3,607 Royalty-Free Audio Tracks for "Major"

Secondary leading-tone chord: viio7/V - V in C major. Created by Hyacinth (talk) 05:18, 23 May 2010 using sibelius 5.

Gary Adams, File was created using Scala to convert a sequence file of the major intervals in equal temperament to midi. It was then converted to an ogg file.

Symphony No. 3 in E Flat Major Eroica, Op. 55 - IV. Finale Allegro molto

Symphony No. 3 in E Flat Major Eroica, Op. 55 - I. Allegro con brio

Recorded inside the enclosed dropoff/pickup area of the william p. Hobby airport with a tascam dr-07 mk. Ii microphone. No major post-processing.

Recording of midday traffic close to a busy downtown intersection in a major city. Sounds of various vehicles going by and car horns bleeping loudly. Recorded with a zoom h1.

A major scale played on a synth that has been progressively detuned as it ascends. It is an interesting effect. Hope someone can find some use for it.

A part of the melody que será (will i be pretty? will i be young). It is a monophonic part of musicit is a harmonic part of music.

Modulation to the dominant in Haydn's Symphony in C Major, No. 97, Movement III Menuetto, measures 0-8 (piano reduction). Compiled from Murphy, Melcher, and Warch (1973). Music for Study, p.115. ISBN 0-13-607515-0; August Horn's piano reduction; and Howard Chandler Robbins Landon's full score edition. Roman numeral analysis added.

Place of recording: London (United Kingdom) Performer(s): London Philharmonic Orchestra Conductor: Serge Koussevitzky (1874-1951) Vocal range: instrumental Title/Work: Symphony No. 3 in E-flat major, Op. 55 Content: 3rd Movement - Scherzo (Allegro Vivace) and Trio Genre(s): Symphonic

Ludwig van Beethoven's Piano Sonata No. 28 in A Major, Op. 101, Movement III: Langsam und sehnsuchtsvoll (Adagio, ma non troppo, con affetto) and movement IV: Geschwind, doch nicht zu sehr und mit Entschlossenheit. (Allegro) There is no pause between the two movements.

This sound was created using the "dune 3" synthesizer. Bpm 127key: f majorcheck it out: https://presetshare. Com/preset/view?id=1894.

Multi-octave F major chord with octaves marked by brackets. Created by Hyacinth (talk) 07:47, 3 January 2012 (UTC) using Sibelius 5.

Bridge chord, named after en:Frank Bridge. Major chord with a minor chord a semitone above. Chord pictured followed by arpeggio with Db minor at the octave.

The Star-Spangled Banner opens with an arpeggio on a C major tonic chord. In this file that is followed by the chord as a simultaneity.

*Decade on C. 10:1 = 3986.31 cents. Limit: 5-limit. MIDI pitch bend: 79,59 (5/4 = 386.31 cents = 3986.31 - (1200*3).)

First eight bars of the 3rd movement of Ludwig van Beethoven's Piano Sonata No. 21 in C major, Op. 53, the Waldstein.

Sonate numéro 84 en ré majeur du padre Antonio Soler pour orgue Sonata #84 D Major for organ

Symphony No. 3 in E Flat Major Eroica, Op. 55 - II. Marcia funebre Adagio assai

A really nice unmodulated dubstep growl synthesized from white noise in audacity. Sounds similar to synths used in major edm artists' work, such as terror squad from zomboy.

A major scale played on a synth that has been progressively detuned as it ascends. It is an interesting effect. Hope someone can find some use for it.

Borrowed chord (viio 4 3) in Bach's Prelude in C Major from The Well-Tempered Clavier, Book I, BWV 846, mm. 13-15.

This is a recording of a Wolf Tone on the major sixth or seventh above the open G on a cello. I recorded this sound using an Azden SGM-X microphone and edited it in Audacity.

Schubert Sonata in B scherzo bars 21-24

This is a d major in drop d tuning on a fine martin guitar i recorded in my studio. I use it for mail notification. Thought somebody else might like to.

An alternative to the constant traffic flow at a high rate of speed found in the interstate sample. Cars and trucks stop and go at a major intersection of six-laned traffics.

Harmonies i had done for a song, but they didn't come out quite right. They are in the key of eb major, but i'm sure that you can sort thatout using software.

Common disorder re-recorded. I deleted a major part of the original "common disorder". A little echo is added here.

Part of the epsilon loopset, a set of complementary synth loops. It is in the key of c major, following the chord progression cmaj7 fmaj7. It is four bars long at 110bpm. It is normalized.

Chorale segment in half-notes. Synthesised soprano, tenor, alto, and bass sing a i-v7/v-v-i progression in c-major. Minor reverb and noise reduction in post.

This wav sound is a basic accomplishment sound who can be used in a cartoon. The sound is composed in lmms whith 2 packs of sound : generaluser gs musescore v1. 442 and sonatina_symphonic_orchestra.

Summer football practice recorded from along the fence which is right on a major thoroughfare through town. Traffic noises, a singing bird, coaches' whistles and hollering are all audible. Would provide a decent background.

Fryderyk Chopin. Walc F-dur op. 34 nr 3Frédéric Chopin. Waltz in F major, Op. 34 no. 3.Frédéric Chopin. Valse en fa majeur, op. 34 no. 3.

Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.  

Symphony No. 3 in E Flat Major Eroica, Op. 55 - III. Scherzo Allegro vivace

Beethoven: String Quartet No. 6 in B Flat Major, Op. 18, No. 6 - IV. (Adagio) La Malinconia

String Quartet No. 6 in B Flat Major, Op. 18, No. 6 - I. Allegro con brio

I generated four square tones with increasing silence in between with audacity. The tones are the c major scale. It is very useful in old video games when you win or do something good.

| - description - |. Orchestral type emotional song with strings. A major. C # m7-dmaj7-e7-f # m7. | - made with - |. Bbc symphony orchestra and flex - fl studio. | - uses - |. For projects, music or whatever i wanted.

C major and E minor contrast through their respective notes C and B (in red and orange), each a half step apart or leading tones. The chords share two notes (in blue) however.

Primary triad in C in just intonation. Created by Hyacinth (talk) 11:17, 22 December 2011 (UTC) using Sibelius 5.

5:7:9 is the first inversion of the major triad. Title refers to harmonics (fundamental=1:3:9:etc.).

5 25 {\displaystyle {\sqrt[{25}]{5}}} = 5:11/25 = 111.45 cents. Interval used in Stockhausen's Studie II, a compound just major third (5/1) divided into 25 equal parts.

An ascending fifths sequence in C major. Notice the "circle of fifths" pattern in the lower staff similar to the descending fifths sequence, except going in the opposite direction.

A member of the alpha loopset, consisting of a set of complementary synth loops. It is:. * in the key of c major, following the chord progression c-f-c-f. * four bars long at 110bpm. * normalized.

F. Chopin Polonez A-dur op. 40 nr 1.Frédéric Chopin.Polonaise in A major 'Military', Op. 40 no. 1.Frédéric Chopin. Polonaise en la majeur "Militaire", op. 40 no 1.

Ave Maria composed by Charles Gounod. Ave Maria was composed based off of the harmony and texture of Johann Sebastian Bach's Prelude No.1 in C Major from Well-Tempered Clavier Book I (BWV 846).

*Septimal diatonic semitone/Major diatonic semitone on C = C♯ (Ben Johnston's notation). 15:14 = 119.44 cents. Limit: 7-limit.