51 Royalty-Free Audio Tracks for "Gap"

A warning to please mind the gap.

Synth riff i created to "fill the gaps" in my hard trance track.

Time Gap by Monplaisir

Here is the sound recorded inside of a cathedral in the city of gap france. The cathedral was mostly empty at the time. 96khz 24bit stereo.

Recording inside london tube train as doors close.

Announcement on the station, retretti, on a diesel-powered small local train in lake district, finland. Mind the gap warning in swedish and english.

A4 paper sheet tear. Tascsm dr-05 + panasonic wm-61.

Here is the sound of a street market in france. Recorded while walking through the market. Youtube video with pictures of the location on the day: https://youtu. Be/hvhn4o9_t8m. 96khz 24bit stereo.

This is the sound from thr jean marcellin square cafe in the city of gap, france. Background sounds include the sound of water from the fountain in the middle of the square, people talking and walking through the open cafe and table/chairs being moved. Tascam d100mk3 96khz 24bit stereo wav.

Bf awakens but does not know my trusty microphone is in place next to him.

A hollow ribbed tube pulled through a window gap during a windstorm.

Sound from london underground stationary train: door opens. "mind the gap between the train and the platform. " "this is east putney. " door warning sound. "the next station is putney bridge. This is a district line train to high street kensington. ".

The end loop of a record, die! die! die!'s 'promises, promises'. 33rpm.

This is a tesla coil with a discharge that sounds muck like an old style 'stick' arc welder. For the technical it is a tesla coil that uses a static spark gap, while high-voltage-discharge-2 clip uses a rotary gap giving a different sound altogether. Recorded at a display i did at kew museum london in 2012.

Below a highway bridge with cars clomping over the concrete segments. One gap has a loose metal buckle which clangs when it is hit.

Jingling 2-4 sleigh bells in a couple patterns. Recorded using a blue yeti microphone at 16-bit 48000hz in audacity. I isolated the samples i liked and left a small gap of silence between them for separation later. Attribution appreciated but not required.

stand well away, cctv and unattended baggage announcements at ash station, surrey. Also includes a passing first great western class 165 train.

This is the same red-tailed hawk as in the previous upload, except the call is slightly different. It made this call flying away. Both recordings were scrubbed of most background noise. Silence was generated between calls with a slight millisecond gap after each call.

This is a tesla coil high voltage discharge. For the technical it was made with a coil that uses a rotary spark gap giving a different sound to the high-voltage-discharge-1 clip that has more of a 'sizzle' to it. Recorded at a display i did at nottingham in 2013.

Ringing of a small metal bell. Recorded using a blue yeti microphone at 16-bit 44100hz in audacity. Used audacity's noise removal filter to to remove background noise. For this file, i isolated the samples i liked and left a small gap of silence between them for separation later. Attribution appreciated but not required.

Recorded under a bridge with fast driving cars above, rain is dripping. The cars hits a gap on the bridge parts, so there is a typical sound of cards entering a modern bridge made of concrete. Recode with a tascam im2 and iphone, i believe.

This is a pilatus pc6 swiss made plane commonly uses for freight and in this configuration used to transport skydivers into the air where they are jumping out at 4000 meters (13123 ft). 96khz 24bit stereo.

A small collection of gurgles from a small water dropper/pipette. Recorded using a blue yeti microphone at 16-bit 44100hz in audacity. Used audacity's noise removal filter to to remove background noise. For this file, i isolated the samples i liked and left a small gap of silence between them for separation later. Attribution appreciated but not required.

70's era korg univox sr-120 drum machine driven through gap-pre73 preamp sent through joe meek c2 optical compressor sent through aphex compellor compressor, limiter and aural exiter, recorded via sony pcm-d50. I think the univox is broken because i can't get any other sounds than tom-toms and claves from it.

A plate was placed on a table with a very small height gap so that it vibrated when flipped with a finger. Produces a sound similar to a ruler pushed down on a table, flipped and pulled onto the table. It's a bit difficult to describe but if you hear it, you see what i mean and i'm sure you've done it as well. . ;).

Recording of a pair of oven mitts being hit together. Might be useful in a game as an inventory sound. Recorded using a blue yeti microphone at 16-bit 44100hz in audacity. Used audacity's noise removal filter to to remove background noise. For this file, i isolated the samples i liked and left a small gap of silence between them for separation later. Attribution appreciated but not required.

