31 Royalty-Free Audio Tracks for "Guest"

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00:56
Small gathering of guests in a home environment.
Author: Loveburd
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00:07
New applause 2012!!!!!.
Author: Timtube
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03:56
A starting party in a home (from france).
Author: Mickael Leroi
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00:15
A party ambiance track that consists mostly of just two people, with some guest stars.
Author: Settyness
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00:09
Piano-accomplisment with left hand, to replace bass or use as intro. Be my guest to download and use it :).
Author: Baz Odink Nl
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05:22
Livin' the Dream performed by Wild Blue Country of the United States Air Force Academy Band. Track 3 from Free Man (2011). Credits: Bass, Vocals – SMSgt Jerome Oddo* Drums, Vocals – TSgt Tim Stombaugh* Engineer [Sound] – MSgt Janusz Masztalerz* Guest [Guest Artist], Guitar – Mr. Brent Mason* Guitar, Vocals – MSgt Stephen Brannen* Other [Commander] – Colonel Larry H. Lang Steel Guitar – TSgt Jeff Valentine*[1][2][3]
Author: Composition: Stephen Brannan; Performance: United States Air Force Academy Band, Wild Blue Country; Recording: United States Air Force
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03:05
Free Man performed by Wild Blue Country of the United States Air Force Academy Band. Track 6 from Free Man (2011). Credits: Bass, Vocals – SMSgt Jerome Oddo* Drums, Vocals – TSgt Tim Stombaugh* Engineer [Sound] – MSgt Janusz Masztalerz* Guest [Guest Artist], Guitar – Mr. Brent Mason* Guitar, Vocals – MSgt Stephen Brannen* Other [Commander] – Colonel Larry H. Lang Steel Guitar – TSgt Jeff Valentine*[1][2]
Author: Composition: Jerome Oddo; Performance: United States Air Force Academy Band, Wild Blue Country; Recording: United States Air Force
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02:36
The Couch performed by Wild Blue Country of the United States Air Force Academy Band. Track 4 from Free Man (2011). Credits: Bass, Vocals – SMSgt Jerome Oddo* Drums, Vocals – TSgt Tim Stombaugh* Engineer [Sound] – MSgt Janusz Masztalerz* Guest [Guest Artist], Guitar – Mr. Brent Mason* Guitar, Vocals – MSgt Stephen Brannen* Other [Commander] – Colonel Larry H. Lang Steel Guitar – TSgt Jeff Valentine*[1][2]
Author: Composition: Jerome Oddo; Performance: United States Air Force Academy Band, Wild Blue Country; Recording: United States Air Force
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02:36
A track i was making for a game but the track is too kinda odd world sounding for lack of a better description. If anyone wants to do something with it be my guest.
Author: Aarontheonly
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00:53
Formatted for use in the make noise morphagene. Seven chords from my fender rhodes, each on its own splice, centered around a bb-minor root. The rhodes was running through an mxr zw-44 for mild overdrive, and the signal was boosted with a focusrite scarlett dynamic octopre. This reel was originally created for a guest post on the noise engineering blog: https://www. Noiseengineering. Us/blog/2017/9/18/modular-tips-and-tricks-guest-post-rheyne. Here's a video using this reel: https://youtu. Be/cyhpcbu71rc.
Author: Rheynemusic
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02:06
Starts off with a recording of distant machinery, but a plane comes along and interupts this, followed by a line of cars, plus the grand feature of scarborough - seagulls!- recorded with my zoom h2 -.
Author: Cbeeching
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00:57
I am taking the lift from the 6th floor to the 2end floor, where the restaurant takes place. Heading for breakfast. Binaural recording with soundman okm`s and a h4n. If you want to support my work, please visit:jardinsonore(. )bandcamp(. )comthere you find a lot more.
Author: Nikitralala
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00:35
This is a short glockenspiel composed on musescore for my visual novel. I needed a short music box melody and i wrote a small excerpt from mozart's magic flute as i remembered (this means that probably is not 100% accurate). If you might have a use for it, be my guest.
Author: Rexior
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01:02
These are two guitar solo outtakes from a guest guitar session i was asked to be on. They essentially wanted that early era slayer vibe where there is more cacophonous noise than structure. I think i recorded 15-20 for two sections in one song. They chose two other files and this was the one i liked best to keep as a memento. I am the creator and owner of the audio contained within the file. I know guitarists these days want to sound like an andy sneap plugin, but this may give someone a different idea. Within the context of the song they were for they fit well. I'm not apologizing for the playing or quality of the recording. Just something i did for a friend that took me 4x as long to set up than total time under the red light. It was fun.
Author: Bjorn
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00:37
The guest room i am staying in has a tile bathroom. Each time i take a shower, i hear this magnificent hum of the water heater clicking on and then turning off once the shower water is stopped. I was fortunate enough to hear it click on while i wasn't in the shower and captured about 30 seconds of it before it died. Infinite variation, impossible to replicate. At the end, as the water heater shuts down, it clicks down into the lowest ranges of the frequency spectrum; i didn't hear it until i listened to the recording but the couple of seconds of that are just as magical. Wish i would have left the recorder running!. Captured with a zoom h3-vr to ambix format at 96k24bit and bounced to stereo. Processing: 24db gain to all 4 clips, izotope spectral denoise to get rid of the air in the room and izotope ozone to enhance the bass signal a touch. Enjoy!.
