282 Royalty-Free Audio Tracks for "Dynamics"

I set up my recorder in multiple areas of a busy dog park in los angeles. Lots of barking, playing, and general dog and owner sounds. Recorded with: sound devices 702t, beyer dynamic mc930 mics.

I set up my recorder in multiple areas of a busy dog park in los angeles. Lots of barking, playing, and general dog and owner sounds. Recorded with: sound devices 702t, beyer dynamic mc930 mics.

I set up my recorder in multiple areas of a busy dog park in los angeles. Lots of barking, playing, and general dog and owner sounds. Recorded with: sound devices 702t, beyer dynamic mc930 mics.

I recorded a busy dog park in los angeles from several different angles. Lots of dogs playing and barking. Lots of owners calling out, etc. Recorded with: sound devices 702t, beyer dynamic mc930 mics.

I recorded a busy dog park in los angeles from several different angles. Lots of dogs playing and barking. Lots of owners calling out, etc. Recorded with: sound devices 702t, beyer dynamic mc930 mics.

This is a little project i did to help children understand the dynamic nature of wood. Sometimes you think wood should be knocked but then you regret it when she knocks your wood.

Apple imac is a silent computer. I don't hear almost any noise from it, but i tried giving a microphone-sweep over the screen, which surprised me. You can hear various kinds of noise in a close audition. A dynamic mic.

Several takes of me saying "this, this is for you" for a request (http://freesound. Iua. Upf. Edu/forum/viewtopic. Php?t=1487). Recorded straight onto my hard drive through an edirol usb audio interface (ua-25) with a technics dynamic microphone.

Mapex mars big rock recorded with one dynamic sennheiser e835 over the kick facing the snare (also known as "wurst" by moses schneider) with parallel compression and eq.

Sonata No. 8 in C Minor Pathetique, Op. 13 - I. Grave - allegro di molto e con brio

This is a recording on an old italian violin of me improvising, exploring dynamic range, free rhythms, tonal variation, and glissandi. It was recorded in my living room with a zoom h4n recorder. I added a small amount of reverberation using audacity.

The shure sm58 dynamic microphone was used to record a whistle from the bem-te-vi bird made by humans. Recorded for the discipline of capture and audio edition of the course radio, tv and internet, universidade anhembi morumbi. Sao paulo-sp. Brazil.

The shure sm58 dynamic microphone and neumann tlm 103 microphone were used to represent the sound and even human-made goat talkrecorded for the discipline of capture and audio edition of the course radio, tv and internet, universidade anhembi morumbi. Sao paulo-sp. Brazil.

[the high pitched screeches are not actually present in the audio file] constant sound of a strong wind, great for layering underneath more dynamic environmental recordings. The sound was created in reaktor 6 using fft based granular synthesis.

[the high pitched screeches are not actually present in the audio file] constant sound of a strong wind, great for layering underneath more dynamic environmental recordings. The sound was created in reaktor 6 using fft based granular synthesis.

[the high pitched screeches are not actually present in the audio file] constant sound of a strong wind, great for layering underneath more dynamic environmental recordings. The sound was created in reaktor 6 using fft based granular synthesis.

Lighting of a disposable butane lighter. Recorded with a model dm-558b radio shack supercardioid dynamic microphone. Edited with audacity 1. 3 beta, the audio is normalized and compressed, i also used noise removal to get rid of the static in the background.

A nasty burp came off from a voice actor while a recording session after dinner. Recorded with dynamic shure super 55, + art tube mp studio v3 preamp + apogee duet. If you have a moment, please leave a message telling where you're using this sample.

A symphony of birds, and in the background faintly, crickets, in mid may 2017 in deep forest in the midwestern united states. Equipment used: marantz pmd661, with specially-modified extra quiet preamplifiers by the oade brothers of georgia, and the beyerdynamic omnidiretional, dynamic microphones.

A recording of the crowd at charing cross station. Not much that seperates them from other crowds, but the shape of the space might change the dynamic of the sound a bit. Not sure. Recorded on an iphone.

The shure sm58 dynamic microphone and neumann tlm 103 condenser microphone were used to represent the sound of human-made dog barks. Recorded for the discipline of capture and audio edition of the course radio, tv and internet, universidade anhembi morumbi. Sao paulo-sp. Brazil.

