1,431 Royalty-Free Audio Tracks for "Second"

This is the unprocessed version of my "sci-fi ambient drone" upload. It's creative commons cc0, so please treat it as public domain. You can use it in any commercial or non-commercial media for free, no restrictions. I took a quick 8-second drum loop from my teenage engineering po-33 (ko) and ran it through a free time-stretching/pitch-shifting program called akaizer. This program is based on old samplers like the akai s1000 that had extremely artifact-heavy time-stretching and pitch-shifting features. If you slow a sound down enough, the final product tends to sound harsh and electric. Akaizer turned my 8-second drum loop into 2 minutes and 38 seconds of harsh, bassy noise, pretty damn close to the final. Enjoy :).

The "annoying" speed chime, turned world famous drift hero by initial d; as it was intended to be heard by the toyota motor corporation. A common issue with these chimes is that the second impact is muted by the impact rod, this was mitigated in this file by holding the chime with a specific side up. This is marked by the second bell properly ringing out after the second impact. This rendition is a pre-timed, loopable, clean version of the chime, recorded from a real imported 86640-12070 "king kong" (kin-kon) chime. Sound created by attaching a power supply set to 12v ~0. 35a in an amateur studio. Like many of my files, these are completely free to use without even giving credit! :) my only request is you tell me where you use them!. These are also called 「速度警告チャイム」(sokudokeikoku chaimu) meaning "speed warning chime" and colloquially 「キンコンチャイム」 (kinkon chaimu) literally derived from the "kin-kon" sound it makes. Dream　on‼.

Hitting a metal pole with a small metal gate, at the bottom of a stone-wall lined 10 story stairwell. The first hit wavers a bit more, while the second hit carries more conviction.

This was made from a 2-second stutter on a voice recording i was doing. I pulled it and played with it, looking for the various ways i could manipulate it. At one point it started sounding spooky and a bit dramatic. I kept going with it, and produced this.

Another sound accomplished downstairs at the bookstore called nerman's books and collectibles on osborne street. I used the fridge door to open and close to record 19 seconds of sound, however, the suction of the sound of the gasket of that refrigerator is heard in this audio to note - listen carefully!.

Opening a metal mailbox, dropping a heavy letter inside, and quickly shutting the mailbox-- two times, the second louder than the other. I attempted to remove the traffic from the background as best i could!.

An unusual, almost musical poot (fart). About a second long, processed with audacity for a more consistent tone and volume.

Two seperate recordings of an old computer with a tweeter wired as a microphone, then hard panned, compressed, saturated, filtered and run through a ms-modifier a phaser and a 15 second long convolution reverb.

A dyson v7 running for 30 seconds with no attachments. Running on low power.

Builds quickly, sustains and gradually fades. C minor arpeggio stretched from 11 seconds to 1 minute using the paulstretch effect on audacity. Low-fi recording with tablet and hi-q app.

Loop composed of 2 layers. First rhythmic layer made in ableton live. Second rhythmic layer made in reactor 6,and then processed with glitch effect plugin. Mixed in cakewalk by bandlab.

Loop composed of 2 layers. First rhythmic layer made in ableton live. Second rhythmic layer made in reactor 6,and then processed with glitch effect plugin. Mixed in cakewalk by bandlab.

Loop composed of 2 layers. First rhythmic layer made in ableton live. Second rhythmic layer made in reactor 6,and then processed with glitch effect plugin. Mixed in cakewalk by bandlab.

Loop composed of 2 layers. First rhythmic layer made in ableton live. Second rhythmic layer made in reactor 6,and then processed with glitch effect plugin. Mixed in cakewalk by bandlab.

Loop composed of 2 layers. First rhythmic layer made in ableton live. Second rhythmic layer made in reactor 6,and then processed with glitch effect plugin. Mixed in cakewalk by bandlab.

Loop composed of 2 layers. First rhythmic layer made in ableton live. Second rhythmic layer made in reactor 6,and then processed with glitch effect plugin. Mixed in cakewalk by bandlab.

