34 Royalty-Free Audio Tracks for "Gap"

A warning to please mind the gap.

A4 paper sheet tear. Tascsm dr-05 + panasonic wm-61.

Bf awakens but does not know my trusty microphone is in place next to him.

Sound from london underground stationary train: door opens. "mind the gap between the train and the platform. " "this is east putney. " door warning sound. "the next station is putney bridge. This is a district line train to high street kensington. ".

The end loop of a record, die! die! die!'s 'promises, promises'. 33rpm.

This is the sound from thr jean marcellin square cafe in the city of gap, france. Background sounds include the sound of water from the fountain in the middle of the square, people talking and walking through the open cafe and table/chairs being moved. Tascam d100mk3 96khz 24bit stereo wav.

Time Gap by Monplaisir

This is a pilatus pc6 swiss made plane commonly uses for freight and in this configuration used to transport skydivers into the air where they are jumping out at 4000 meters (13123 ft). 96khz 24bit stereo.

stand well away, cctv and unattended baggage announcements at ash station, surrey. Also includes a passing first great western class 165 train.

Worth mentioning that the groan track is separate from the conversation, for those who want to use just one or the other. I hesitate to say i'm in training, but in a way i am. I don't really know what sorts of things i can get away with, so i have become acquainted with a brit who, i thought, knows everything there is to know. Instead, she may be a bit of an experimenter, and she practices a bit fast and loose. I surely can tell she loves it. . . During this bit of conversation i saw her reach and turn the clamping screws tighter. Extrusion. Interesting. One might wonder why he puts up with it, and i can tell you, he doesn't. A session like this one and he doesn't speak to me for a week. It goes on, i can tell you, at least until he finds where i keep the handcuffs. I do know where to find another pair.

Here is the sound recorded inside of a cathedral in the city of gap france. The cathedral was mostly empty at the time. 96khz 24bit stereo.

Announcement on the station, retretti, on a diesel-powered small local train in lake district, finland. Mind the gap warning in swedish and english.

Recording inside london tube train as doors close.

Synth riff i created to "fill the gaps" in my hard trance track.

A hollow ribbed tube pulled through a window gap during a windstorm.

This is a tesla coil with a discharge that sounds muck like an old style 'stick' arc welder. For the technical it is a tesla coil that uses a static spark gap, while high-voltage-discharge-2 clip uses a rotary gap giving a different sound altogether. Recorded at a display i did at kew museum london in 2012.

Below a highway bridge with cars clomping over the concrete segments. One gap has a loose metal buckle which clangs when it is hit.

Jingling 2-4 sleigh bells in a couple patterns. Recorded using a blue yeti microphone at 16-bit 48000hz in audacity. I isolated the samples i liked and left a small gap of silence between them for separation later. Attribution appreciated but not required.

This is the same red-tailed hawk as in the previous upload, except the call is slightly different. It made this call flying away. Both recordings were scrubbed of most background noise. Silence was generated between calls with a slight millisecond gap after each call.

This is a tesla coil high voltage discharge. For the technical it was made with a coil that uses a rotary spark gap giving a different sound to the high-voltage-discharge-1 clip that has more of a 'sizzle' to it. Recorded at a display i did at nottingham in 2013.

Ringing of a small metal bell. Recorded using a blue yeti microphone at 16-bit 44100hz in audacity. Used audacity's noise removal filter to to remove background noise. For this file, i isolated the samples i liked and left a small gap of silence between them for separation later. Attribution appreciated but not required.

Recorded under a bridge with fast driving cars above, rain is dripping. The cars hits a gap on the bridge parts, so there is a typical sound of cards entering a modern bridge made of concrete. Recode with a tascam im2 and iphone, i believe.

A small collection of gurgles from a small water dropper/pipette. Recorded using a blue yeti microphone at 16-bit 44100hz in audacity. Used audacity's noise removal filter to to remove background noise. For this file, i isolated the samples i liked and left a small gap of silence between them for separation later. Attribution appreciated but not required.

Here is the sound of a street market in france. Recorded while walking through the market. Youtube video with pictures of the location on the day: https://youtu. Be/hvhn4o9_t8m. 96khz 24bit stereo.

70's era korg univox sr-120 drum machine driven through gap-pre73 preamp sent through joe meek c2 optical compressor sent through aphex compellor compressor, limiter and aural exiter, recorded via sony pcm-d50. I think the univox is broken because i can't get any other sounds than tom-toms and claves from it.

A plate was placed on a table with a very small height gap so that it vibrated when flipped with a finger. Produces a sound similar to a ruler pushed down on a table, flipped and pulled onto the table. It's a bit difficult to describe but if you hear it, you see what i mean and i'm sure you've done it as well. . ;).