The shure sm58 dynamic microphone or neumman tlm 103 condenser microphone was used to represent various types of birds. Made by humans. Recorded for the discipline of capture and audio edition of the course radio, tv and internet, universidade anhembi morumbi. Sao paulo-sp. Brazil.

Recorded with my iphone in an empty classroom that was surprisingly breezy given. . . . Y'know. . . Indoors. I couldn't even begin to describe exactly what i did to that recording, but i do remember manipulating it through audition using lots of weird dynamic processors, eq's, and convolution reverbs.

From the loa angeles book fair 2019 opening day at usc campus. Not the full band , still very impressive. Forgive the clipping as the dynamic range for this material is quite large. Recording too far away i would have picked up chatter, so a compromising record.

I was just going through my sounds, when i decided "hey. . . I'm gonna release this. " so here you all go! i'm really proud of how this turned out. This, as you can tell, is a deep eerie ambience loop. It can be used for anything you want. I like to leave things up to the imagination of the audience. How it was made:. Software used:-fl studio 20-harmor-harmless-fruity parametric eq 2-valhallaroom. So basically what i did was get a low pitch sawtooth waveform, put it through some effects like harmonization, a low pass filter with high resonance, a phaser, and a load of distortion. The main synth is made with harmor. (yes, this is all one synth. It just has a lot of dynamics. ) i then processed it with some eqing. What made this sound what it is would be the reverb. I put 2 layers of valhallaroom on the synth. One has a very short decay time, and gives it texture. The other gives it the atmosphere. To add some more depth, for the final touch, i layered a sub-bass underneath it. Which is just a low sine-wave with reverb on it, which i used harmless to make. I hope you enjoy this!.

A short section of electronic music created in logic with sculpture soft synth, mastered yet fully dynamic and ready to go. Enjoy! 16bit. Wav 44100.

Re-formatted to prevent distortion. "formatted for use in the make noise morphagene. A piano which belonged to my great grandmother. This is from 1873 and sounds unbelievably lovely. Recorded with a dynamic mic going into a doepfer a-119 and recorded by the morphagene. ".

The shure sm58 dynamic microphone and neumann tlm 103 condenser microphone were used to represent the neighing of a horse that was made by humansrecorded for the discipline of capture and audio edition of the course radio, tv and internet, universidade anhembi morumbi. Sao paulo-sp. Brazil.

I stopped at a dog park in los angeles on my way to work. There weren't too many dogs, but the maintenance workers were there cleaning up, so i recorded them. Recorded with: sound devices 702t, beyer dynamic mc930 mics.

Walking on a trail in a deep midwestern forest. The surface is a nice crunchy local creek-rock. Recorded in late july of 2015 using the marantz pmd-661 (*with extra-special quiet amplifiers by roade brothers) and the omnidiectional beyerdynamic me58 dynamic microphone.

Example of dissonance in Bach's Well-Tempered Clavier, Vol. I (Preludio XXI). The chord in question was pointed out in: Marquis, G. Welton (1964). Twentieth Century Music Idioms. Englewood Cliffs, New Jersey: Prentice-Hall, Inc. Presumably Marquis is the source of the tempo, dynamic, and, in the second measure, arpeggiation.

Me hitting 7x13 tama s. L. P. G-maple snare drum. Different dynamic hits including ghost notes. 13" evans st dry coated on batter and 13" evans snare side on resonant. Recorded with a slate digital vms ml-1 large-diaphragm modeling microphone.

Since snow has been so widespread, thought it would be a good time to stockpile the beautiful crunchy, crisp sound of walking on it. This was recorded the evening of february 15, 2021 using my marantz pmd661 audio recorder and the bulletproof, dynamic beyerdynamic me58 microphone. The temperature was 2 degrees farenheit.

Recordings of 9 ghanaian double bells. Bells are arranged in rising pitch of the bottom bell (from _1 to _9); bottom bell is mared -1 and upper bell marked -2. Dynamic are indicated as pp (very soft, with soft marimba mallet) to ff (loud, with wooden stick).

I stopped and recorded los angeles canyon traffic on my way to work. Nice selection of engines, cars, etc. Was on a hill, so engines pull harder going one way than the other. Recorded with: sound devices 702t, beyer dynamic mc930 mics.

I stopped and recorded los angeles canyon traffic on my way to work. Nice selection of engines, cars, etc. Was on a hill, so engines pull harder going one way than the other. Recorded with: sound devices 702t, beyer dynamic mc930 mics.