A collection of sounds of a magazine flipping through its pages and a heavy book slamming shut. Recorded using a blue yeti microphone at 16-bit 44100hz in audacity. Used audacity's noise removal filter to to remove background noise. For this file, i isolated the samples i liked and left a small gap of silence between them for separation later. Attribution appreciated but not required.

Plucking the rim of an empty wine glass with my finger. Recorded a bunch of samples then isolated the ones i liked into this file. Left a small gap of silence between them for separation later. While all the samples were initially recorded at 16-bit 44100hz, some of the later ones compiled into this wav were accidentally saved at 8-bit and have gathered some noise as a result. All samples recorded using a blue yeti microphone. Used audacity's noise removal filter to to remove background noise. Attribution appreciated but not required.

Nano/opto-électroniquecours 4 (part 3)09/11/2012. Heterostructuresslijd 4. 1) (00:00)slijd ?) band gap engineering (9:22)slijd ?) croissance d'hétérostructures (17:42)slijd 4. 3) (26:02)pré-slijd 4. 4) travail d'extraction (28:53)slijd 4. 4) (40:09)slijd 4. 5) (45:12)slijd 4. 6) (54:59)slijd 4. 7) (56:40)slijd suivant) difficultés d'interprétation (suite) (58:59)commentaire sans slijd) (1:01:43)slijd suivant) dopage sélectif (1:03:24)slijd. 2) effet de e sur le diagramme de bandes d'énergie (1:05:10). Fin 1:16:53. .

Recorded on a canon d550 camera. I live near a water tower built into a hill and firework displays cause a strange echo as the shock wave passes through. Listen to the first burst of bangs and there is a faint sound of "gravel falling into water". I suppose the frequency of the explosion is reverberating in the air gap in the water tower. There is a second burst of fireworks which are far away. Traffic from the a3 road is audible.

Field recordings extracted from videos i took while travelling on a vaporetto (small public transport canal boat) along the grand canal. You can hear the water, the engine revving as the boat criss-crosses the canal from one stop to the next and the(mostly english)chatter of other passengers on the boat. On "venice2" horns are blown by other vessels and someone says at the end "i'm getting off the boat". I have joined 2 tracks on this one and there is a small gap, but with the right equipment that can be edited out. All in all very evocative of the busy atmosphere in venice, even in march (2012).

Production step :this sound is from a sound recording of a key hiting an iron bar. I take just one sound from my reccording and copy/paste in a new track. I amplify the sound and do a low pass filter. I copy paste my track and create another one just above. I move this new track for create a gap between the two tracks. On the second track i supress some of the beat for create a rythm. On the second track i change the pitch, for making a sound more high-pitched. Description :this sound looks like the ring of a bell tower. The rythm change every two bars who makes him unique and not settled. This sound is, for me, a reference of the track begining of dark techno music. Typologie de schaeffer :. Masse: nodaltimbre harmonique: eclatantgrain: résonnanceallure: mécaniquedynamique: rondeprofil mélodique: ascendant puis descendantprofil de masse: dilatation.

Worth mentioning that the groan track is separate from the conversation, for those who want to use just one or the other. I hesitate to say i'm in training, but in a way i am. I don't really know what sorts of things i can get away with, so i have become acquainted with a brit who, i thought, knows everything there is to know. Instead, she may be a bit of an experimenter, and she practices a bit fast and loose. I surely can tell she loves it. . . During this bit of conversation i saw her reach and turn the clamping screws tighter. Extrusion. Interesting. One might wonder why he puts up with it, and i can tell you, he doesn't. A session like this one and he doesn't speak to me for a week. It goes on, i can tell you, at least until he finds where i keep the handcuffs. I do know where to find another pair.

Noise created by individual oscillators, using audio paint, with different height images, to demonstrate what happens with too few oscillators vs. Plenty. In the end, the result is not random enough to be noise. The first 2-second burst is pure white noise for comparison. Then we have multiple 1-second bursts from audio-paint in a sequence of different image sizes: 50,100,150,200,250,350, 500, 700, 1000, 1350, 1750, 2200, 2700, 3250, 3850, 4500, and 9999 (this corresponds to the number of oscillators). The last burst is longer, and there is 1/2 second gap of silence after the first (reference) burst and before that last (9999) burst. The images other dimension was 20. The spacing of frequencies was exponential, between 40 hz and 18 khz. This is not intended to be useful, just an illustration during a discussion in a forum (http://www. Freesound. Org/forum/sample-requests/35199/?page=2#post75605). As mentioned there, i realized only afterward that exponential spacing would be giving me an approximation to pink noise instead of white noise, so the reference burst at the start is not really a fair comparison. Ideally, i would go back and re-do all this using linear spacing, but that's a lot of trouble. :-) i did, however, change to linear to get a white approximation, but that's a different sound i'll upload separately (c. F. Http://www. Freesound. Org/people/zimbot/sounds/242053/). I don't believe you can get true white noise without at least something being random in your synthesis method.

