899 Royalty-Free Audio Tracks for "Right"

4ch surround recording made at a bus stop in greenwich/england at noontime on a weekday. The recorder's rear mics, featured in this file, are facing away from the street into the sidewalk at a right angle at a height of approx. 60 cm. Traffic is passing in both directions, about 1 min. Into the recording, a bus stops and continues onward. Recording was conducted with a zoom h2. These are the rear channels of a 4ch surround recording, mics set to 120° dispersion.

A simple multi-sampled synthetic spacebass pack, containing 25 samples, derived from 2 octaves of a home made soft-synth patch. The original quality was 24 bits with a sample rate of 88. 2khz, which i converted with a very good src to 16 bits and 44. 1khz. Not that is was that important after all considering the fact that the patch itself has a grainy character in the higher frequencies. . . No compressing, equalizing whatsoever involved, the panning is pretty wide tho, with left and right sounding rather different, but in stereo it still feels pretty balanced i think.

Front l+r channels. A passing thunderstorm and dripping rain recorded on march 8th, 2009 at deer grove forest preserve near palatine, illinois. The recording is slightly edited to prevent it from being too long. The recorder was placed under a picnic area roof, so the water is dripping from that. I think you can almost hear the storm passing from approximately right to left. Recorded using a (slightly wet) zoom h2 in 4 channel surround mode. Please see also the rear l+r channels of this 4 channel recording.

Rear l+r channels. A passing thunderstorm and dripping rain recorded on march 8th, 2009 at deer grove forest preserve near palatine, illinois. The recording is slightly edited to prevent it from being too long. The recorder was placed under a picnic area roof, so the water is dripping from that. I think you can almost hear the storm passing from approximately right to left. Recorded using a (slightly wet) zoom h2 in 4 channel surround mode. Please see also the front l+r channels of this 4 channel recording.

This was hella tough to make! and i used this program that turns picture into sound. It has paint tools, and you start with a black canvas, you draw up a pattern on it, and depending on the color, position, size, quality, format and translucency of the marks and lines you placed, you get sounds. But it is really hard to get a hang of! this took me 3 days to get it right! please comment and rate, i worked really hard on this! by the way, i'll be making more of these, so if you like it, then i have three more.

I made a small python program that generates 20 random beeps. I record the outcome. I cut the result so that the first beep starts after 0. 01 secthe file ends right after the last beep. (i'm a python noob. . . If you find something you don’t like in the code please let me know. ). # gis_sweden 20170531 - random beep in python :-)import winsoundimport randomimport timebeepnr = 1. While beepnr < 21:freq = random. Randrange(1000)+110dur1 = random. Randrange(700)+20dur2 = random. Randrange(10)+2winsound. Beep (freq, dur1)time. Sleep(dur2/10)print 'beep number', beepnrbeepnr = beepnr + 1.

I made a small python program that generates 20 random beeps. I record the outcome. I cut the result so that the first beep starts after 0. 01 secthe file ends right after the last beep. (i'm a python noob. . . If you find something you don’t like in the code please let me know. ). # gis_sweden 20170531 - random beep in python :-)import winsoundimport randomimport timebeepnr = 1. While beepnr < 21:freq = random. Randrange(1000)+110dur1 = random. Randrange(700)+20dur2 = random. Randrange(10)+2winsound. Beep (freq, dur1)time. Sleep(dur2/10)print 'beep number', beepnrbeepnr = beepnr + 1.

I made a small python program that generates 20 random beeps. I record the outcome. I cut the result so that the first beep starts after 0. 01 secthe file ends right after the last beep. (i'm a python noob. . . If you find something you don’t like in the code please let me know. ). # gis_sweden 20170531 - random beep in python :-)import winsoundimport randomimport timebeepnr = 1. While beepnr < 21:freq = random. Randrange(1000)+110dur1 = random. Randrange(700)+20dur2 = random. Randrange(10)+2winsound. Beep (freq, dur1)time. Sleep(dur2/10)print 'beep number', beepnrbeepnr = beepnr + 1.