Some typing on a standard desktop pc keyboard (but you may use it as the sound of a laptop keyboard too). Recorded with a dynamic mic and a directional, condenser mic in a small room, filtered and compressed to minimize noise.

Original description: dynamic 140 drum beat with phaser fx. Entirely constructed in flstudio 11.

Excellent sound of a large explosion, similar to a grenade. This was made in pro tools. Originally it was the sound of a mallet smashing a plastic cup recorded with an akg 414 ld condenser. I used an air frequency shifter, air reverb, and air dynamic delay to do the rest.

This is the soundscape i've recorded in my neighboorhood of cidade tiradentes, a district from são paulo, brazil. We name these events as pancadão (big punch) or fluxo (flow). When a flow occurs, you know that the sound is very high and it invades all surroundings. It happened in april 4, 2021, during our worst period in the the global covid-19 pandemic. Plent of people, vehicles, multiple speakers and so on in a street. I'm writing in the exact moment police came to repress, but in my conclusion only education can solve city problems, not repression, not paliative atitudes. I think this is interesting to share it here, as a cultural manifestation, showing that when the state fails, everyone fails. This is disrespectful at all, but i try to look it as a construction of city. In a country where its president goes for a for a swim at a crowded beach amid 200 thousand pandemic deaths, how can i criticize suburban people?. I'm not conservative, i like the kind of music playing known as"brazilian funk" or "funk carioca", this is our culture, even if i do not participate actively. Plot twist: i was working in a asmr video. *-*. Recorded in mp3 320 kbps, using a zoom h1n and compressed in ableton live to bring on the dynamics.

Simulation of a heavy object being dragged or pushed across the ice. Effect was created by dragging a small block of wood across a tolex covered surface, overlaid with sound of fingernail dragging across the bottom of an empty, but icy ice cube tray. Recorded with an sm57 dynamic mic.

Honeybees buzzing around a hive on a mild spring day---saturday may 2nd, 2015. This recording was made on a sunny day at 11:00am with the air temp of 61 degrees f. Recorder: marantz pmd661/w/oade brothers preampsmicrophone: byerdynamic m58 omnidirectional dynamic microphone with record volume set on 7. Enjoy.

One of a series of heavily processed sounds of me ripping various objects off a sticky surface. I ran the original recordings through s-layer, the sample-mangling plugin from twisted tools, combining and mulching everything into new, dynamic sounds with lots of movement and texture.

Ambisonic 32bit float recording from a blacksmith shop. Nb! extreme dynamic range!!. You hear the mechanical bellow in the background. The blacksmith takes a glowing piece of iron, placing it on his anvil, and start hammering it. Done with a sennheiser ambeo vr ambisonic microphone, and a zoom f6 field recorder.

I recorded stop and go traffic on coldwater canyon one morning on my way to work. Nice variation of traffic that's moving and traffic that's just stopped and idling. Could be used for freeway traffic jams, etc. Recorded with: sound devices 702t, beyer dynamic mc930 mics.

Field recording of an electric train passing by. Recorded fairly close, wide dynamic range. I had to reduce the input gain during the middle section of the recording to avoid overloading the adc. I think this a fairly good example of the spatial image binaural recording can provide. Gear: sharp minidisc, soundman okm binaural microphones.

One of a series of recordings i made from a hikari monos cv. It's a small, highly tweakable synthesizer that's great for drones, resonant pings, and all manner of dynamic electronic sounds. These sounds might serve you well for game and ui sound design! recorded into a universal audio arrow.

Playing around with the excellent tuner at http://websdr. Ewi. Utwente. Nl:8901/. The website even has a recording button! this version is the same as "shortwave-sweep-and-beeps. Wav" except here i have limited it with a threshold of 10db, which decreases dynamic range but also makes it louder overall.

Formatted for use in the make noise morphagene. Eight chords from my fender rhodes, each on its own splice, based around an f-minor root. The rhodes is running through an mxr zw-44 for some mild overdrive, and was boosted with a focusrite scarlett dynamic octopre. See a video of this reel here: https://youtu. Be/ybhmx38n5oo.

Water recorded walking in notodden october 3rd 2017. Recording done in static mode and dynamic mode, while standing, walking towards, beside and leaving the running water. The water source was curving beside the road and under a bridge, fading away. Intensity, rythm and acoustic of water and drops changing according to movements of road and body. Microsounds of steps on leaves october 3rd in notodden.