1,002 Royalty-Free Audio Tracks for "Line"

I decided to make some sci-fi (forbidden planet) inspired ambient sounds and i came up with this. I used harmor from image-line to create these sounds. I hope you like it!.

Automation underwent 17 parameters in the modulation matrixsynthesizer toxicbiohazard (image-line).

I made this track out of the following tracks for a friend of mine's gaming project. He wanted something simple and small for a game that is set in space. 120365__stk13__untitled-13. Wav121329__stk13__life-line. Wav204280__rjonesxlr8__high-tech-generator-18. Wav52134__dj-chronos__horror-drone-001. Wav98165__reaktorplayer__ambient-2. Wav. -rama.

A short drum loop with a distinctive "low-fi" and "raw" feel. Could work well in a drum and bass or hip-hop project. Recorded live with a zoom h2n (line input from a soundboard).

Field recording of a ride on boston's red line. Sounds include the noise of the trolley itself running through the tunnel (from the inside), the doors opening and closing at stops, announcements from the overhead system, and general crowd noise from other passengers.

A few lines from a one string phono fiddle. It is a very rare old instrument seldom found today. It is a single metal string, played with a horsehair bow. The sound is picked up through a phonogram diapraghm and then amplified through a brass horn. This is free for anyone to use as they wish.

Using an analog "buttset" or test-set telephone, clipping the leads from an exfomaxtester device and hearing the tones from testing a line, at a terminal/crossbox location (roadside). Cut some low frequencies and added 2s, 5s, then 3s digital-delay effects automated and a reverb effect.

Looped synthesizer phrase. Resembles kid's fun rhyme. Made in fl studio.

What is how blockchain works?the blockchain periodically stores transaction information in batches, called blocks. These blocks, a continuous-order set of blocks, a fingerprint, a hash – a unique mathematical code – and are interconnected, a set of a continuous line of blocks – a chain (of the chronological “chain”).

Four thunder claps from a line of storms that passed through owensboro in western ky dec 10 2021. Recorded with a rode ntg4+ and sony pcm-d50 at 96khz and 16bit depth. Sorry but i did not edit the clipping - which is not really that bad.

Sound from london underground stationary train: door opens. "mind the gap between the train and the platform. " "this is east putney. " door warning sound. "the next station is putney bridge. This is a district line train to high street kensington. ".

Loop from our last session (https://soundcloud. Com/tonux-gix/journey-to-dusk-yemptiness-2). Midi/osc lines generated with pure-data and then rendered it in muse-sequencer using deicsonze and zynaddsubfx synths.

I heared house sparrows in the bushes. I pointed to the bushes with the microphone. I recorded it with myrecorder zoom h4n promicrophone sennheiser shotgun mke 600triton audio fethead(no phantom thru)rycote classic-softie windscreenwavelab.

Sound of a large, long, mooring rope fastened to a large cleat, holding a ferry boat at a dock on san francisco bay. Recorded with a sony mz-rh1 mini disc and unmodified panasonic wm-61 electret condenser microphone capsules.

A metal like trill, maybe good for an intro recorded with audacity, a jackson dinky tuned in drop c, and a line 6 pod ux1. 44100, 32bit float.

Self-noise test of line-level input of tascam dr-70d, via rode nt1a and sound devices mixpre-d, of watch ticking. Designed as comparison with sony m10 and direct digital output (see separate files). Beware of loud 0db test tone at the beginning: turn volume down.

Self-noise test of line-level input of sony m10, via rode nt1a and sound devices mixpre-d, of watch ticking. Designed as comparison with tascam dr-70d and direct digital output (see separate files). Beware of loud 0db test tone at the beginning: turn volume down.

This effect was created for a radio tax spot to support the line "here's all the directions. . . 1,000 pages of them!" (sfx: drops 1,000 pages on desk)it makes a distinct whoomp sound when they land. Recorded on nt2-a rode mic in a production studio.