Natural sound to fill in gaps in films.

Recorded from different distances on my zoom h2n and noise reduced using audacity. Gaps between chirps also reduced to about 10 seconds.

The gaps between playing - voices and random sounds at writing sessions, may 2006. Recorded using sony mz0-r90 portable minidisc recorder and sony ecm-ms907 stereo mic.

The gaps between playing - voices and random sounds at writing sessions, may 2006. Recorded using sony mz0-r90 portable minidisc recorder and sony ecm-ms907 stereo mic.

The gaps between playing - voices and random sounds at writing sessions, may 2006. Recorded using sony mz0-r90 portable minidisc recorder and sony ecm-ms907 stereo mic.

A short sequence of key presses on several keys on a mechanical keyboard. Gaps are completely silent so it should be easy to extract one click for a game or other applications.

A recording of wind and rain at an old window. The wind is gusty and is whistling through the gaps. Could create a a great creepy background atmosphere.

Recorded whilst thinking and doing the dishes. This is the gaps between the thoughts. Often noisy (ruffling of clothing on mic) but may be interesting lots of clanking and bashing and water.

Full siren test (with a couple of gaps) including the announcement for each siren and two separate sirens. There's a perfect delay as the sound bounces around the city creating an almost digital sounding delay effect for the announcement and reverb for the sirens.

This is the sound of cold winter wind finding its way through the gaps in our living room window. The recording has been edited to remove long stretches of silence, and has had some light noise reduction applied. The noise floor is still quite high though, so maybe best to put this one fairly low in the mix. Recorded using a zoom h2 with its rear mics activated.

This is a nightingale in a very quiet environment, which is played 4 times slower. The gaps between the verses are removed, otherwise there would be always round about 20 seconds silence. The reverb is natural (no sound effects added), but sounds epic after slow downed with factor 4. The original 96khz/24bit-track was recorded with zoom f8 by using four rode nt1. Recording distance to the nightingale was 5-6 meter. ;-).

My apartment/studio was very quiet except for the steam heat so i put a mic in the middle of the room (an ear trumpet labs edwina) and put it through a lindell mic preamp and then into a focusrite 18i20 interface to record. This is the mono, 48khz, 32-bit file for your dining and dancing pleasure. Actually, it's just room tone and can be mixed judiciously to cover gaps in your own tone or to make brand new rooms from scratch.

Simulation of leaves rustling. I needed a sound that didn't also include the wind/breeze because i prefer to layer different elements. When i found a dead plant in the basement of my apartment building, i took the opportunity to record some light rustling sounds. Recorded on may 04, 2021. Edited on may 09, 2021 to merge the best of the raw recording - there are gaps between each segment. Zoom h4n pro with the on-board x-y mic.

Variation of the loop from:http://www. Freesound. Org/people/maxndee/sounds/106962/. Placed each hit on beat of 125, then put it through a saw tooth transformer, then slight reverb and compression. Other little details like raising one side by 2 decibels to even things out. Also, arranged the rhythm according to a phrase i thought made some more sense, added a couple of variation percs of my own to fill in the gaps. Put either a different eq on them or changed the pitch. Enjoy.

Ambient echo sound. This sound required the combination of operator using the triangle wave and plenty of reverb. I layered this sound by using two different octaves to cover most frequency ranges that sounded best and to fill any gaps in the sound effect. This sound is inspired by scene transitions and wide shots where there may be a lack of other sounds so this frees up a space for a calm ambient sound that uses plenty of sustain and reverb. The triangle wave in the operator gave it more of a high pitched calm flowing sound. The other options for example sine wave sounds to harsh and sharp for this type of sound.

Rootsy solo mandolin cue, part of a "matched set" to be used in different places in a podcast, radio show, or video. The set contains segments from a second or two up to about a minute, to be used for cues, hits, bumps, interstitials and voiceovers. The music is a roundback mandolin from 1900 improvising in the key of g. The feel is uptempo, traditional, natural, organic, old time, americana. I'd be grateful for feedback on what worked and what didn't. How is the sound quality? are there lengths of cue that you needed that weren't here?. I'm happy to do custom recordings to fill in the gaps. My music blog is at http://soupgreens. Om. My email address is lucas@gonze. Com.