96 Royalty-Free Audio Tracks for "Augmented"

*Just augmented second (75th harmonic) on C = D♯ (Ben Johnston's notation). 75:64 = 274.58 cents. Limit: 5-limit. MIDI pitch bend: 111,55

*Just augmented fourth (45th harmonic) on C = F♯+. 45/32 = 590.22 cents. Limit: 5-limit. MIDI pitch bend: 112,60 Midi pitch bend on ~B 112,60 for 590.234375 cents rather than 600.

Just augmented sixth on C. 225:128 = 976.54 cents.

Augmented chord progression: I+65 IV. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified].

An augmented fifth in just temperment. The first tone is a sine wave of 300Hz, the second is 468.75 Hz, the third is the interval. Made with NCH tone generator

Some descending augmented chords played on guitar.

*Augmented octave and diminished unison on C = C♯. Equal-tempered: 21/12:1 = 100 cents. MIDI pitch bend: none Note how the diminished unison is essentially equivalent to the augmented unison.

*Octave, fourth, and just chromatic semitone/Compound just augmented fourth on C = F♯ (Ben Johnston's notation). 50:18 = 1768.72 cents.

A sound file playing the interval of an augmented fifth, in equal temperment. The first tone is a sine wave at 300 Hz, the second is at 476.1 Hz, the last is the interval. Made with NCH Tone generator.

Predominant chord: ♭III+63.

*Bohlen-Pierce scale: interval between C and B on C = B. Just: 25/18 = 568.72 cents. Limit: 5-limit. MIDI pitch bend: 127,53

Persian scale on C.

♭III+ chord in just intonation. Pitch bend matches intervals.

III+7M chord in C minor.

Algerian scale. No pitch bend.

Compound minor third on C (Augmented ninth), MIDI

Doorbell: digital door bell, chime, ringing. Synthesised electric sound; augmented third(b-g), wireless home door bell. Recorded with zoom h4n. 24 bit, 48khz. Converted to flac.

Fifteenth chord from Perry on C

*3375th harmonic on C = G+. Just: 3375/2048 = 864.81 cents. Limit: 5-limit. MIDI pitch bend: 94,52

*Twenty-third harmonic on C = F♯+. Just: 23/16 = 628.27 cents. Limit: 23-limit. MIDI pitch bend: 6,73

*4913rd harmonic on C = C♯. Just: 4913/4096 = 314.87 cents. Limit: 17-limit. MIDI pitch bend: 96,68

*Pythagorean apotome on C = C♯++ (Ben Johnston's notation). 2187:2048 = 113.69 cents. Limit: 3-limit. MIDI pitch bend: 49,68

*Hundred-fifty-fifth harmonic on C = D♯. Just: 155:128 = 331.35 cents. Limit: 31-limit. MIDI pitch bend: 4,74

*Septimal diatonic semitone/Major diatonic semitone on C = C♯ (Ben Johnston's notation). 15:14 = 119.44 cents. Limit: 7-limit.

*Two-hundred-seventh harmonic on C = G♯+. Just: 207 : 128 = 832.18 cents. Limit: 23-limit. MIDI pitch bend: 38,74

*29791th harmonic on C = G+. Just: 29791/16384 = 1035.11 cents. Limit: 31-limit. MIDI pitch bend: 29,107 on M6

*Undecimal minor sixth/Undecimal augmented fifth on C = G↑- (Ben Johnston's notation). 11:7 = 782.49 cents. Limit: 11-limit.

*15625th harmonic on C = A♯+. Just: 4/12 = 1117.88 cents. Limit: 5-limit. MIDI pitch bend: 92,69

*Septimal diatonic semitone/Major diatonic semitone on C = C♯ (Ben Johnston's notation). 15:14 = 119.44 cents. Limit: 7-limit. MIDI pitch bend: 28,70

*Ninety-third harmonic on C = F♯+ (Ben Johnston's notation). Just: 93/64 = 646.99 cents. Limit: 31-limit. MIDI pitch bend: 5,79

Our town was testing the sewers somehow using audio tones to measure something. Maybe resonant frequency or something like that. It sounded vey musical since they were using 3 tones per octave, like a scale based on an augmented fifth chord.