Squealing sound that switches between the left and the right speaker channels, making an eerie, metallic, and slightly distant effect. This sound is a modification from the sound "creaking metal desk". Recorded with: shure sm57 dynamic microphone. Processed with: audacity. ------------------------------------------------------------------------------------please leave feedback by commenting below. I'd love to hear your thoughts about this sound and what you used it for. If you published your finished compilation to the web go ahead and include a link. If you have any questions or requests feel free to contact me. Thank you. ------------------------------------------------------------------------------------.

New york city street at night, with the microphone pointed out of the second story, street-facing windows of a new york city townhouse. Moderate, night traffic. Edited to remove mic bumps and occasional sniffling/coughing. Recorded with a zoom h4n pro on january 04, 2021 around 3am with on-board x-y mic pointed straight down at the street, and traffic coming from each left/right direction.

Recorded from the window of my attic flat in walkley bank, sheffield. This is the moment of new year's day 2021. You can hear a small amount of children in the background and one child suddenly shouting "happy new year" and scaring the bejesus out of me at about 3 minutes. I change position at 1 minute 30 (pretty much climbing entirely out of the window) and you get a much more impressive surround sound feel after that. There's also a huge explosion right at the end that is definitely worth waiting for.

Created for fun to document the first test launch of the (fictional) falkon8 space rocket to take humanity to the rings of saturn. After the countdown the engines start. During liftoff, ground control engineers talk to the pilots to help keep the rocket on the right course. The launch crew and pilots are talking in a particular regional northeastern italian dialect. The mission launched from the san marco platform, italian "luigi broglio" space center. Following sounds were used:82986: counter93078: space rocket264185: space rocket start and background386067: some radio distortions and classic nasa com. Beeps.

An extactor hood starting to work, running for a couple of seconds and stops. I decided to not record the switch on, switch off because it didn't "sound right" to me. You will find a better, more distinctive switch sound in here. Recorded with a tascam dr-40. Note: feel free to use this sound in one of your own projects. If you want to, you also can send me a link. I would love to hear some of my field recording into someone’s work.

This is a quick minecraft note block loop (drums only) that i made in multitrack daw mobile (i don't know how i did it in that app, it's so hard to use) with original sounds from the game. And in case you want to know it's 105 bpm. I'll work on more note block tracks soon. Also sorry it's not a perfect loop you will have to take off some space on the end of the clip for it to be perfectly continuous. The app is very hard to use so i couldn't cut it just right.

The morning after christmas 2022 on hood canal. There was a king tide that came up over the stone wall. A king tide occurs when the sun, moon, and earth are in alignment and the combined gravitational pull causes water levels to rise dramatically. I took this recording right next to the pilings where the dock is connected. You can hear the water hitting the metal and wood as it knocks it around. The water eventually washed over the road.

A parisian fire truck passes about 150 feet away and briefly turns on its siren to make sure nobody overlooks it. Emergency vehicles in france have either two-tone or three-tone sirens. Vehicles to which one must yield the right of way, such as fire trucks, use the two-tone siren. The three-tone siren (not on this recording) is used for vehicles that do not require drivers to yield but should still be given some priority. Recorded with a zoom h4n hand-held, stereo 96 khz / 24 bits, built-in mics, about 150 feet away from the passing truck.

In my quest for that perfect sound that i'm looking for, i ended with something that doesn't quite fit the bill. Never the less, i think it has potential in the right hands. One thing i would like to point out is a single glitch at about 1. 907. I spent a couple of hours trying to figure it out. It may be a non-issue to someone that hasn't obsessed over it before, during, and after dinner. Use it and abuse it if it fits your needs. Key: a♭ minoralt key: 1abpm 107 (i had a clip running at 160 just fine).

Warrior aggressively yelling the line "ho, land approaches, prepare to beach!" dry, with no added reverb. Taken from my viking audio drama: where the thunder strikescheck that story out here:https://youtu. Be/0unhlnhj350. If you like my work, check out my website as well:www. Welvynzporter. Com. Never stop pluggin', am i right? haha. Attribution is never required but always very appreciated. :). I hope you this will be useful for you. Cheers~.

Pacific tree frogs at night during mating season in british columbia. Slight wind sounds and occasional noises made by a black lab readjusting her feet on the concrete :-). Recording is mostly to the left but sometimes shifts a few degrees to the right, and the frog's build from only a few to dozens over the duration. Captured across the street from a water filled culvert in the southern gulf islands on an olympus ls7 portable digital recorder.

