2,211 Royalty-Free Audio Tracks for "Ins"

*14 steps in 17 equal temperament on C = B♭ (Easley Blackwood's notation). Equal-tempered: 214/17:1 = 988.24 cents. MIDI pitch bend: 30,60

*13 steps in 17 equal temperament on C = A♮ (Easley Blackwood's notation). Equal-tempered: 213/17:1 = 917.65 cents. MIDI pitch bend: 83,69

Ελληνικά: Φούγκα 19. από το Καλά Συγκερασμένο Κλειδοκύμβαλο Ι του Γ. Σ. Μπαχ. Fugue 19 from Bach's The Well-Tempered Clavier.

*1 step in 72 equal temperament on C. Equal-tempered: 21/72:1 = 16.67 cents. MIDI pitch bend: 43,69 Created in Sibelius with midi pitch bend on 69 for 15.625 cents rather than 16.667. New version a PU on 43,69 for 16.6748046875 cents.

Mozart's song Das Veilchen", K. 476

Recorded on Dec 2nd,1889. Brahms plays J.Strauss.

The Way Things Ought to Be performed by the Dimensions in Blue jazz ensemble of the United States Air Force Band of the West. Track 9 from Generations (1996).[1][2][3] Credits: Captain Steven Grimo, Commander Captain Danny Varella, Vice Commander Staff Sergeant Scott Vinassi, trumpet Airman Farid Barron, piano

Crows Nest performed by the Dimensions in Blue jazz ensemble of the United States Air Force Band of the West. Track 8 from Generations (1996).[1][2][3] Credits: Captain Steven Grimo, Commander Captain Danny Varella, Vice Commander Senior Airman Dave Bandman, trombone

Part 6 (three ruffles and flourishes and "General's March") of a basic outdoor parade sequence performed by the Ceremonial Band of the United States Air Force Band of the West. Track 16 from Facets! (1992). Captain Steven Grimo, Commander. Lieutenant Danny Varella, Vice Commander.

Jazz me Blues is an jazz composition written by Tom Delaney. Considered to be a jazz standard[1]. This instrumental version is recorded by Original Dixieland Jass Band on May 3, 1921 in New York[2]

«Гимн свободной России». Музыка Александра Гречанинова. Слова Константина Бальмонта. Исполняют Федор Орешкевич и оркестр фирмы «Экстрафон». Киев, 1917.

Das Ave Maria von Lourdes

This song is based on melody of the Italian song Bandiera rossa. It was released on a cassette tape prepared by the Organization of Struggle for the Emancipation of the Working Class and released in Iran circa 1980.

Power of Suggestion performed by the Dimensions in Blue jazz ensemble of the United States Air Force Band of the West. Track 14 from Generations (1996).[1][2][3] Credits: Captain Steven Grimo, Commander Captain Danny Varella, Vice Commander Senior Airman Derrell Kuykendall, bass

Part 3 (a drum cadence) of a basic outdoor parade sequence performed by the Ceremonial Band of the United States Air Force Band of the West. Track 13 from Facets! (1992). Captain Steven Grimo, Commander. Lieutenant Danny Varella, Vice Commander.

Etiuda Ges-dur, op. 25 nr 9, w wykonaniu Romualda Greissa na fortepianie marki Budynowicz z 1850. Nagranie z koncertu w filharmonii w Zabrzu.

Part 5 (two ruffles and flourishes and "General's March") of a basic outdoor parade sequence performed by the Ceremonial Band of the United States Air Force Band of the West. Track 15 from Facets! (1992). Captain Steven Grimo, Commander. Lieutenant Danny Varella, Vice Commander.

Part 7 (four ruffles and flourishes and "General's March") of a basic outdoor parade sequence performed by the Ceremonial Band of the United States Air Force Band of the West. Track 16 from Facets! (1992). Captain Steven Grimo, Commander. Lieutenant Danny Varella, Vice Commander.