Author: Theoddcastdark
00:00
57:05
Where we live the fireworks laws are pretty lax so people go crazy with them. Here is a recording from the day before independence day (yesterday) as people were blowing up part of their arsenal ahead of time. In a few hours i will be recording as things get really crazy. Our neighbors on three sides will light off the thousands of dollars of fireworks that they have purchased. Many of them are illegal (purchased from indian reservations) so there will be some big booms. Back to this recording. It is recorded with my "fake head" binaural setup, hanging from a tripod at the crest of the garage roof. There is a tree a few feet away and a light breeze is rustling the leaves. Here is a bit of a timeline:. 0:00 kids across the street light off a few fireworks4:05 the neighbors across the street were having a party, and the guests begin to leave. 6:30 the guest of honor honks and yells "love you" as she drives away. 8:00 the kids across the street go inside. Now all you hear are fireworks in the distance, all over town. 32:17 someone lights what must be a million firecrackers. They continue until 51:20 - 19 minutes!!!.
Author: Daveincamas
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01:03
This historic "flute clock" (orgeluhr) is a precious mechanical clock, with a small organ is combined. Given time to hear music from a pen-driven roller. Flötenuhrbaues the heyday was the late 18th out century. Flute clocks were built for affluent, culturally sophisticated circles, educated people with appropriate art and music understanding. The finest pieces built in vienna and berlin. Easier flute watches were up to about 1850 in large quantities in the black produced. They played for entertainment in guest houses. Several well-known composers wrote works specially for this instrument, as george frideric handel, carl philipp emanuel bach, haydn, antonio salieri, wolfgang amadeus mozart or ludwig van beethoven. Flute watches with great restrictions than their recorded music era to consider it forced the composer to be exact instructions in execution ornamentation and tempo. The coupling of wind plant and roll can be traced back to minimum tempos and makes historical flute clocks so interesting for issues of historical performance practice. Record with tascam hd-p2 and beyerdynamic mce82soundsystem: pro tools le.
Author: Ohrwurm
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01:52
A flötenuhr (also orgeluhr) is a precious mechanical clock, with a small organ is combined. Given time to hear music from a pen-driven roller. Flötenuhrbaues the heyday was the late 18th out century. Flute clocks were built for affluent, culturally sophisticated circles, educated people with appropriate art and music understanding. The finest pieces built in vienna and berlin. Easier flute watches were up to about 1850 in large quantities in the black produced. They played for entertainment in guest houses. Several well-known composers wrote works specially for this instrument, as george frideric handel, carl philipp emanuel bach, haydn, antonio salieri, wolfgang amadeus mozart or ludwig van beethoven. Flute watches with great restrictions than their recorded music era to consider it forced the composer to be exact instructions in execution ornamentation and tempo. The coupling of wind plant and roll can be traced back to minimum tempos and makes historical flute clocks so interesting for issues of historical performance practice. Recorded at "deutsches musikautomaten museum bruchsal"recording: tascam hd-p2 and beyerdynamic mce82;soundsystem: pro tools le.
Author: Ohrwurm
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00:33
I installed hand dryer in my house to guests were not having to use wet towels.
Author: Rcsound
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01:60
Recording at quiet dutch fastfood restaurant. Almost no guests present.
Author: Sandermotions
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00:04
Wooden stick on glass. Like if you have invited guests and want to attract their attention.
Author: Abstraktgeneriert
00:00
02:21
I recorded this at my brothers birthday. He had guests from both denmark and australia, because of that you'll here both danish an english talking in this recording.
Author: Maga
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01:07
Sitting at a breakfast table in a hotelroom with a few other guests. Clinking crockery, sounds from coffee and cutting with a knive. Recorded with an iphone 5c.
Author: Crowcube
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00:54
Sitting at a breakfast table in a hotelroom with a few other guests. Clinking crockery, sounds from coffee and cutting with a knive. Recorded with an iphone 5c.
Author: Crowcube
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00:06
The bard is entertaining the guests at the inn. Composed and rendered using ableton live. You are free to do whatever you want with this snippet. . . Although i'm always interested in hearing new projects using this loop!.
Author: Code Box
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00:08
My dog "greeting" guests at my front door. Cc0/public domain. No credit required! (if you want to give credit, it goes to annie the german shepherd!). Recorded on a pixel 3 phone and cleaned up in audacity.
Author: Natikatz
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02:02
Field recording recorded on zoom h4 using internal mics set to 90 degree xy stereo pair. Wind sock and high pass filter to remove excessive wind rumble. Recorded in a nature reserve just outside the town centre of bury st edmunds, suffolk, england on 19/02/2019. Recorded on a breezy day, features distant motorway traffic, close rustling of branches and leaves, birdsong and a few gentle guests of wind.