Recording of a pair of oven mitts being hit together. Might be useful in a game as an inventory sound. Recorded using a blue yeti microphone at 16-bit 44100hz in audacity. Used audacity's noise removal filter to to remove background noise. For this file, i isolated the samples i liked and left a small gap of silence between them for separation later. Attribution appreciated but not required.

A collection of sounds of a magazine flipping through its pages and a heavy book slamming shut. Recorded using a blue yeti microphone at 16-bit 44100hz in audacity. Used audacity's noise removal filter to to remove background noise. For this file, i isolated the samples i liked and left a small gap of silence between them for separation later. Attribution appreciated but not required.

Plucking the rim of an empty wine glass with my finger. Recorded a bunch of samples then isolated the ones i liked into this file. Left a small gap of silence between them for separation later. While all the samples were initially recorded at 16-bit 44100hz, some of the later ones compiled into this wav were accidentally saved at 8-bit and have gathered some noise as a result. All samples recorded using a blue yeti microphone. Used audacity's noise removal filter to to remove background noise. Attribution appreciated but not required.

Nano/opto-électroniquecours 4 (part 3)09/11/2012. Heterostructuresslijd 4. 1) (00:00)slijd ?) band gap engineering (9:22)slijd ?) croissance d'hétérostructures (17:42)slijd 4. 3) (26:02)pré-slijd 4. 4) travail d'extraction (28:53)slijd 4. 4) (40:09)slijd 4. 5) (45:12)slijd 4. 6) (54:59)slijd 4. 7) (56:40)slijd suivant) difficultés d'interprétation (suite) (58:59)commentaire sans slijd) (1:01:43)slijd suivant) dopage sélectif (1:03:24)slijd. 2) effet de e sur le diagramme de bandes d'énergie (1:05:10). Fin 1:16:53. .

Recorded on a canon d550 camera. I live near a water tower built into a hill and firework displays cause a strange echo as the shock wave passes through. Listen to the first burst of bangs and there is a faint sound of "gravel falling into water". I suppose the frequency of the explosion is reverberating in the air gap in the water tower. There is a second burst of fireworks which are far away. Traffic from the a3 road is audible.

Field recordings extracted from videos i took while travelling on a vaporetto (small public transport canal boat) along the grand canal. You can hear the water, the engine revving as the boat criss-crosses the canal from one stop to the next and the(mostly english)chatter of other passengers on the boat. On "venice2" horns are blown by other vessels and someone says at the end "i'm getting off the boat". I have joined 2 tracks on this one and there is a small gap, but with the right equipment that can be edited out. All in all very evocative of the busy atmosphere in venice, even in march (2012).

Production step :this sound is from a sound recording of a key hiting an iron bar. I take just one sound from my reccording and copy/paste in a new track. I amplify the sound and do a low pass filter. I copy paste my track and create another one just above. I move this new track for create a gap between the two tracks. On the second track i supress some of the beat for create a rythm. On the second track i change the pitch, for making a sound more high-pitched. Description :this sound looks like the ring of a bell tower. The rythm change every two bars who makes him unique and not settled. This sound is, for me, a reference of the track begining of dark techno music. Typologie de schaeffer :. Masse: nodaltimbre harmonique: eclatantgrain: résonnanceallure: mécaniquedynamique: rondeprofil mélodique: ascendant puis descendantprofil de masse: dilatation.

Noise created by individual oscillators, using audio paint, with different height images, to demonstrate what happens with too few oscillators vs. Plenty. In the end, the result is not random enough to be noise. The first 2-second burst is pure white noise for comparison. Then we have multiple 1-second bursts from audio-paint in a sequence of different image sizes: 50,100,150,200,250,350, 500, 700, 1000, 1350, 1750, 2200, 2700, 3250, 3850, 4500, and 9999 (this corresponds to the number of oscillators). The last burst is longer, and there is 1/2 second gap of silence after the first (reference) burst and before that last (9999) burst. The images other dimension was 20. The spacing of frequencies was exponential, between 40 hz and 18 khz. This is not intended to be useful, just an illustration during a discussion in a forum (http://www. Freesound. Org/forum/sample-requests/35199/?page=2#post75605). As mentioned there, i realized only afterward that exponential spacing would be giving me an approximation to pink noise instead of white noise, so the reference burst at the start is not really a fair comparison. Ideally, i would go back and re-do all this using linear spacing, but that's a lot of trouble. :-) i did, however, change to linear to get a white approximation, but that's a different sound i'll upload separately (c. F. Http://www. Freesound. Org/people/zimbot/sounds/242053/). I don't believe you can get true white noise without at least something being random in your synthesis method.