Part 4 (one ruffle and flourish and "General's March") of a basic outdoor parade sequence performed by the Ceremonial Band of the United States Air Force Band of the West. Track 14 from Facets! (1992). Captain Steven Grimo, Commander. Lieutenant Danny Varella, Vice Commander.

flute concerto in g major, k. 313 - i. allegro maestoso

Mazurek Dąbrowskiego, the national anthem of Poland, performed by the U.S. Navy Band. Mazurek Dąbrowskiego, hymn Polski Mazurka de Dąbrowski , hymne national polonais Mazurek Dąbrowskiego, himno nacional de Polonia Magyar: Dąbrowski Mazurka, Lengyelország himnusza Română: Mazurek Dąbrowskiego, imnul de stat al Poloniei Mazurek Dąbrowskiego, polnische Nationalhymne Čeština: Mazurek Dąbrowskiego, polská hymna Slovenčina: Mazurek Dąbrowskiego, poľská hymna

Title/Work: Brandenburg Concerto No. 2 in F major, BWV 1047 Content: 1st Movement: Allegro (1st Record) Genre(s): Concerti grossi Author(s)/Composer(s): Johann Sebastian Bach (1685-1750) Music arranger(s): none Lyricist(s): none Performer(s): Philadelphia Orchestra Conductor: Leopold Stokowski (1882-1977) Place of recording: Academy of Music, Philadelphia, Pennsylvania (United States) 1st release date: 1929 1st recording date: 27-29 September 1928

Io non ho che una povera stanzetta from act 2 of Ruggero Leoncavallos opera La bohème (1897), sung by Enrico Caruso in 1911. It is probably best to make this explicit: This is NOT from Puccini's La bohème. Ruggiero Leoncavallo, Puccini's contemporary, also made an opera based on the same stories, with the same name. While Puccini's version proved wildly popular, Leoncavallo's faded into obscurity. This is Matrix # C-11276 recorded 26 November 1911 (details)

Traditional Lebanese oud played by Chahadé Saadé. Odeon record n° X35285, matrix n°: xES 381 [1].

Fourth movement of Gustav Holst's Second Suite in F for Military Band, based on the folk song of "Dargason" whilst "Greensleeves" clearly wovens into the fantasia in the end.

Władysław Tarnowski ps. Ernest Buława „Grande Sonate pour Piano composée et dediée respectueusement à J.I. Kraszewski”, wyd. Robert Forberg, Lipsk, październik 1877. Obdarowanym dedykacją był Józef Ignacy Kraszewski, wydawca, korespondent i przyjaciel Władysława Tarnowskiego. Tu wykonanie 1-ej partii z 2 części, która to 1-sza partia ma tytuł „Scherzo rondino” i zawiera temat „Jaskółki” z opery „Achmed” skomponowanej przez Władysława Tarnowskiego. Partytura: Władysław Tarnowski ps. Ernest Buława. Wykonanie: Marcin Tarnowski (M.Tarnowski (talk) 16:57, 17 September 2018 (UTC)), wrzesień 2018. Z podziękowaniem dla SLUB w Dreźnie (Sächsische Landsbibliothek – Staats- und Universitätbibliothek Dresden) za udostępnienie partytury.

Traditional song from Burma performed by Ma E Mi. Columbia record n° V.E. 2107. Matrix n° CEI. 7910 [1].

*14 steps in 15 equal temperament on C = B↓ (Easley Blackwood's notation). Equal-tempered: 214/15:1 = 1120 cents. MIDI pitch bend: 51,70 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on ~179,69 on B.

*13 steps in 16-et on C = A♯ (Easley Blackwood's notation). Equal-tempered: 213/16:1 = 975 cents. MIDI pitch bend: 0,56

*15 steps in 17 equal temperament on C = A♯ (Easley Blackwood's notation). Equal-tempered: 215/17:1 = 1058.82 cents. MIDI pitch bend: 106,50

Traditional Vietnamese cải lương performed by the Phước Cương troupe. Bekarecord n° B 20107. Matrix n° 92380. [1]

Traditional song of Tahiti performed by Tefanake, Reia, and Moratai. Mareva record n° 115. Matrix n° 13485-1PD. [1] Ute – tradycyjna piosenka z Tahiti w wykonaniu grupy Tefanake, Reia i Moratai z 1950 roku.