Author: Nickmaysoundmusic
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03:17
Field recording recorded on zoom h4 using internal mics set to 120 degree xy stereo pair. Wind sock and high pass filter to remove excessive wind rumble. Recorded in a nature reserve just outside the town centre of bury st edmunds, suffolk, england on 19/02/2019. Recorded on a breezy day, features distant industry sounds, close rustling of branches and leaves, birdsong, a few gentle guests of wind and distant motorway rumble.
Author: Nickmaysoundmusic
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01:35
Edison yellow paraffin cylinder recording of Arthur Sullivan giving an after-dinner speech at the "Little Menlo" in London. George Gouraud had come to London to demonstrate Edison's "Perfected" Phonograph. Gouraud demonstrated the phonograph to various celebrities in a series of Phonograph Parties in the autumn of 1888 and made recordings of their reactions as messages for delivery to Thomas Edison. Arthur Sullivan (1842-1900) was one of these guests, and it is his speech to Edison that appears here. Length: 1:34 Transcription: “
Author: George Gouraud (Speech by Arthur Sullivan)
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02:55
Br-laser vector synthesis reel for make noise morphagene. These sounds have visuals encoded into them at high frequencies. The vector synthesis reel for the make noise morphagene is a collection of different xy samples, to show off morphagene's stereo sampling capability. The sample material can be displayed on oscilloscopes, modified vectrex game consoles, ilda laser displays or oscilloscope simulation software in xy mode. Some splices on the reel can be used as seamless loops. Here is a video to give a basic idea of the reelhttps://youtu. Be/cxxb9veyq6w. The collection of vectors was arranged by bernhard rasinger and includes vector contributions from artists listed below. An important part of this reel is to put the spotlight on working and performing artists utilizing sound signals to draw images as vector art. Alberto novellohttp://www. Jestern. Com. Andrew duffhttp://andrew-duff. Co. Uk/. Bernhard rasingerhttps://www. Br-laser. Com/. Chris kinghttp://videocircuits. Blogspot. Com/. Derek holzerhttp://macumbista. Net/. Douglas nunnhttps://vectorhackfestival. Com/guests/nunn/. Hansi raberhttp://youtube. Com/hansiraber. Ivan marušić klifhttp://i. M. Klif. Tv. Jerobeam fendersonhttp://oscilloscopemusic. Com. Jonas bershttp://jonasbers. Com. Joost rekveldhttp://www. Joostrekveld. Net. Philip baljeuhttp://instagram. Com/pbaljeuhttps://www. Youtube. Com/channel/ucudrl_q3_cnsj0ta2k7saha. Philipp haffnerhttps://www. Instagram. Com/philipp_haffner/. Robert henkehttp://roberthenke. Com/. Roland lionihttp://www. Akirasrebirth. Com. Ted davishttp://teddavis. Org. Vector hack festivalhttps://vectorhackfestival. Com/. All of these artists, working in the vector synthesis realm are creating these vectors with a different set of tools. These tools include pure data, max4live, oscistudio, axoloti, modular synthesizer, video synthesizer. Https://oscilloscopemusic. Com/oscistudio. Phphttp://write. Flossmanuals. Net/pure-data/introduction2/http://www. Axoloti. Com/https://www. Ableton. Com/de/live/max-for-live/. For introductory oscilloscope and technique tutorials please enjoy jerobeam fenderson´s tutorial series. Https://www. Youtube. Com/playlist?list=plfgouhnvmlro45p9uur18wofljeavcfvv.
Author: Makenoisemusic
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01:28
Forward with NOAA the NOAA Corps Song The "NOAA Corps Song" is actually entitled "Forward with NOAA." In 1987-88 the National Association of Commissioned Officers (ACO) was interested in commissioning a NOAA Song. Captain (then Commander) Steve Manzo was a member of the ACO Executive Board and volunteered to assist. Manzo contacted a long-time friend, Bob Arberg. Bob's father, Bud Arberg, had actually written the music and words to the "Army Song" -- while assigned to the Adjutant General's Staff during World War II. Dr. Arberg (former Princeton graduate in music) was retired and he readily volunteered to write a song. Dr. Arberg was provided reference materials on the NOAA Corps. He recognized at the outset that this was an attempt to build NOAA Corps morale and he cautioned that buy-in/acceptance within the Corps would not be easy. The song was first presented at a National ACO Dining-In in either 1988 or 89. Secretary of Commerce William Verity was present, as were both Bud and Bob Arberg. Bud Arberg played the piano and performed the "NOAA Song" to the assembled group of 150 officers and guests. Upon completing the NOAA Song, Secretary Verity graciously presented Dr. Arberg with a small gift of thanks on behalf of DOC/NOAA/NOAA Corps. The music was arranged by the USAF Band. The words are as follows: Forward with NOAA With the Corps that's got it all Science and Service We are always there to meet the call We survey the oceans And we track storms in the air Forward with NOAA We're the NOAA Corps, we're always there -- Musical Interlude then Repeat -- Forward with NOAA With the Corps that's got it all Science and Service We are always there to meet the call We survey the oceans And we track storms in the air Forward with NOAA We're the NOAA Corps, we're always there
Author: Untitled
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