364 Royalty-Free Audio Tracks for "Suit"

Transformer song was little primitive. Maybe this singing electron tube suits better for a human ear. It's an old kl66 hi-fi tube.

Tapping some lettered keys on my regular old keyboard. The keys are membrane. You can also find spacebar tapping on my profile if that suits you better.

One night in the lounge. Recorded this for one of my cartoons. I applied reverb and echo because it suited my project. Not sure if it suits yours.

Little song loop made with garage band. Use it everywhere, no credits or anything boring like that needed! :). I would just love to know if you used it somewhere in the comments!.

Old oscillators being put to good use! i felt like this could be an underwater submarine sound but feel free to use it for whatever suits you best. Intentionally dry of any compression, eq, or effects.

A sound effect i accidently created while working on a project. Suits itself well for large scale scenes in sci-fi and mystery i would assume. Let me know what you used it for if you like! i am curious. :).

This sound is very simple and was made by anhembi morumbi university's students on studio. You can use it for opening sounds in general, but it suits like 100% a champagne opening (in my opinion) and the one who recorded it was maria laura ligeiro cavalcanti.

Popin' in and out sega game (lost vikings if you're curious). It suits for various plug in sounds and clicking of plastic leafs. Raw sound. Left channel's dead, don't know how to re-upload. Fixed version: https://yadi. Sk/d/zoosuo4a3mswif.

Sports bras are supposed to fit snugly, but not quite this snugly. Some makers are too cheap to use a good zipper, and this one is nylon. I think. If you don't want a wardrobe malfunction, don't buy too small, and avoid those that don't have a backup hook underneath. This one doesn't, nor can the zipper be trusted. And yeah it can certainly malfunction, if you run. Suits me. Love to run.

A short scary bit of music i made in garageband for a thing called victors crypt. The ground is this drumbeat i made. I added some creepy sounds and put a lot of reverb on it. Suits anything creepy. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool, watch and subscibe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

Music i made in garageband for something called victors crypt. Use it to whatever you want. I think the melody on the piano is a bit haunting, ghostly and suits very good in thrillers, horrors for instance. Hope you like it!. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance and hail satan!.

The monster is coming so run for cover!. Did this piece of scary music in garageband for a thing called victors crypt. The music suits something big, heavy and scary. Like a monster! could be in your next wicked project. Acreepy one with an eerie feel to it. . . Think it would work great to a game, youtube-channel, episode, movie or whatever you feel like. Feel free to use it as you like as long as you subscribe to and watch my channel :). Be cool watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

Soundtrack guitar theme. Suitable for intro. I imagine this guitar theme as an intro for a film about skaters, surfers. A scene with the rising sun in an urban city. Of course, you can imagine and use it for a scene that suits you. I can extend this theme as needed. Contact me for that. If you use this sample you >>>must<<< write my name (mareproduction) as a author of this sample and link to this page. If you like what you hear please consider a small amount (even one dollar is enough) of donations to support my work. Thank you!. Paypall:jazzgitara@gmail. Com.

Created by divkid for use in the make noise soundhack morphagene. There are dry-only, fx-only, and mix versions of this reel in the pack. See it in action at https://youtu. Be/rk4ufmfcouc. Patch walkthrough. The patch starts with the qu-bit chance providing discrete random values (sample and hold) going into an instruo harmonaig. This takes the stepped random voltages and quantizing them to a given scale. I put in the notes c d eb f g ab bb which is a c natural minor scale, the relative minor of eb major (for anyone that's curious). However like most of my modular work i didn't actually tune the oscillators to anything specific. So treat the scale as a pattern of intervals not a set of specific notes. The quantized notes then form 4 voice chords giving us a root, third, fifth and seventh cv output that will be diatonic following the scale pattern, meaning the third will be major or minor, the seventh major, minor or dominant and the fifth natural or diminshed to suit the scale. With the 4 quantized outputs on the harmonaig these all go into the four oscillators on the synthesis technology e370 quad morphing vco. Each of the e370 oscillators are in the basic morph xy mode using the built in rom b set of wavetables. Wavetables are modulating by various mixes of the befaco rampage, mutable instruments tides, wmd multimode envelopes and music thing modular turing machine. The modulation sources are mixed and split with multiples and mixers. These modulating wavetables then go into a bubblesound vca4p where i'm using 4 mk1 intellijel dixie oscillators all un-synced and free running with sine wave lfos. Each lfo freely fades the voice in and out of the vca4p. As this is unsynced there's no regard to pitch changes linked to changes in amplitude and the swells. I find splitting the gate/rhythm from pitch regarding sequencing to be a freeing and interesting way to work that's not available on traditional instruments. This is just a simple application of that idea with the lfos fading freely unrelated to the other modulation or sequencing of pitch. The sound then goes from the vca4p mix out into a befaco mixer and praxis snake charmer which the output section of the larger case and i'm sending a 'pre' auxiliary out into my fx case. The dry sound first goes into the erica synths fusion delay / flanger vintage ensemble which is giving me short modulated delays giving vibrato like sounds and pushing the input level and overdrive gives us some warmth and grit that thickens up the sound and also fills in the gaps left by the free running lfos pulling quieter sounds and compressing in the on board tube. This then outputs to the feedback 1 bit multitap delay module which has it's delay chip pushed to longer times for some added crackle and noise. I'm using the two delay taps for a shorter and longer delay with little feedback to mix the dry sound for a generally noisier and smeared version of the input. This then goes into the xaoc devices kamieniec with it's on board lfo as slow as possibly for a mildly resonant phase shifting. This goes into mutable instruments clouds set to sew random grains slowly and randomly which are pitch shifted up 2 octaves to fill out some high end flourishes against the closed chord voicings at the core of the patch. Finally this goes into a long lush reverb from the halls of valhalla card in the tiptop audio z-dsp. The stereo fx chain and the mono dry signal are mixed in the befaco hexmix and recorded as a mixed stereo file. I'd consider this to be the main 'reel'. However i split the dry signal and the fx only wet stereo signal and recorded those at the same time so you can choose which reel to use and experiment with dry/wet or blended sounds from this patch.