At 4 pm (hawaii time), it's the sounds of birdsongs and blowing light breezes in the trees lining the rather dry river near my home in honolulu. You can also hear the humming of my refrigerator in the background.

A towel being whipped as if to clear out dust. Various takes. Recorded in a studio setting with a shotgun mic on a h1 zoom. Sample made for a personal project, free to use. You don't even have to tell me what for. But it's appreciated if you drop me a line. Have fun!.

A voicing of lines from 'demons' by d. M. Larson by yours truly. Next to no editing of the dry audio. Recorded with rode nt1a through scarlett focusrite via adobe audition. Recorded for suburbanwizard, another freesound user.

Very old track, not very fond of it personally but possibly useful still. Guitars recorded with line 6 pod x3, with a lot of reverb. Many recordings overlaid on top of each other. Simple drumloop added beneath it all.

Squall line thunderstorm arrival to pécel, hungary on 9th june 2018. The storm produced heavy rain, strong winds and some close lightning strikes. Recorded by sony icd-ux512 stereo dictaphone. Part 2.

Alert (!) or surprise sound effect directly inspired by the popular sound from metal gear solid. Performed live not quantized or synchronized to any particular tempo. The notes used in this performance should be the same notes used in the original game's sound (unconfirmed) detuned a few cents upward. Tools used:- fl studio by image line- dexed by digital suburban- edison by image line. If you'd like me to create any sounds for your next project, don't hesitate to ask. I'd be happy to help. As this sound isn't exactly a completely original creation or composition. I've set the license to cc0.

The sound is a contact mic'ed piece of pvc pipe which has a drawstring from a pair of shorts tied to it. The sound is the drawstring being plucked. It's could be good for bass lines. The sound was processed slightly in goldwave (some noise reduction/eq adjustments/fading).

I created a basic saw tooth bass pluck using sylenth1, and used image line edison to time stretch, equalize, add reverb, and smooth out the beginning and end of the sound to give it a swelling effect. The sound is tuned to c for easy re pitching to suit different projects.

An approximately 2 minute in length beat for backgrounds. Listen with headphones or nice speakers otherwise ambiance and bass line do not pick up. Produced with cakewalk sonar. Contains samples of "harp" by pryght one, "rain" by marec, and "cinematic boom norm" by herbert boland.

This is a old school country sounding bass line i played and looped at 80 bpm! if you wish to credit me then credit me as blaink saint but that is completely optional. Shoot me a dm of what you made of it im super interested in knowing where my sounds end up.

The sound of a thick plastic bag that screeches when it moves. It was recorded indoors with a mobile phone on february 2018 and it hasn't been processed or altered in any way by any type of software. On the green lines the voice is saying "sound of toy car on a carpet" and that's what actually follows.

Sci-fi communications 1recorded from a circuit bent randomly modified casio ctk811 via the line out into a spirit folio mixer and m300 tc electronics processor and recorded at 24bit/96khz on a tascam dr60mk2. Edited and normalised in sound forge 13.

Busy room ambience with adults and children talking (useful for restaurants, school performances, waiting lines in amusement parks, cinema. . . ).

Part one of riding the orange line on the washington d. C. Metro. Interior of the train only. Can hear pulling up and away to a few stations. Also hear the doors open and close with announcer and "ding. ". Recorded using a zoom h6, with stereo xy.

Glassware rattling and shaking on table. Could be used for earthquake, construction outside of the house or things along that line. Recorded with a zoom h5 internal xy mics.

These are the noises that accompany waiting in line at sassyass coffee, a local coffee shop in downtown charleston. During the recording you can hear an enjoyable interaction with regular customers toward the end, and general espresso noises and small talk for the rest.

Plane- it’s difficult to get good recordings of planes taking off these days. There’s always major streets or highways close by which results in a bunch of unwanted traffic noise. It’s difficult to find a good vantage point to set up because there’s hardly any public parking with unobstructed sight lines (or in my case hearing lines) to the planes. Plus, with all the extra security measures in place these days, how suspicious would i look setting up a laptop andsome cables and some other electronic equipment in the general area of the runway?but i managed to get this recording. It’s not spectacular, but it’s ok. There’s some worker truck at the end of it which gets in the way, but doesn’t ruin it. Nady stereo condenser microphonefocusrite saffire pro24 interfacelogic 8 on a macbook prosan diego airport.

