo.

To make this series of sounds, i blended a bunch of samples together, some recorded on my go-to usb mic, some synthesized in ableton. I thought they fit together nicely vs being isolated pieces. This sample is part of my halloween 2021 pack. As with all my previous uploads to freesound, this sample is dedicated to the public domain. Enjoy!.

This is a transformation of the original recording https://freesound. Org/people/pinehadmz/sounds/369501/. For week 10 "musical piece" assignment for the audio signal processing for music applications online class. There are three layers, panned in stereo. Each syllable of each layer was randomly pitch shifted to a note in the minor scale using the harmonic plus stochastic model. Each harmonic track was thickened with extra harmonics during the synthesis process too to make it extra weird.

Diboz throws a piano at his annoyingly ticking watch, which is ruining his sense of timing. Created in flstudio 11 with lightly tweaked flkeys, flreverb2, jangly (almost tubular bells) wasp xt layers and a pitch bent formant for a bit of spookiness. The ticking noise and deep notes were generated by fiddling with morphine's presets. Caution: look at the waveform. Don't turn up the wick. This piece starts quietly but there's a sudden, loud, jump scare.

Short piece of ambiance, made by slowing down a glass breaking from bevibeldesign, giving it a cool horror tone. It reminds me of hanted castles in mario's games, like boo. But more creepy and anxious. Original sound:https://freesound. Org/people/bevibeldesign/sounds/349905/.

This is a suona audio segment from 《a hundred birds paying homage to the phoenix》which is one of the ten most famous pieces of chinese folk instrumental music. It depicts the sound of a hundred birds singing in harmony and celebrates the beauty of nature in a lively and cheerful tune, which gives full play to the characteristics of the suona. Its popularity is widespread, with different versions available in shandong, anhui, henan, hebei and other places. The music evokes a love of nature and a life of labor with a warm and upbeat melody.

Another piece of music. This time, i tried to actually have an ending, of sorts. Most of the time, i seem to create build up, or try to. But i haven't really focused on making an ending. Please let me know what you think. Anyways, this is completely free, which means you can use it for any projects, or things that fit into that category. You don't have to credit me if you use this for a project, but it'd be great if you did!.

Format: wav - 24 bit, 48khzdescription:a generative music piece with changing key signatures. Features a subtractive synth type sound with added reverb. Made with january. Cc - the interactive flash app by disasterpiece. -------------. If you like or dislike this sound, please comment on your thoughts :). Reminder:this upload is cc0 and in the public domain, so use to your heart's contempt.

Wine glass, tuned with water, being hit with an improvised percussion stick made from chopstick and a piece of plastic. Recorded with olympus ls-10 (no zoom) in a small reverberating bathroom, edited in audacity. The whole pack intended to be used as a virtual instrument. Note c#4 (root note c5, 440hz).

A simple electric guitar melody. I don't even have a guitar, i just downloaded a playable guitar app and played around with the strings, coming up with this simple piece. You can use this sound in any way you want, as long as you give credit to 'kleber kgf'. Good luck with your projects!. "who edits the editors?".

Today i was cleaning the house on a leisurely sunday, and came across a piece of thicker paper by my printer. When i picked it up to put it in recycling, it was rather loud. There have been many times on jobs where i needed such a sound, and thought it would be a good asset to record and share. Hopefully it comes in handy for others needing this element. Recorded in stereo with 2 at-2020s. Lots of variety in handling and plenty to pull from. Enjoy!.

A piece chalk is falling on a table. Wave, 44. 1khz, 24bit, stereorecording device: olympus ls10 with xy-capsulelow-cut: yes (80hz)normalized to -1dbfs. Location: leuphana universität lüneburg, gebäude c5. Lat: 53. 22883207888662lon: 10. 399342775344849. Date: 2013-11-27, 12:00hrecorded and edited by: marlin nöthig, martin tege, david nackethis recording was created in the framework of the seminar "soundscape leuphana (ws13/14)".

Sfx for a mail being delivered through a mail slot. It is a recorded with a hinged piece of metal screwed to wood because i no longer live in a place with a mail slot but needed the sound. Sounds a little thinner than a real one but it served my purposes. Recorded on a sd 702 with an ntg1 in a small video studio with cement floor and treated walls and ceiling. The beefier dropping mail sound was recoded in a small hallway with tile floor.

Happy Happy HardPopCoreTastic is a dazzling piece of cheese-pop from DJ mesostic's synth-tastic dance collection. It is provided for the Commons community as a celebratory soundtrack for your remixes, for your film soundtracks, or any other creative output - no attribution required. The stems (individual tracks) are also available on Wikimedia commons to make remixing easier for aspiring DJs and producers.

This is a longer record of me giggling. You could also descirbe it as moderate laughter (not my natural laughter though). You can use this for whatever project you like, modify and alter it. I hope you like it! :). You do not need to credit me, but i appreciate it nevertheless. :)also if you use it for a public video, game oder music piece i would love to know where you used it. (not a must though. ).