The Song to the Moon (Lieblicher Mond, or, in the original, "Měsíčku na nebi hlubokém") from Act I of Antonín Dvořák´s Rusalka (1901, Op. 114), sung by Emmy Destinn (Ema Destinnová). Conducted by Walter B. Rogers. This is Victor 88519, Matrix C-14757-3. Full details This file is heavily retouched from the original, including noise reduction, multiband spot compression, band-pass filtering, and spot repairs of clicks, pops, and NR artifacts. Edits made by Kevin McCoy, User:Kmccoy, and credit is appreciated.

Valsa choro "Plangente", composed by Chiquinha Gonzaga in 1877 [1] and executed by the Grupo Chiquinha Gonzaga (Flute: Antonio Passos. Guitar: Tute. Cavaquinho: Nelson Alves). Recorded in 1912.

Third movement of Gustav Holst's Second Suite in F for Military Band, featuring the folk song "A Blacksmith Courted Me".

Aria from Manon sung by Enrico Caruso accompanied by Salvatore Cottone on piano.

First movement of Gustav Holst's Second Suite in F for Military Band. Includes tunes Morris Dance, Swansea Town and Claudy Banks.

Traditional Basque music played by Txistularis Hermanos Landaluce y Sr. Elola. Recorded by H.E. Davidson in Barcelona. HMVrecord. Coupling Number: AE 2467. Face Number: 2-260706. Matrix Number: BJ1692. [1]

Traditional Turkish music played by Ahmed Djewdet. Polydor record n° V 43163. Matrix n° 243 Bn. [1]

Singen wir mit Fröhlichkeit, Gotteslob (1975) 135; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 736

*2 steps in 15 equal temperament on C = D↓ (Easley Blackwood's notation). Equal-tempered: 22/15:1 = 160 cents. MIDI pitch bend: 26,51

*13 steps in 15 equal temperament on C = A↑ (Easley Blackwood's notation). Equal-tempered: 213/15:1 = 1040 cents. MIDI pitch bend: 102,108 on M6 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on ~102,76 on Bb.

*11 steps in 19 equal temperament on C = G♮ (Easley Blackwood's notation). Equal-tempered: 211/19:1 = 694.74 cents. MIDI pitch bend: 40,62 Created in Sibelius with midi pitch bend on 94 for 693.75 cents rather than 694.76. New version a TT on 40,94 for 694.7265625 cents rather than 694.76.

Ich glaub an Gott in aller Not, Gotteslob (2013) Freiburg/Rottenburg-Stuttgart 855

*2 steps in 9 equal temperament on C on C = ??. Equal-tempered: 22/9:1 = 266.67 cents. MIDI pitch bend: 42,53

*1 steps in 19 equal temperament on C = C♯ (Easley Blackwood's notation). Equal-tempered: 21/19:1 = 63.16 cents. MIDI pitch bend: 26,84 Created in Sibelius with midi pitch bend on 52 for 62.5 cents rather than 63.16. New version a PU on 26,84 for 63.134765625 cents.

*19 steps in 21-et on C = B♭↑ (Easley Blackwood's notation). Equal-tempered: 219/21:1 = 1085.71 cents. MIDI pitch bend: 54,59

*2 steps in 19 equal temperament on C = D♭ (Easley Blackwood's notation). Equal-tempered: 22/19:1 = 126.32 cents. MIDI pitch bend: 54,72 Created in Sibelius with midi pitch bend on 72 for 125 cents rather than 126.32. New version a m2 on 53,72 for 126.2939453125 cents rather than 126.32.