Sometimes, my imagination goes here, and further. I never offer explanations for the bits and bites i ask from him, and clearly, he doesn't check it out later. So i put this together out of thin air. Probably. My mom used to caution that i shouldn't watch those horror flicks, they would warp my mind. Well any fascination with the macabre came directly from her. Right, dad?. Anyway, she should never have said that. I took it personally. She won't do it again. There's just a chance that this guy took it personally too.

Note: i must-asch you to download the newer sonically identical htx sound ii. Wav as it is properly filtered. Https://freesound. Org/people/sirplus/sounds/332566/. The 100% genuine and original htx sound in stereo :p. 3 merged samples featuring 21 group-panned notes with portamento and plenty dialed up effects like chorus, delay and reverb, everything except external panning and volume-ramps are coming straight out of the x-station. Rumor has it that the core of the original thx-sound actually was programmed in csound in case you want to recreate the original. A google search will give you the right pointer.

It was raining one night so i used a sony px720 digital voice recorder to catch some hopefully cool atmospheric type sounds. I placed the recorder next to my apartment window and stepped away for a few minutes. My window is situated right next to a rain-gutter so you hear the rain hitting the pavement along with the rain flowing down the gutter. You also hear four different cars drive by during the recording. Well that's about it hopefully these sounds are of some use to people.

Recording of some new year's celebrations in vienna. Captured using a clippy stereo em172 microphone and a zoom h5 handheld recorder. I positioned the microphone capsules outside the window on the left and right and then gently (almost) closed it. I setup the recorder and rolled the whole evening. This bit was around the apex of the celebrations in that part of town. Sadly some clipping occured, but i chose to upload the unaltered file. So no post-processing has been applied. Cut in ocenaudio. Enjoy!. Want to support the creation of more cc0 sounds?https://flattr. Com/profile/cabled_mess.

Here is some more of that young couple next door that always go at it. This one was badly recorded. It's probably the best i could do with the editing. Passed 1:00 is when they begin. 7:29 is when they finish. Passed 3:30 is when the woman starts to make louder sounds. 5:34 to 6:03, an airplane flying got into the recording, did my best to make unnoticeable. 7:05 to 7:25 are the sounds from the guy. Original audio of this was 15:00 long. They didn't actually start having sex right away. This was edit and cut short with audacity.

This is a quick little bass heavy remix i tossed together using cc0 sources from right here on freesound. I have never tried mixing anything remotely musical before, so this is a first. Not the best, but maybe someone out there may still enjoy it. I imagine this would maybe be usable as an intro for something, but perhaps it just belong in the bin. Sources :male intro voicehttps://freesound. Org/people/badoink/sounds/554842/. Claphttps://freesound. Org/people/waveplay. /sounds/554868/. Distorted female vocalshttps://freesound. Org/people/waveplay. /sounds/554948/. Basshttps://freesound. Org/people/waveplay. /sounds/402692/.

A slow, fingerpicked chord progression on a 6-string guitar. I recorded this using my zoom h4n recorder and some external, stereo microphones. The microphones were the samson c0-2 and i had them mounted on two separatemicrophone stands: 1 was pointed at my left hand on the fret board to hopefully get the finger-squeaks, and the other microphone was pointed right above the sound-hole about 3 inches above the opening. Hope you enjoy this, and since it is creative commons, feel free to use this for projects, radio or podcasts. All i ask is that you use my real name, kevin boucher, in the credits. Enjoy.

Bank vault combination lock sound - refers to a sound effect of a bank vault's combination lock being opened or closed. This sound effect can be used in various multimedia projects to create a sense of security, protection, or access. The sound is typically mechanical and metal-based, with the distinct sound of the dial turning and the lock being unlocked or locked. The tag includes keywords such as bank, vault, safe, security, mechanical, dial, and sound effect, among others, to help users find the right sound effect for their project.

This is audio of just about the entire ride of the powell-hyde cable car line in san francisco, recorded on 08/26/2015. Late evening trip through the city. I recorded this while i was on the steps on the right side of the car, holding the recorder in one hand and my life in the other! tourists talking, the operator ringing the bells and using the brake levers, etc. Recorded with a tascam dr-70d, built in mics. Free to use, but let me know where it ends up!.