Recorded at tea, a museum in santa cruz de tenerife. I was invited by dancer masu fajardo to create some sound ambients for a dance piece she was doing there, we decided to use only the sounds being created by her body and her interactions with the space. Here we can hear her stepping on a floor that's been previously filled up with salt. It's very subtle but works great as sime sort of glitch or crackle, if that's your thing. Recorded with a zoom h4 n.

The very traditional jarabe tapatío, one of the most beloved pieces that you can ask to a mariachi group. The last segment is commonly use as fanfare (in mexico we call it "una diana"); you probably hear it in old mexicans movies. I recorded this on the street (so, you need to equalize it a little), in oakland, california, in august 20, 2011, with my zoom h2. Use in case of 5 de mayo celebration.

Amount of sounds recorded on the field : a construction site of a power plant where i worked. Sounds of tools and electrical devices, some motors, ventilation, people talking, metallic sounds (pieces of metal structures, doors, pipes which i played drums with), sounds of shoes with rubber outsole. Sounds mostly from the inside and a bit outside. Sometime the quality is not the best as i hid my recorder.

This is the sound of a viking electric lawnmower in action; mowing a piece of lawn. Today i got my audio equipment. This is my first contribution. When i was walking around today to catch sounds, i met a man who was mowing his lawn. I asked him if i could record him while he was mowing his lawn. He agreed and i was allowed to record him mowing. It's a viking electric lawnmower. Description: a man mows the lawn with an electric lawnmower. He drives the lawn mower over a piece of path to the meadow, mows and drives the lawn mower back. At the beginning of the recording, there is a short question asked if he should start now, which i confirm. The recording is unedited. Recording device: zoom h5microphone: xyh-5date: 31 july 2020place: schwanewede, northern germanytime: afternoon, about 4 pm. Weather: 25 °c, sunshine. Hardly any clouds in the sky. Wind from east-northeast, 2 bft.

A soundscape from my debut album, "summer crickets. . . " takes several field recordings of rural summer ambiance and mixes them with my own acoustic guitar strumming. I also mixed in some am radio vocal snippets, resulting in a unique ambient piece that relaxes and unsettles simultaneously. -recorded entirely with tascam dr-03 at 48 k / 24 bit.

This is another end credits piece i wrote for a short lived gaming podcast a decade ago. It's best usage is for something creepy or dark as it's. . Well, both actually. You are free to use this in any project, please enjoy and share your own sounds on freesound. Org or at least buy a tee shirt (im wearing mine now!, well not really but i have a pic of me wearing it at the theater i work at!). C.

There is a new freeware program called splitte. Aithat will take any piece of music and extract parts from it. It is highly inaccurate when trying to really accuratelysurgically remove, say, bass, drums, guitar or vocal tracks,but it creates some really trippy artifacts. All of these sample were from a live jazz tune that we were playing. The results of splitter splitting the tracks were really weird and ethereal. I have no affiliation with splitter. Ai, by the way, i just stumbled on it thisweek.

Recorded at tea, a museum in santa cruz de tenerife. I was invited by dancer masu fajardo to create some sound ambients for a dance piece she was doing there, we decided to use only the sounds being created by her body and her interactions with the space. Here are the sounds of masu stepping at gravel and stone garten ate the museum. You can also hera the sound of stones being thrown at an empty wooden log. Recorded with a zoom h4 n.

In my vague times, i wonder what the sound of small pieces of wood in the middle of the vastness of the forest, the sound of the trees beating with their different leaves, pity that is just an illusion of my mind, a citizen of the big city where vehicles and crowds make everyday noise. The drum sound and cuica met was really cool to ambient music and sound effect with reduction and increase in volume.

This is a recording of me taking a can of spray adhesive and shaking it so that the metal ball inside makes the iconic clink-a-tink-a-clink that most gangsta rappers are more than familiar with. I also included some bytes of me spraying it. For this, i took an old piece of cardboard and sprayed the spray adhesive on the cardboard. Simple as that. You can use this for whatever project you feel like, and you don't have to give me credit if you don't want to. Thanks and please enjoy the sounds!.

Gentle night time ambience. One car passes by, other then that, gentle blissful nighttime. The quiet winter gentle breeze carries itself over the roofs between the trees and homes where the lush forest once was. The car that drives by is a piece of sh*t you can totally tell hahaha. Hey btw, let me know if you use this. I recorded it for my song, and id love to hear what you use it for.

Four aspects of maya people: music, market, religion, transport. A frantic music of a concert to the solola main square, market noise, an intense and coloured piece of mass into the church, followed by the return to the concert place and the end of the visit near a typical public bus, called "chicken bus" because it is used by maya people to transport animals and vegetables to sell at the market. Registration made in august 2010, equipment used sony sx800d external microphone sony icm cs 10.

This is something that my on-line teacher has me playing. I took up the guitar again and even though this is a short piece it has a certain beauty to it. It should be played faster, but i think it also sounds nice at this tempo. The recording has a hiss and i don't know why as my recorder is a yamaha pocketrak. I tried editing out the hiss in sound forge but it also took away some of the music sound, so this is it as recorded. Please comment on what you may use it for. Thanks. :^).

