3,607 Royalty-Free Audio Tracks for "Major"

C triad with doubling. Created by Hyacinth (talk) 23:44, 5 November 2011 (UTC) using Sibelius 5.

Dominant eleventh chord on C, C11, with third. V11 in F major. Created by Hyacinth (talk) using Sibelius 5.

Cécile Chaminade's Flute Concertino in D major, Op. 107, performed by the United States Marine Band on October 8, 2012 in Oncenter Crouse Hinds Theater in Syracuse, New York, during its National Tour to the Northeast. Colonel Michael J. Colburn, conducting and MGySgt Betsy Hill, flute soloist. This recording contains quite a bit of extraneous noise.

1st movement from J. S. Bach's Italian Concerto played on piano

Augmented chord progression: I+65 IV. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified].

A random 4/4 pattern in c major created by a child building with lego blocks and then transposed to musescore and exported as an mp3 file.

1st release date: January 1942 1st recording date: 9 May 1940 Place of recording: Carnegie Hall (Studio), New York City (United States) Author(s)/Composer(s): Johannes Brahms (1833-1897) Performer(s): Piano: Vladimir Horowitz (1903-1989) and the NBC Symphony Orchestra Vocal range: instrumental Title/Work: Piano Concerto No. 2 in B-flat major, Op. 83 Content: 4th movement (Conclusion): Allegretto grazioso Genre(s): Piano concert

1st release date: January 1942 1st recording date: 9 May 1940 Place of recording: Carnegie Hall (Studio), New York City (United States) Author(s)/Composer(s): Johannes Brahms (1833-1897) Performer(s): Piano: Vladimir Horowitz (1903-1989) and the NBC Symphony Orchestra Vocal range: instrumental Title/Work: Piano Concerto No. 2 in B-flat major, Op. 83 Content: 4th movement (Part 2): Allegretto grazioso Genre(s): Piano concert

Two people walking in a hallway (no heels). Recorded with olympus ls-100 hanging on our side near the floor. Might have some contact sound but overall not major interference.

Cc0 // processed iphone recording of some piano in f minor, glitched using beats mode.

A short excerpt from bach's g major fugue, arranged for 4 voices and played with the arp 2600 synthesizer with an intellijel bifold.

Rhythmic cadence at the end of the first phrase from Bach's Brandenburg Concerto no. 3 in G Major, BMV 1048, I, m. 1-2. (with pitches)

Concerto No. 12 in A - I. Allegro

tada! in g major. Made with bravura scoring brass and kontakt factory library, with bittersweet 3 and maximal 2 put on the mix.

tada! in f major. Made with bravura scoring brass and kontakt factory library, with bittersweet 3 and maximal 2 put on the mix.

Simple guitar strum pattern, 4/4 time, on a fender stratocaster, clean with light chorus - pack contains each of twelve chords (e - d#) played in both major and minor.

Augmented chord progression: I+75 IV. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Piano Sonata No. 10, 3rd movement, allegretto.

*Decade on A on C. Just: 10:1 = 3986.313714 cents. Limit: 5-limit. MIDI pitch bend: 79,59

Schubert, Trio in E flat, second movement, closing bars

Schubert Trio in Eb, second movement, bars 86-89

D. Scarlatti, Sonata K159 C, Veronica van der Knaap, Christchurch, New Zealand

tada! in a major. Made with bravura scoring brass and kontakt factory library, with bittersweet 3 and maximal 2 put on the mix.

F major scales without and with singers' formant at same loudness level sung by the same baritone singer. F-Dur-Tonleitern ohne und mit Sängerformant bei gleicher Lautstärke vom selben Bariton gesungen.

Schubert Sonata in B scherzo bars 5-10

Schubert Sonata in B scherzo bars 11-20

Moderate rainfall with civil defense (air raid) sirens wailing and rotating and low rumbles of thunder. Recorded about an hour before a major tornado struck the area.

Schubert Sonata in B scherzo bars 1-4

Some piano recordings with door noises in the background. First chord is an f major 7th and then it goes down to a d minor seventh or something. Not sure.

Schubert Sonata in B scherzo bars 25-28

Excerpt from the second movement of the concerto poloniosy by Georg Philipp Telemann

Johann Sebastian Bach's Toccata, Adagio and Fugue in C major, BWV 564, in a transcription by Thomas Knox of the U.S. Marine Band, played by the U.S. Marine Band for the album Marine Band Showcase, Volume 2.

A c major note being played reversed using fl keys in fl studio, softened. Recorded and processed in audacity.

Schubert, Trio in E flat, second movement, bars 86-89

Complexe sonore: the octatonic scale may be arranged as four major chords or seventh chords. Created by Hyacinth (talk) 13:49, 13 June 2010 using Sibelius 5.

Diagonal barre chord: major seventh chord on G. The first finger fingers both the second fret on the first four strings and the third fret on the sixth string.

Secondary supertonic chord: ii7/V - V/V [- V] in C major (a7 - D7 [- G]). Created by Hyacinth (talk) 15:14, 18 July 2010 using Sibelius 5.

Excerpt from the third movement of the concerto poloniosy by Georg Philipp Telemann

Schubert, Trio in E flat, second movement, bars 1-6

Schubert, Trio in E flat, second movement, bars 21-26

A major chord + minor 7th with following samples (listed in order):an equal tempered arpeggiothe matching equal tempered chordan arpeggio with just intonationthe matching chord with just intontation.

A major scale played on a synth that has been progressively detuned as it ascends. It is an interesting effect. Hope someone can find some use for it.