33 Royalty-Free Audio Tracks for "Semitones"

This is part of a experiment on pitch difference. The audio consist on the 12 semitones of an octave, made up with sine waves.

Bohlen-Pierce chord: 0,1,2 (semitones), the most dissonant chord. Currently at 0, 169.75, and 310.88 cents. Title refers to number of semitones (unison=0).

Most dissonant triad in Bohlen-Pierce tuning: 0,1,2 (semitones).

Triad in Bohlen-Pierce tuning (0 7 10). Title refers to number of semitones (unison=0).

Triad in Bohlen-Pierce tuning (0 11 13). Title refers to number of semitones (unison=0).

Triad in Equal Tempered Bohlen-Pierce tuning (0 6 10 semitones). Title refers to harmonics (fundamental=1:3:9:etc.).

Triad in Just Bohlen-Pierce tuning (0 6 10 semitones). Title refers to harmonics (fundamental=1,3,9,etc.).

Triad in Equal Tempered Bohlen-Pierce tuning (0 4 7 semitones). Title refers to harmonics (fundamental=1:3:9:etc.).

0 7 10 was judged most consonant by the untrained subjects. Title refers to number of semitones (unison=0).

*"Semitone" in the Bohlen-Pierce scale on C = Db to D or Bb to B. Just: 625/567 = 168.61 cents. Limit: 7-limit. MIDI pitch bend: 122,53 Title refers to number of semitones (unison=0).

Flute dizi c all notes + pitched semitones.

Transformed using sine model.

Performed by iit delhi at rendezvous 2018.

12 day old baby boy crying, slowed down by 16 semitones, without time correction.

Quantized clicking sounds i made by pitching up multiple hi-hat lines by 48 semitones.

Applied hourglass to glass-bowing sounds with transposition spread set to more than 1…2 semitones, resulting in tense dissonant sound.

A werewolf silently stalks a human while concealed before unleashing a roar. Please comment. This is all my voice, pitched down 4 semitones to make the roar deeper.

Demon saying requiescat in pace human (latin for rest in peace)in reverse to get that otherworldly effect. I did this with my voice, reversed it and pitched it down 2 semitones.

This is my voice recorded on my akg c-214 condenser microphone. In adobe audition i used effects>time and pitch>stretch and pitch (process), changing stretch to 83. 21% and semitones to 3. 58 to achieve a close approximation to the minions.

Create trốn 10 sound from fullmetaljedi’s «d4xx__bass-impact" sound. Audacity:. - cut from 1. 000s to end (remove). - effect→fade out (0. 000s to 1. 000s). - copy. - create→add new→stereo track. - paste at 0. 000s. - effect→change pitch…semitones (half-steps): 6. 00.

3 guitar layers double-tracked and panned, reversed, pitched up 2 semitones, filtered via cab simulation, looped, faded. Mbv inspired, short ambient guitar oriented loop. Ableton live. April 8 4pm 2023 pa southeast.

Layered a nice snare, some noise, clap, and even a really pitched up kick( like 24 semitones up) to get this sound. Added in some tape saturation and compression(rough rider) and voila, i made a dirty snare. :).

Please comment if you download, i am interested to see what it's being used for. I am not looking to be credited at all it's just pure interest. I do this for fun. I did this with my mouth and pitched it down 3 semitones. No other effects were used.

Two small blades sliding over each other. The sound is made by using two small kitchen knifes however, try pitching it down to -12 semitones and further for a sword-like sound. The noise of the recording is gated so it still comes through a little on the decay.

I made 3 copies of each sample:a-stretch of 25% and passed in guitar cab simulatorb-lowered by 5-7 semitones and passed in a bass chorusc-passed in a very bland reverblayers and passed in the art vla2 compressor. . . I like them very much. . . Try and enjoy. . (also works with other percussive sounds).

This is me reading a list of numbers to type in to create a sonic effect on my computer. (think -514. 0001. ) i first reversed it and added reverb to it and reversed it again. Then i duplicated it two times and changed the pitch of the duplicates by five semitones up and down. Enjoy, and above all, don't be creeped out! made with audacity.

Made from a tom drum i created with xfer serum in reaper. Rendered the instrument as audio, then, sampled a small section of the tom and looped it infinitely to create a static frequency. Then i added the reapitch vst and created a smooth automation curve down to -24 semitones. Lastly, i added a short fade in and long fade out.

Alarm sound as being used in 1990s space craft and alien space ships of the united terran planet union. Modeled in audacity: 220 sawtooth, +10 semitones sliding shift, +silence, +freeverb (0. 3, 0. 5, 0. 5, 0. 8, 0. 4), +normalize. Http://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats. Contact me if you have interest in specific sounds for open source or commercial purpose.