Loop composed of 2 layers. First rhythmic layer made in ableton live. Second rhythmic layer made in reactor 6,and then processed with glitch effect plugin. Mixed in cakewalk by bandlab.

This a piece of the clarinet a5 sound fromhttps://freesound. Org/people/mtg/sounds/356762/it is under 1 second, converted to sample rate 44100, to be used in thecoursera course "audio signal processing for music applications", given by xavier serra, of universitat pempeu fabra of barcelona.

About 15 seconds from a music-box right after winding it up all the way, so the notes are faster and a bit crisper then in my other samples. The melody is somewhat blurred due to the item's age, but it sounds like silent night.

This is the automatic mechanic set than move the cable and bells of a church. The church is in extremadura, spain. I climb to the belfry with my family for record the 11:00 am o’clock. I love to listen the bells in a second plane. Record in a minidisc mz-1 with a micro stereo of sony.

This sound is an audio file that slowly breaks up the further it is played. I recorded this with an in-built microphone, no idea what make though. I recorded this on audacity, and added gradual distortion. Warning: you may need to turn down the volume for the last 6 seconds!.

This is a 24-bit 44. 1khz impulse response recorded at the very acoustically interesting notre dame in new york city. The stereo x/y mics are oktava small-diaphragm microphones running into a sound devices 702.

*Greater 23-limit semitone on C = C↓♯+. Just: 23:22 = 76.96 cents. Limit: 23-limit. MIDI pitch bend: 80,88 on PU

The second movement of the suite Looking Upward by John Philip Sousa, "Beneath the Southern Cross", played by the U.S. Marine Band for the album Semper Fidelis: Music of John Philip Sousa

For this sound, i generated a square wave at a frequency of 440 hz and an amplitude of 0. 80 and a duration of 1 second. I choosed the following effects:1- wahwah with frequency f=1. 5hz , amplitude= 70 %, resonance = 2. 5 and offset frequency = 30%2. Repeat3- compressor (x2)4- fade in (half of the sound)5- fade out ( the other half of the sound)6 - phaser with 10 phases7 - paulstretch with the stretching factor=5 and resolution = 0. 258- echo with 1 second delay , decay factor=0. 59 - cut (to arrange the sound). After all this effects, the sound is like a sound recorded in space with echos.

This sound was made with the chain of the bathroom in a wc of the second floor in the library of campus de la comunicació of university pompeu fabra ( barcelona ) by a zoom h2 recorder. What we perceive is the bath water falling down the tank.

8 seconds from this soundhttps://freesound. Org/people/gis_sweden/sounds/483638/mixed with thishttps://freesound. Org/people/gis_sweden/sounds/415237/and you get some thing else.

A small test i did to see if i can emulate many games' futuristic computerized voice ui systems. 1st is a (terrible) pseudo british accent, second my regular voice modified, and third a heavily modified robotic sounding voice.

Go-pro recording of waves on the beach on a windy day, the microphone is very close to the water and after 45 seconds it gets under the waves for a cool submerged sound.

Turning on radio reciver and going through fm frequency of few polish radio stations (for only few seconds). Can be used for background noice or transision for audio. Also lots of white noise plus click noice of turning on/off (begining and ending).

The beautiful sounds of office life. This is audible interference from a cheap ballast in a florescent light fixture--or several in close proximity. (it's probably violating fcc regulations with rf output too. ) this was recorded with an iphone builtin mic, then processed to isolate the sound. It's a beeping / humming at around 3,800 hz. Each beep lasts about 1 second, followed by a half-second of silence before the next beep. Toward the end of this recording, it shifts slightly upward in pitch, to around 4,000 hz. Some typing on a keyboard can be heard in the foreground. (it's an office, after all. ).

