23 Royalty-Free Audio Tracks for "Intonation"

Do major scale in three system. Firstly one by one, then pythagoras + just intonation (5 limit), pythagoras + 12tet, just intonation + 12tet, and at the end pythagoras + just intonation + 12tet alltogether. Reference notes are la4 and their frequencies are 440hz each. Sinus waveform. Prepared using csound.

Say /ŋ/ (-ng- sound) and hold the sound for several seconds at your most comfortable, mid-range pitch.

20 approximate over tones of a 440hz sounded by fading in and out them one by one; they ovelap. At first it resembles overtone singing, but the a, fundamental tone fades out very quickly. May sound annoying.

A major chord + minor 7th with following samples (listed in order):an equal tempered arpeggiothe matching equal tempered chordan arpeggio with just intonationthe matching chord with just intontation.

Just intonation minor chord from maurolupo’s “ahohe” (211961, “girl's voice singing”). Https://www. Freesound. Org/people/maurolupo/sounds/211961/. Used sonic pi to add a minor third (315. 641 cents) and a perfect fifth (701. 955 cents) while maintaining the duration. Code snippet:```sample dir, "ahohe"sample dir, "ahohe", pitch: 3. 15641sample dir, "ahohe", pitch: 7. 01955```.

Epic & glorious riser/swell. Reminds me of movie theater intro sound lol. Synth, just intonation, windchimes.

Decided to do an exercise from "the book of bad ideas c 2. 0". This is exercise 1. 3 just intonation. Nice. Then i start to turn knobs and get modular mayhem. . .

Major chord on C in just intonation (1/1, 5/4, 3/2).

Diminished triad on B in just intonation. Presumably B-D-F in 5-limit just intonation.

Just Intonation Major Chord (4:5:6)

♭III+ chord in just intonation. Pitch bend matches intervals.

Second septimal minor third on C = D♯-. Just intonation: 25/21 = 301.85 cents.

Modulations from C major to C sharp major in natural temperatures (just intonation) end at almost the same pitch although there should be a half-tone difference.

Primary triad in C in just intonation. Created by Hyacinth (talk) 11:17, 22 December 2011 (UTC) using Sibelius 5.

Major chord on C in 19 equal temperament. 0,6,11. All notes within 8 cents of just intonation (rather than 14 for 12 equal temperament).

Acoustic scale on C in just intonation. Harmonics 8 through 15, which are the source of the name. C D E F↑ G A B♭ C. Pitch bend matches intervals.

Secondary dominant with barbershop seventh chords. V/V - V - I in F major (G7-C7-F). Derived from [1]. In just intonation. Sevenths are harmonic sevenths, and the F in the first measure is 27.26 cents lower than the F in the third measure. Pitch bend matches intervals.

Recorded during yoga and qigong retreat in carpathian mountains, ukraine.

Kid saying "i'd take my gun and go pew pew pew". Slightly different intonation than the other of the same. Recorded with blue microphone and audacity.

Original can be found here: https://freesound. Org/people/xserra/sounds/317745/i applied frequency and time transformations in order to change the intonation and add some dramatism. The transformations i used are from sms-tools (https://github. Com/mtg/sms-tools).

This is a true stereo, absolutely unmodified file, the sound of a funny lummox admiring the intonation of bruce lee. I did not say it sounded like mr. Lee, whose memory i respect.

An impulse response, made with vital softsynth, simulating the responce of a bunch of strings tuned to notes of bohlen—pierce scale. Specifically, a middle ground between 13 equal divisions of a tritave (interval 3/1) and the just-intonation bohlen—pierce scale. (for no particular reason. ). Convolving with this might add some xen flavor to your sounds, even if you play in standard tuning 12edo. I tried it with surge xt’s hammered dulcimer patch (i love hammered dulcimer!) and heard some additional shimmering.