5 individual sounds created for a cyclops monster in a project that was cancelled before any real sound design could begin. This sound was created by recording various vocal noises and importing them into pro tools. Each vocal take was then pitch shifted down by -24 semitones and duplicated into 4-5 layers. These layers were processed individually using techniques such as reverse reverb, distortion and eq to emphasise different aspects of the creature's roar. The final sound is a result of all these layers playing simultaneously.

Just a basic single wave form sample from a real roland jp-8080 saw wave in the key of g. Used in making an epic super saw and super arp for these youtube tutorials and project:. Part 1: https://www. Youtube. Com/watch?v=byd_yirefiipart 2: https://www. Youtube. Com/watch?v=wruzgwtmvuqfull ableton project here: http://blnd. Io/1aodggb. The sample is tuned to the key of g, you will have to make sure that the sample is set to the key of c or transpose up 5 semitones. I correct this in the new template update; so that all chords and arps are in sync w/ the correct key.

Lazer sound. I made this lazer sound with the use of operator in ableton as well as adding a few effects to help round it out. I started with a basic sine wave and then began to adjust the frequency range to cut out some of the low end of the sound and enhance the high end to make it more realistic and movie accurate. I also had to shorten the decay time so it is more of a short zap sound than a prolonged note. Another step was giving it an initial high pitched sound and this was achieved by having the sound start higher up the scale with semitones and then dropping down giving the effect of shooting and something traveling from the source sound.

So one of tac0's friends came by with a civilian style contact stun gun and tac0 does what he does best, blasts it a small room for 1/10 of a second. Mp3 48,000 hz at 256 kbps. Also commonly and incorrectly referred to as a "taser" which is on the same level as calling a magazine a "clip". See google for more info. I can't help that it sounds like a bee. Also if it's too short, you'll have to make it longer in your daw. Uses (apart from videos that involve a stun gun or maybe a real taser brand taser): magic lighting zaps? a game show buzzer?. Possible vst modifications. Reverb: sound impulses for speakers. Distortion (guitar style): military style radio noise. Chorus/flange: science sounding things. Pitch: at -30 semitones you get some low pitched sound similar to a airsoft aeg which may be ideal for montage airsoft videos where piles of tokyo marui m4s traditionally muffled by the gopro waterproof case. // at -45 semitones you resemble gun fire at a distance. Mathematically at 10 rps (600 rpm) you could use this as a sit in for a distant fired ak-47 rifle ideal for video games, war movies, mods, etc. Apply a resonant filter and some reverb for appropriate outdoor acoustics. And nobody will know your distant machine gun sound was a civilian stun gun except for us semi colon right parenthesis. Or you could also apply ringmod at ~9000 hz to simulate ear ringing for those ptsd scenes. Trimming + looping + pitch: if you can loop this properly in a daw you could even create a saw style bass for electronic dance music.

This is an updated (improved is debatable) version of my previous electric contact stun gun firing sound, except longer and without peaking. Oh and higher sampling rate so you can hear all the higher frequencies better when you pitch it down. You'll immediately notice it sounds like the boring buzz of a bee. Oh well, not like you'll get a lightning storm. That's about it. Don't forget to have fun. Copy pasta---also commonly and incorrectly referred to as a "taser" which is on the same level as calling a magazine a "clip". See google for more info. I can't help that it sounds like a bee. Also if it's too short, you'll have to make it longer in your daw. Uses (apart from videos that involve a stun gun or maybe a real taser brand taser): magic lighting zaps? a game show buzzer?. Possible vst modifications. Reverb: sound impulses for speakers. Distortion (guitar style): military style radio noise. Chorus/flange: science sounding things. Pitch: at -30 semitones you get some low pitched sound similar to a airsoft aeg which may be ideal for montage airsoft videos where piles of tokyo marui m4s traditionally muffled by the gopro waterproof case. // at -45 semitones you resemble gun fire at a distance. Mathematically at 10 rps (600 rpm) you could use this as a sit in for a distant fired ak-47 rifle ideal for video games, war movies, mods, etc. Apply a resonant filter and some reverb for appropriate outdoor acoustics. And nobody will know your distant machine gun sound was a civilian stun gun except for us semi colon right parenthesis. Or you could also apply ringmod at ~9000 hz to simulate ear ringing for those ptsd scenes. Or some gau-8 avenger. Trimming + looping + pitch: if you can loop this properly in a daw you could even create a saw style bass for electronic dance music.