A drain after a water flow: the water seems to build up a physical-mechanic surface tension kept mass in the tube, opens and closes this bubble-entity producing a specific rhythm in the plughole resp. The drainage pipe. It pulses with various plops and splashs, starts off with a firework kind of beat but then one hears a differentiated rhythm of 4-strokes sequences with slugs before these etc. Getting slower. Many minutes later it ends (beyond this track). The (hearable) cut is just the censorship of a small abortive piece -- left in to document the recording as recording.

This is a collection of whooshes that i created using melted sounds' whoosh reaktor patch, loaded with a collection of samples i recorded of a piece of sheet metal being rubbed with my hand. There are 35 different whooshes of fairly similar length in 01, and 29 varied whooshes in 02 which were hand-performed within the patch. Ps. If you like these, there is a second file with a wider variety of whooshes in a similar style here:. Http://www. Freesound. Org/people/framing_noise/sounds/256910/.

A fascinating recording of a warm, humid mid august day in the midwest. This recording was made on sunday august 11th, 2019 near a popular dog park in a small southern illinois town. In addition to the gentle droning of the insects, and occassional birds, you will hear some dogs barking at various times toward the end of the piece. I personally love the tremendous echo on this recording. Equipment used: sounddevices mixpre-6. Microphones: left channel, sennheiser mkh416right channel, rode ntg-2.

This is a bassline of dnb, got 16 bars on 180 bpm or 8 bars on 90 bpm. I did it with a synth using abletondon't forget there is the possibility of you having to amplifier and compress for give more punch. Feel free for use it!. A tip from me to you is cut the bassline in pieces, explore all the locations where you can use for start a song. . . Use short parts of the bassline and use stretch and pitch techniques. Just explore and imagines freaky ways of change small samplers to a big and nice bassline! :d.

The number of file correspond to the numbering of the book:le sons multiples aux saxophones / daniel kientzy. - paris : editions salabert,[198?]. - (salabert enseignement : nuovelles techniques instrumentales). For the fingering see also my page: http://www. Uauaua. Net/index_resources. Htm. Setup:saxophone: yanagisawa, reed: marca 1-1/2, mouthpiece: selmer s80 b*. Samples recording:stereo microphone technique: coincident cardioids angle 90° apart (mono-compatible). If you use this sound i shall happy to publish your piece - or his link - on my site.

This is for a video game i was making, but i figured it would be a good idea to share this with everyone. This is supposed to be the sound of a wooden container being violently smashed open, such as a barrel or a box, or even possibly a wooden wall. I borrowed a few sounds from the site, tweaked a little of course, and also added some powerful white noise effects to indicate a hard smash. With some layering with twigs cracking and pieces of wood falling on the floor, i think it sounds pretty authentic. . . Or as authentic as it can get!.

Recorded on mid-summer (that looked like mid-autumn) day 2010 in vilnius with a simple olympus voice recorder. I placed an old piece of metal sheet on a broken glass fish tank near a garage wall to catch the drops, recorder was placed in the middle of the sheet. The rain was very light and fine, later it intensified and became lighter again - all this is heard in the recording. Unfortunately three recorder beeps are heard at the end signaling that it was running out of memory. I later decided to leave them in as it quite unexpectedly added some drama to the whole record. . .

One of a series of foley recordings i made by sticking a piece of contact (sticky plastic of the kind you use to cover books) to a wall and tearing various household objects off it. The idea was to make a fairly comprehensive collection of rips and tears with varying timbral qualities that i could use to design ui sounds effects. Recorded with a rode nt1 into a universal audio arrow. This sound comes from a plastic candy wrapper.

It's a recording of audience applauding during a gig. You can hear around 50 people clapping their hands, sometimes shouting. There is also sometimes a piece of music or the vocalist's speech audible. I tried to eliminate any music, without badly trimming the sound. I used some fade-ins and fade-outs here and there. The sound was recorded with a zoom h2's rear stereo mics, originally 48000hz/24-bit wav. Edited and converted to flac using audacity. I hope you'll enjoy this sound and find it usefull.

Simulating "bone breaks" by cracking celery into pieces. The intent is to use these sounds along with "hitting" sounds to create a more dynamic punching sound effect. Although this is cc-0, if you integrate it into a more dynamic effect, i'm curious to hear it. Recorded in staten island, ny june 4, 2021 with the on board x-y mic of a zoom h4n pro from the 2nd floor window of an nyc townhouse, facing the backyard and neighboring rooftop.

Just some recording of a dried, brittle chili pepper with little seeds inside - up way way close to the mic (a zoom h2n). Some suggested sound design use cases: run this through granular fx for a nice drone texture. Use as an impulse response for a convolution reverb (then run tones through the convolution). Use as a trigger in vcv rack, allowing it's peaks to fire off samples or synth pulses. Or just use it plain within your next experimental acousmatic piece hit single.