3,626 Royalty-Free Audio Tracks for "Major"

Bridge chord, named after en:Frank Bridge. Major chord with a minor chord a semitone above. Chord pictured followed by arpeggio with Db minor at the octave.

Schubert Sonata in B scherzo bars 25-28

This is a d major in drop d tuning on a fine martin guitar i recorded in my studio. I use it for mail notification. Thought somebody else might like to.

An empty beer bottle rolling on a rough pavement / sidewalk late at night. Recorded on a sony xperia z3, and slightly edited to remove the majority of background noise.

In the morning, at 8:30, i was waiting for my friends near the road of pont major in girona, and i recorded the noise of cars passing by and the birds singing, that was really beautiful and sunny start of the day! :).

Schubert Sonata in B scherzo bars 1-4

This wav sound is a basic accomplishment sound who can be used in a cartoon. The sound is composed in lmms whith 2 packs of sound : generaluser gs musescore v1. 442 and sonatina_symphonic_orchestra.

Schubert Sonata in B scherzo bars 5-10

1st movement from J. S. Bach's Italian Concerto played on piano

Schubert, Trio in E flat, second movement, bars 86-89

Schubert, Trio in E flat, second movement, bars 1-6

An ascending fifths sequence in C major. Notice the "circle of fifths" pattern in the lower staff similar to the descending fifths sequence, except going in the opposite direction.

F major scales without and with singers' formant at same loudness level sung by the same baritone singer. F-Dur-Tonleitern ohne und mit Sängerformant bei gleicher Lautstärke vom selben Bariton gesungen.

Complexe sonore: the octatonic scale may be arranged as four major chords or seventh chords. Created by Hyacinth (talk) 13:49, 13 June 2010 using Sibelius 5.

D. Scarlatti, Sonata K159 C, Veronica van der Knaap, Christchurch, New Zealand

Cc0 // processed iphone recording of some piano in f minor, glitched using beats mode.

Schubert, Trio in E flat, second movement, bars 21-26

Piano Sonata No. 10, 3rd movement, allegretto.

Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.  

Modulation to the dominant in Haydn's Symphony in C Major, No. 97, Movement III Menuetto, measures 0-8 (piano reduction). Compiled from Murphy, Melcher, and Warch (1973). Music for Study, p.115. ISBN 0-13-607515-0; August Horn's piano reduction; and Howard Chandler Robbins Landon's full score edition. Roman numeral analysis added.

1st release date: January 1942 1st recording date: 9 May 1940 Place of recording: Carnegie Hall (Studio), New York City (United States) Author(s)/Composer(s): Johannes Brahms (1833-1897) Performer(s): Piano: Vladimir Horowitz (1903-1989) and the NBC Symphony Orchestra Vocal range: instrumental Title/Work: Piano Concerto No. 2 in B-flat major, Op. 83 Content: 4th movement (Part 2): Allegretto grazioso Genre(s): Piano concert

Ludwig van Beethoven's Piano Sonata No. 28 in A Major, Op. 101, Movement III: Langsam und sehnsuchtsvoll (Adagio, ma non troppo, con affetto) and movement IV: Geschwind, doch nicht zu sehr und mit Entschlossenheit. (Allegro) There is no pause between the two movements.

Recorded inside the enclosed dropoff/pickup area of the william p. Hobby airport with a tascam dr-07 mk. Ii microphone. No major post-processing.

Augmented chord progression: I+65 IV. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified].

C major and E minor contrast through their respective notes C and B (in red and orange), each a half step apart or leading tones. The chords share two notes (in blue) however.

A major chord + minor 7th with following samples (listed in order):an equal tempered arpeggiothe matching equal tempered chordan arpeggio with just intonationthe matching chord with just intontation.

A really nice unmodulated dubstep growl synthesized from white noise in audacity. Sounds similar to synths used in major edm artists' work, such as terror squad from zomboy.

Me playing on tanpura (an indian instrument), sometimes also called a tambura. It's tuned to c (either major or minor as it's first and fifth). Actually meant this to be a different file. I'll add that as well.

I generated four square tones with increasing silence in between with audacity. The tones are the c major scale. It is very useful in old video games when you win or do something good.

Cross roads is a major town centre in kingston jamaica. This recording was made with a huawei vns l53 mobile phone while standing at the main bus stop in the town centre.

Phrase modulation in Mozart's Sonata in A Major, K.331, III (Alla turca), mm.6-10.

Multi-octave F major chord with octaves marked by brackets. Created by Hyacinth (talk) 07:47, 3 January 2012 (UTC) using Sibelius 5.

Symphony No. 3 in E Flat Major Eroica, Op. 55 - I. Allegro con brio

Symphony No. 3 in E Flat Major Eroica, Op. 55 - IV. Finale Allegro molto

Summer football practice recorded from along the fence which is right on a major thoroughfare through town. Traffic noises, a singing bird, coaches' whistles and hollering are all audible. Would provide a decent background.

Schubert Sonata in B scherzo bars 21-24

A c major note being played reversed using fl keys in fl studio, softened. Recorded and processed in audacity.

Symphony No. 3 in E Flat Major Eroica, Op. 55 - II. Marcia funebre Adagio assai

Place of recording: London (United Kingdom) Performer(s): London Philharmonic Orchestra Conductor: Serge Koussevitzky (1874-1951) Vocal range: instrumental Title/Work: Symphony No. 3 in E-flat major, Op. 55 Content: 3rd Movement - Scherzo (Allegro Vivace) and Trio Genre(s): Symphonic

Ave Maria composed by Charles Gounod. Ave Maria was composed based off of the harmony and texture of Johann Sebastian Bach's Prelude No.1 in C Major from Well-Tempered Clavier Book I (BWV 846).

Chorale segment in half-notes. Synthesised soprano, tenor, alto, and bass sing a i-v7/v-v-i progression in c-major. Minor reverb and noise reduction in post.

Augmented chord progression: I+75 IV. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Secondary supertonic chord: ii7/V - V/V [- V] in C major (a7 - D7 [- G]). Created by Hyacinth (talk) 15:14, 18 July 2010 using Sibelius 5.

A montain bike breaking on concrete. Recorded with a pentax k5 and an audio technica pro 24-cm stereo microphone at 16bit/32khz. Slightly edited in audacity in order to reduce major peaks (by hand, no plugin) and to improve the headroom.

Common disorder re-recorded. I deleted a major part of the original "common disorder". A little echo is added here.