Long recording of an intense new england thunderstorm, recorded through an open window with a portable minidisc recorder and attached sony condenser microphone. The first ~18:45 is relatively quieter (and cleaner), though there are several good thunder rolls at ~1:20, 4:00, and 14:10. After 18:45 the storm picks up and the recording is correspondingly louder, and the storm goes a bit crazy -- there are many very loud thunder rolls, though unfortunately there is also some clipping and distortion. From 24:00 through the end of the recording, the storm winds down and the recording level is just right to pick up a number of very clean but loud thunder rolls, with some nice stereo separation.

Two contact microphones recording an engine from a mini cooper s in sport mode. Surprisingly aggressive-sounding. Intended to use for a race car asset. Contact microphones are stethoscope-like mics that you place onto a surface to record vibrations. This way, i was able to record the raw engine without wind or perspective. The left channel is the chassis and the right is the engine block. . . Blending the two together produces a great sound. Free to use.

4ch surround recording of the intersection of the opernring and kärntener straße in vienna/austria. The recording was conducted close range at street level directly at the intersection by a tram line, the rear mics, featured in this file, are pointing onto the sidewalk, away from the street, at a right angle. The close range affords very detailed reproduction of vehicle and tire noises, as well as the tram driving by the mics at the end of the recording. Recording conducted with a zoom h2. These are the rear channels, mics set to 120° dispersion.

Downloaded from the university of iowa electronic music studio. All samples are free. The uoi electronic music studio people ask you to consider a donation to the university's studio for their great recordings or to send them an email to inform them about what you've created with their work!http://theremin. Music. Uiowa. Edu/mispiano. Html. 84 notes. Unfortunately, gb7 is missing. . . Instrument pianomodel steinway & sons model bperformer evan mazunikdate november 5 & 27, 2001location 2017 voxman music buildingtechnician michael cashdistance left mic 8" above center bass strings right mic 8" above center treble stringsmicrophone neumann km 84mixer mackie 1402-vlzrecorder panasonic sv-3800 datformat 16-bit, 44. 1 khz, stereocomments stereo, non-anechoic recording.

I captured this sound on my canon powershot a460 digital camera. It was a horrible night, with strong winds and heavy rain. I went to my garden shed and positioned my camera at the small window inside my shed as there is a small hole in the right hand corner of the window, and through this small hole the wind blows through it making this whistle sound, almost like a flute. This sound of mine is for anyone to use, no credit needed, but it would be nice if you could tell me what your going to use it for, if possible, that would be fun. :) http://creativecommons. Org/publicdomain/zero/1. 0/.

I use a voltage controlled lfo (vclfo) for this experiment. When i send a trigger to the lfo it resets and start over again. In this example i'm using a sinus wave output. I send the output, the sinus wave, to1 - a sample and hold (s/h) module2 - a quantizer3 - straight to vco. The s/h and the quantizer are triggered at the same time. Even an envelope a generated with the same trigger. All three sounds are controlled by this envelope. First out we have s/h (left)second straight to vco (right)third the quantized (center). As usual its fun to take a real close look at the wave!.

I needed a very specific brand of lollipop with a chocolatey center for a short film i'm working on. None of my library crunch fx sounded right, so i chomped into one myself. Just call me mr. Owl. Recorded on an iphone, about an inch from my face. Just a single crunch edited to have a little extra tail. The effect came out as a satisfying crunch with decent low-mid range. Could be pitched down a bit to act as bones, or maybe a small to medium sized tree branch. I may record more of these after i visit the dentist next.

A field recording i made. The original file was about 3 hours long, i just cut a cool piece out and uploaded it :: gear: one røde nt-1a (right channel) and one shure 8700 (left channel; eq-based hiss reduction) :: setup: both microphones were mounted next to each other with an offset of about 2. 5 meters :: the preamp for the nt1-a was the on-board preamp of the yamaha mg16/4 mixing console. Directly recorded to adobe audition 3. 0. :: if you like (or dislike) the sample, download, rate and comment!.