Sci-fi communications 2recorded from a circuit bent randomly modified casio ctk811 via the line out into a spirit folio mixer and m300 tc electronics processor and recorded at 24bit/96khz on a tascam dr60mk2. Edited and normalised in sound forge 13.

Quartal harmony in "Laideronnette" from Ravel's Ma mère l'oye. The top line uses the pentatonic scale. Created by Hyacinth (talk) 00:55, 11 November 2011 using Sibelius 5. Illustration of quartal harmony in "Laideronnette" from Maurice Ravel's (1875–1937) Ma Mère l'Oye (1910).

Part two of riding the orange line on the washington d. C. Metro. Interior of the train only. Can hear pulling up and away to a few stations. Also hear the doors open and close with announcer and "ding. ". Recorded using a zoom h6, with stereo xy.

In the forest real shooting with a shotgun caliber 20. The microphones are placed about 15 meter away because of the sound level they can handle. Equipment usedrecorder zoom f4microphones line audio two cm3 and one om1(for ambience)audacity + wavelab.

Sci-fi atmosrecorded from a circuit bent randomly modified casio ctk811 via the line out into a spirit folio mixer and m300 tc electronics processor and recorded at 24bit/96khz on a tascam dr60mk2. Edited and normalised in sound forge 13.

Recording when i start my lawn mowerand cut the grass behind the garage. I`m using two line audios cm3 in ortf configurationand a zoom f4. Only cutting the file in wavelab.

In the forest real shooting with a rifle caliber 6. 5-55 the microphones are placed about 15 meter away because of the sound level they can handle. Equipment usedrecorder zoom f4microphones line audio two cm3 and one om1(for ambience)audacity + wavelab.

Train sounds only, no platform announcements. Recorded in july 2022 at an s-bahn train platform in berlin - can't remember which train station or train line, sorry. Recorded with a zoom h2n in xy mode with a windshield. File has only been amplified due to low volume.

Recorded on 31/12/2009, on a southbound (illawarra line) tangara cityrail train at central station in sydney, australia. Recorded with a zoom h2 in 4-channel surround mode (this is the stereo file from the rear microphone), without a windshield. File has not been modified, only cut short from a longer recording.

Sci-fi buzz and bleeprecorded from a circuit bent randomly modified casio ctk811 via the line out into a spirit folio mixer and m300 tc electronics processor and recorded at 24bit/96khz on a tascam dr60mk2. Edited and normalised in sound forge 13.

Sci-fi mechanical atmosrecorded from a circuit bent randomly modified casio ctk811 via the line out into a spirit folio mixer and m300 tc electronics processor and recorded at 24bit/96khz on a tascam dr60mk2. Edited and normalised in sound forge 13.

Sci-fi alarmrecorded from a circuit bent randomly modified casio ctk811 via the line out into a spirit folio mixer and m300 tc electronics processor and recorded at 24bit/96khz on a tascam dr60mk2. Edited and normalised in sound forge 13.

Sci-fi deep atmosrecorded from a circuit bent randomly modified casio ctk811 via the line out into a spirit folio mixer and m300 tc electronics processor and recorded at 24bit/96khz on a tascam dr60mk2. Edited and normalised in sound forge 13.

Live drum recorded 10 years ago with my sm 58 mic on the snare and another (kick) drum mic on the bass drum, fed into some mixer then into my line 6 tone port that went into my ableton live session at the time. Sorry i dont recall any other details.

The standard way of filling in this descending thirds pattern is to interpolate a first inversion chord in between each of these descents by thirds. The result is a bass line that moves down continuously stepwise, resulting in a figured bass of '5-6', and therefore, the standard descending 5-6 sequence.