*Fifty-first harmonic on C = G♯. Just: 51/32 = 806.91 cents. Equal-tempered: 28/12:1 = 800 cents. Limit: 17-limit. MIDI pitch bend: 27,66

*12167th harmonic on C = E+. Equal-tempered: 24/12:1 = 684.82 cents. Limit: 23-limit. MIDI pitch bend: 18,91 on TT

*Hundred-fifty-third harmonic on C = D♯ (Ben Johnston's notation). Just: 153:128 = 308.87 cents. Limit: 17-limit. MIDI pitch bend: 107,66

Misheberak scale on D. Created by Hyacinth (talk) 07:50, 18 April 2011 (UTC) using Sibelius 5. See: :Image:Misheberak scale on D.png

*Major semitone/Minor diatonic semitone on C = C17♯ (Ben Johnston's notation). 17/16 = 104.96 cents. Limit: 17-limit. 17th harmonic.

*3125th harmonic on C = F♯+. Equal-tempered: 23125/2048:1 = 731.57 cents. Limit: 5-limit. MIDI pitch bend: 13,42 on A7

I had this idea yesterday i think, to record a set of chords in vocal with the lords name. This is the chord progression::. 1st. F g# c = f minor. 2nd. D f a# = i'm calling this a d minor augmented. This is really a bflat major chord, but since i started it with a 'd', i'm calling in a d minor augmented ; ) someone's gottago for it. 3rd. G# c d# = g# major. 4th. F a c = f major. Please enjoy and comment, if you use it in anything i would just like to know, but please feel free to use this anywhere. Thanks, god bless.

*Major limma (135th harmonic) on C = C♯+ (Ben Johnston's notation). Just: 135:128 = 92.18 cents. Limit: 5-limit. MIDI pitch bend: 64,61

*Hundred-fifteenth harmonic on C = A♯+. Just: 115:64 = 1014.59 cents. Equal-tempered: 210/12:1 = 1000 cents. Limit: 23-limit. MIDI pitch bend: 86,68

Fifteenth chord from Marpurg on A: A,(C,E,)G,B',D',F',(A"). Resolves to C,E,G,C',E'.

Full diatonic fifteenth chord from Listz on B

Here's a recording of a small campfire in the forest at night made in saint-urbain (charlevoix) pq, canada in a night of august 2014. You can hear wind in the leaves and crickets in the background. It was made with a sound devices usbpre2 into a tascam dr-680 (spdif) and 2 microphones studio project c1 in ortf stereo pattern. A little correction was made in equalization of the sample and the volume was augmented w limiter. It's in 24 bits 96khz , 40hz low cut.

Musical scale called "Ishartum" by Lou Harrison, often called the "Flamenco mode", in Pythagorean tuning on E, as follows: (by fifths) F-, C-, G-, D-, A, E, B (F♯+, C♯+, G♯+, and D♯+), or (in order) E (1/1), F- (256/243), G- (32/27), A (4/3), B (3/2), C- (128/81), D (16/9), E (2/1), with G♯+ being 81/64 and D#+ being 729/512. The final F- has an augmented sixth chord, B7b5/F (B D# F A), which resolves to a major chord that touches on the minor third.

A request for freesounder neilreynolds1980, intended as a soundtrack for the play dr faustus at the point the eponymous character is sucked into hell. A bit of technical information: the basic sound is a stacked set of ‘devil’s intervals’ (augmented fourths) with doubling at the octave, playing an instance of calf organ set to a truly horrifying demonic choir patch i created. The rest of the effects are accomplished using automation of this instrument as well as calf pulsator and calf filter in ardour. This sounds much better when downloaded than it does in the freesound player. The stereo image and sample rate are much reduced in the version you hear in the player.