Quiet urban residential area in tokyo at about 2 am in the late summer (october, i think). You can hear far off traffic, some night insects and a drunk guy who came to close to my hidden mics to take a whiz. Excluding the peeing guy, quiet parts are perfect for looping (for ambient background sounds in video or audio works). The peeing guy might actually be useful, so i didn't cut it out. Faithfully recorded with a stereo mic pair placed at a 90 degree angle. The left-right balance was adjusted and the stereo field was expanded later to fix the lopsided sided flatness of the original recording. Other than that, the recording is unprocessed.

Quiquiriquí - mexico, wirikuta desert (spanish). Sound engineer: félix blumemicrophone used: ms setup schoeps ccm41+ccm8recorder: sound devices 744trecorded in july 2012 in wuadley (san luis potosi, mexico)ms is encoded in stereo left-right. The rooster’s singing has so many names around the world. Cocorico in france, cock-a-doodle-doo in english, kikeriki in germany, quiquiriqui in spanish. . . Does the rooster really sing differently according to his nationality?cocorico sound is a collaborative project putting together on a map rooster sounds from all over the world, using the freesound platform. Http://www. Felixblume. Com/cocorico-sound-project/.

Afternoon traffic ambiance hum on the street - field-recording taken from the yard/balcony in front of my door, in the distance you can hear the warning buzz from the tram and later its starting off from the tram stop nearby. Tram continues then to go from left to right channel, accompanied by some random people noise from the yard. Brno city center, czech republic, central europe. Recorded by huawei prime phone, which unfortunately makes some noise filtering itself. Recording date: 11. 04. 2019.

One of autumn's most signature sounds is that of dry leaves skittering and tumbling as they ride along on a hard surface. In this case, the hard surface is asphalt. Hardly any other sound, just the strong autumn wind, and bunches of dried out sweet gum, maple and oak leaves racing across an asphalt parking lot. Think of it, also, as the sound from our youth, our careful youth when everything was achievable. At least for me, this brings me back to my happy place. Recorded on saturday october 17 2020 in an asphalt parking lot buffeted by gusts between 20 and 30 mph. Sound devices 702. Sennheiser mkh416 left channel, beyerdynamic m58 right channel.

Sound of balinese chimes recorded with tascam dr-60 d mkii linear recorder and pair of akg p120 electret condenser microphones on a stagg smc3 3m xlr cable. Knobs of sensitivity were turned in position of highest sensitivity. Microphones were configured as stereo pair and placed face to face in front of each other in distance of 75cm. Microphones placed on stands. Chimes was held in the hand between mics along the way of sight of them, with smallest bell on the side of right microphone. Recorded afternoon in a bedroom with closed door and windows in a house next to high street. Recorded in 96khz and 24bit. Trimmed and normalized in flstudio edison. Normalization made sample 32bit.

A mid-summer recording of the shawnee national forest in illinois featuring the singing of two popular summer visitors: (1) indigo bunting and (2) white-eyed vireo. I really enjoy hearing these calls because, while beautiful in their own right, they also signify the soon-to-be summer coming to a close. Recording made on august 6, 2022 at about 2pm in a clearing surrounded byseveral dozen black walnut trees, and, beyond those, thick, midwestern, insect-laden summer woods. Equipment: sony pcm d100 audio recorder with built-in microphones. Enjoy and maybe this soundscape will be as peaceful and reflective to you as it is to me.

This is a very small part of a song of mine called cyanean rocks. I used. Tempo: 140 bpmsguitar: prs se santana - guitar strings: ernie ball rps 10 slinkybass: vst cobra satin - bass strings: 3 vst, 1 fenderamp: yamaha thr 10 - select aco,a gentle amount of chorus & delayprogramms: fl8, wavelab 6drums: dw, tama. I do not tune my guitar and bass with the standard tuning. Veiler's personal tuning for guitar. Mi bass -remains-> mi bassla -becomes-> sol thin string - it is a sol string like the classic solre -becomes->do# the closest to re stringsol -remains-> sol, and it is exactly the same with the upper sol- buy extrasi -becomes-> do# the closest to si stringmi cantini -remains-> mi cantini. You must perform intonational adjustment to the bridge saddlesif your guitar has permanent bridge saddles - it sounds like ass. If you don't know what intonational adjustment of the bridge saddlesgo ask a guitarist because you are not - even if you say so. [we fix the harmonics - we focus in the octave tuning usually usinghex key = allen key]. In some guitars we may have to fix the harmonics once a month. If you don't know anything, search it on wikipedia. You have to throw away the la string. You have to purchase an extra sol to replace the unused la string. If you don't understand that, please don't speak to me, i hate idiots. Effects: phase deleting 25 ms of the right channel(if you destroy a critical drum-attack remix it to the right channel). Please brush your teeth!!!.

