91 Royalty-Free Audio Tracks for "Chromatic"

Chromatic descending 5-6 sequence from which "Lay, Lady, Lay" sequence is derived.

Didymos chromatic tetrachord (16:15, 25:24, 6:5 = 1, 16:15, 10:9, 4:3). MIDI pitch bend appears to match intervals.

Eratosthenes chromatic tetrachord (20:19, 19:18, 6:5 = 1:1, 20:19, 10:9, 4:3). MIDI pitch bend appears to match intervals.

Ptolemy soft chromatic tetrachord (28:27, 15:14, 6:5 = 1:1, 28:27, 10:9, 4:3). MIDI pitch bend appears to match intervals.

*Chromatic diesis on C. Just: 27:26 = 65.34 cents. Limit: 13-limit. MIDI pitch bend: 116,52

Ptolemy intense chromatic tetrachord (22:21, 12:11, 7:6 = 1:1, 22:21, 8:7, 4:3). MIDI pitch bend appears to match intervals.

Suite for Microtonal Piano microtonal tuning arranged in a chromatic scale. Created by Hyacinth (talk) 14:26, 17 January 2012 (UTC) using Sibelius 5.

*Octave, fourth, and just chromatic semitone/Compound just augmented fourth on C = F♯ (Ben Johnston's notation). 50:18 = 1768.72 cents.

*Just chromatic semitone on C = C♯ (Ben Johnston's notation). 25:24 = 70.67 cents. Limit: 5-limit. MIDI pitch bend: 79,86 on PU

*Septimal chromatic semitone on C = D♭ (Ben Johnston's notation). 21:20 = 84.47 cents. Limit: 7-limit. MIDI pitch bend: 4,91 on PU

Chord rewrite rules II: use of chromatic passing chords.

Add 150 ms delay (silence) at the start of the right channel. (typically the tempo is 130 bpm but practically none). Rhodes on the chromatic scale.

The flea waltz recorded on my keyboard with dsk music box (a free plugin). It's a famous melody everyone has normaly already heard, piano beginer usualy learn this because it's very simple. If you have any suggestion to make for an other similar sound please ask me.

Blues scale as a chromatic variant of the major scale.

Chromatic fourth: lament bass bassline in Dm (D-C♯-C(♮)-B-B♭-A).

Chromatic analysis of measures 5-9 of Cesar Franck's Variations Symphoniques (1885). Roman numeral analysis by Cooper, Paul (1975). Perspectives in Music Theory, p.216. New York: Dodd, Mead, and Company. ISBN 0-396-06752-2.

BP chromatic scale et. MIDI pitch bend appears to match intervals.

*Octave and septimal chromatic semitone on C = D♭ (Ben Johnston's notation). Just: 21:10 = 1284.47 cents. Limit: 7-limit. Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on 4,91 for 1284.472656 cents rather than 1200.

Sound demo 'annie is my darling' (simon fraser) by using the akkordica vst plugin, a virtual accordion, harmonica and melodica software that covers a wide range of sounds, by combining the traditional accordion performance and modern digital functionality. Suitable for a wide range of musical styles, be it traditional, popular or classical. Features:. 1. - piano accordion2. - anglo concertina3. - strasser accordion4. - hohner accordion5. - musette accordion6. - harmonica natural7. - harmonica vibrato8. - melodica (pianica)9. - accordina (harmonicon).

*Major limma (135th harmonic) on C = C♯+ (Ben Johnston's notation). Just: 135:128 = 92.18 cents. Limit: 5-limit. MIDI pitch bend: 64,61

A drone from a chromatic scale played on a small metal xylophone.

The recording includes isolated notes recorded from the popular turksih music instrument kanun. All chromatic tones within the range of the instrument is contained.

Chromatic tone series by 5ths at 36bpm in 12/8.

Dead/dying sound. Modulated synth playing chromatic digital dying sound. Www. Daleaudio. Comtwitter @dalegrins!.

This sound was recorded by me with my tower chromatic harmonica in c scale using audacity. The sound was recorded in barcelona.

A chromatic scale from a to a flat. You can separate them into their respective notes on any sound editing software, my treat.

Chromatic notes starting at c0. A blend of three oscillators + and additional wavetable. Not too shabby, but very wabby. Enjoy!.

This is a riser made from a strum of an acoustic guitar, reversed, reverb, and a low pass echo. Have fun :).

Chromatic notes starting at c0. Really sweet double delayed saw waves with lots of harmonics. Drop this into your sampler and hit it with a low pass filter and get a good groove going. Enjoy!.

3rd in chromatic order. I recorded 16 notes from a music box. I waited for the motor to loose juice then i wound it forward manually so i could record each separate note chromatically. There are two octaves plus one note. Begins with d and climbs up the scale ending with e.

A simple chromatic sfx i made for a title screen. Can be used for power-ups, jumps or other ideas. Normally would strictly be an 8 bit sound, but with the reverb it can pass for something from the snes era. This is part one of two. The next file is the same thing with a higher pitch.

This is my final assignment for aspma course 2016. It is based on transformations over the file speech-male. Wav (https://www. Freesound. Org/people/xserra/sounds/317744/), used often over the course. A small time-stretching transformation, morphing with piano chromatic scales, and finally arranged by a python script to produce the final audio output. You can find the python code here:https://github. Com/nerkamitilia/aspma16/blob/master/workspace/a10/a10. Py. Format:mono, 16-bit, 44100hz.

I made a project in cubase which had 12 tracks each playing a sine wave in a different note of the chromatic scale, each sine wave also had slightly varied lfos on volume and pitch. Then i put this sound through the soundtoys crystallizer plug and recorded it while manipulating various parameters. Ended up with 3 minutes of crazy glitched out sounds, use for anything you like!. It gets pretty out of control at some points so don't have your speakers up too loud :).

A suspenseful riser made from a wet mix of a rate-shifted bed frame being hitted and reversed after it has been "glued" or rendered as is, producing a deep, "mega-marvin" similar sample. A sample that was created from utilizing chromatic tones, stretching, reverb and the use of the wet/dry filtering to get the mix "just right". If you aren't aware of what the mega-marvin is. Mega-marvins are essentially instruments containing extremely heavy string, woodwind and varying density of materials that generate strong noises, trailing ambiances and brass-like sound qualities quite suited to the horror genre, generating a daunting and sorrowful sounds. Very fascinating stuff, look it up if you can - they're big and quite technical.