Elmo omnigraphic 253af slide projector, similar to a kodak s-av 2000. Turn on, slide change at 10 second intervals, turn off. Recorded on a marantz pmd 661 with a rode nt4, 250 mm above centre rear of projector, angled down at 45º. I needed this sound as part of an audio-visual that mimics a slide show. I chose to record a 10-second change interval (instead of a shorter interval) because that allows me to razor the waveform between changes, and then extend (or reduce) the time between changes. Too short a time interval between slide changes means you'd have to add motor/fan sound between every change.

Rain recorded from a second floor porch with a terrace, occasional distant thunder can be heard, also occasional low motor rumble from a vehicle passing by. Recording device: blue yetilocation: majorca, spaindate: august 2018.

Loop composed of 2 layers. First rhythmic layer made in ableton live. Second rhythmic layer made in reactor 6,and then processed with glitch effect plugin. Mixed in cakewalk by bandlab.

Loop composed of 2 layers. First rhythmic layer made in ableton live. Second rhythmic layer made in reactor 6,and then processed with glitch effect plugin. Mixed in cakewalk by bandlab.

Loop composed of 2 layers. First rhythmic layer made in ableton live. Second rhythmic layer made in reactor 6,and then processed with glitch effect plugin. Mixed in cakewalk by bandlab.

Loop composed of 2 layers. First rhythmic layer made in ableton live. Second rhythmic layer made in reactor 6,and then processed with glitch effect plugin. Mixed in cakewalk by bandlab.

Loop composed of 2 layers. First rhythmic layer made in ableton live. Second rhythmic layer made in reactor 6,and then processed with glitch effect plugin. Mixed in cakewalk by bandlab.

This a piece of the violin a5 sound fromhttps://freesound. Org/people/mtg/sounds/356003/it is under 1 second, converted to sample rate 44100, to be used in thecoursera course "audio signal processing for music applications", given by xavier serra, of universitat pempeu fabra of barcelona.

This a piece of the trumpet a4 sound fromhttps://freesound. Org/people/mtg/sounds/357370/it is under 1 second, converted to sample rate 44100, to be used in thecoursera course "audio signal processing for music applications", given by xavier serra, of universitat pempeu fabra of barcelona.

I needed a the sound of a flapping piano roll for our production of music man. Not having a piano i recorded the sound of two pieces of cardboard slapping togather. Recorded with a zoom h2n. Modified with audacity. 110 seconds of silence at end.

I've adopted a second large dog. He loves treats, and since he's a rail he gets lots of them. So big-dog walks up, just as i've turned on my recorder, and he sniffs the microphone. Perfect.

*Lesser 23-limit semitone on C = D♭-. Just: 24:23 = 73.68 cents. Limit: 23-limit. MIDI pitch bend: 74,87 on PU

We wanted to add some tape delay to a piano track we were recording. This is an artifact that came from routing the third delay track back to the source track. Essentially, a quick two second feedback loop. Recorded with a peluso p12 and an akg 414.

Nighttime steady rain in cold still air, recorded through second floor window overlooking deck and forest. Sound professionals ms-tfb-2 binaural microphone setsound professionals 12vdc battery boxgriffin imic usbdigital gain applied.

Whitney music box, variation 11, "minute waltz". 60 notes are used in the music box, whose cycle lasts 60 seconds. Music generated using a program written in the nyquist language. Visualization:http://www. Coverpop. Com/whitney/index. Php?var=v11.

A 3kw electric fan heater switches on, runs for a few seconds, then gets switched off, thus demonstrating my mastery over small electrical appliances. Olympus ls-5, built-in mic capsules, no filtering.

Opening and closing different types of windows. First one is a roof-light. Second one is a standard house window. Third one is tilting the standard house window and fourth one is a cellar window out of metal.

This sound consists of sine waves only playing the musical note c, each for a total of 10 seconds. Rendered as a 200/32 wav file (linear pcm, 32 bit little-endian floating point, 200000 hz) in audacity.

*Septimal diatonic semitone/Major diatonic semitone on C = C♯ (Ben Johnston's notation). 15:14 = 119.44 cents. Limit: 7-limit.