This is a percussion beats made at tempo 124. It spans 8 bars and is ready to be looped in your daw. This is a sound i've found in my old foxdot projects, it has a really cool "ocean" or "wave" noise-like sound that repeats at the right then left of stereo, in the end of each 4-bar segement. It layers multiple kicks and snares, with one of the sounds being stretched, that produce this "wave" sound. It can be evaluated in foxdot with the following code to replicate this result. D1 >> play(p[" [--]o h: -"]. Layer("mirror"),dur=pdur(5,8), rate=expvar([0. 09,2],8),sample=2, pan=sinvar([-1,1],16),amplify=0. 5).

Field recordings extracted from videos i took while travelling on a vaporetto (small public transport canal boat) along the grand canal. You can hear the water, the engine revving as the boat criss-crosses the canal from one stop to the next and the(mostly english)chatter of other passengers on the boat. On "venice2" horns are blown by other vessels and someone says at the end "i'm getting off the boat". I have joined 2 tracks on this one and there is a small gap, but with the right equipment that can be edited out. All in all very evocative of the busy atmosphere in venice, even in march (2012).

Me snapping my fingers. Recorded in 48 khz and 16 bits with a samsung galaxy young. Check it out!. Hi!thanks for dowloading my record! i hope you enjoy it!my name is rafael garrido. I live in venezuela. If you whant to support me, you don´t have to donate anything. Just click one of the following links and skip the ad in the upper-right corner after 5 seconds. Everytime a ad is shown and skipped i got a commission. Http://sh. St/lq7mqhttp://sh. St/lwsmqhttp://sh. St/lwsn5http://sh. St/lws5h. If you have any trouble with the page, just disable adblock or any plugin you use to block ads. Once again, thank you for reading this and i hope you enjoy my sounds. :). .

Warning: careful when listening, it gets loud!. July 4th. Recorded in the midwest usa, where we adore our explosives. The omnis on my humble dr-05 did a pretty good job capturing the sheer depth of zillions of people blowing stuff up together :-). You’ll hear: people having a party in the distance, a bonfire crackling on the right, a distant train blowing its whistle, and of course a lot of explosions. A couple of the big bangs clipped, but unsurprisingly, it made no audible difference. I reduced to 48khz, 24 bit and normalized to -3. 0 db. It really wakes up when you apply some eq to your liking. But i left it as is for everybody.

Any thursday, 12:00 am more or less. I was sitting down in a bench, looking to the buildings opposite me, with the road at my back. My handy recorder zoom h4n in my hands. Some people was chatting next to a car and then they got inside and they left (you can hear that on the left channel. Got it? "left" channel :d). You can hear people passing from one channel to another, cars and motorbikes. It was in c/ bravo murillo (madrid, spain). In that part, it is a one way street for vehicles, so all of them go from right to left channel.

An excerpt from some in-car driving recordings i made with the windows wound down. My starting point is geotagged. I first turn right out of trail ridge court in streamwood, il, then wait to turn left at the intersection of schaumburg road and south sutton road. I then head north on il route 59. The car is a 1996 chrysler lhs 3. 5l v6 (note the recognizable sound of the creaky chrysler transmission as i slow to a stop). My recording setup was two audio technica at851a boundary mics, mounted upside down on the interior roof and facing out of the driver and passenger windows (with appropriate wind protection), running through a mixer into a zoom h4.

Alien xxx sent me a “cross modulation challenge”. I have tried to be true to his idea, but added automation, so to speak. Oscillator1 is constantly fm-modulating oscillator2. I vary the frequency of oscillator1 with an lfo. The output of oscillator1 is sent to a) left audio channel and b) in to oscillator2. The output of oscillator2 is fed to oscillator1. The degree of cross fm modulation is controlled by a vca controlled by another lfo. The output of oscillator2 is also sent to right audio channel. As i’m writing this i have just made a theoretical patch on a piece of paper. The result is what you hear. No effects added. Straight out of the modular for better or worse.