370 Royalty-Free Audio Tracks for "Octave"

Piano arpeggio with various keys and octave. Full keys and octave download link here: http://katfile. Com/5tlycxw3g4c3/piano_loop_arpeggio_giul_2. Wav. Html.

Some octave bass line i have played on my juno di. If u think it is interesting u can use it. Show me the result if u like.

Twinkle Twinkle Little Star melody doubled in four octaves: consonant and equivalent. Created by Hyacinth (talk) 14:49, 26 July 2009 using Sibelius 5.

Just the ahaha sound at a lower octave.

Ratio between pitch and length of an organ pipe: octaves.

*Perfect octave on C = C'. Just: 2:1 = 1200 cents. Equal-tempered: 212/12:1 = 1200 cents. Limit: 3-limit. MIDI pitch bend: none MIDI.

Sharing some of my favorite sounds! (favorites, a. 11-a. 18). These are samples from the korg microkorg, recorded via audio interface. Multiple octaves.

This is a waveform from a boobass(flstudio) with a highpass. I put it in sytrus and made a few things. Hard to explain. :dpitch it at least 1 octave down! 2 octaves down is better for a bass. Have fun with it!.

Classic moog bass. Middle c octave, each note recorded separately.

These are some synths i tuned in reason. I've included them as an octave long run of notes so you can use them in your own productions. I hope you find them useful :].

In the range of three octaves, sung by me in 13 tracks. Not completely in tune. The first one is unedited sound. The second is transposed an octave lower. The third is transposed two octaves lower. In the fourth all the latter are sounded together (39 voices). The transposing makes a peculiar effect to the voice specially in the second (12 semitone) transposition.

Harp recording octaves up.

Harp pluck recording octaves down.

I am playing on a viola softly on c e and g across 4 octaves without applying eq recorded with a dynamic microphone in my room with a computer using my hands to play the instrument.

A seven note scale (c c# d# f f# g# a#) over separate octaves. Some notes repeat in the same octave, but are slightly different samples. Each note starts on the grid of 100bpm. Recorded the samples a few years ago. From memory the original sounds are sections of acoustic guitar notes, manipulated, pitched and fx added.

*Octave equivalent first Feigenbaum constant on C = δ. δ/4 = 4.66920 = 267.81 cents. MIDI pitch bend: 89,53

*Octave equivalent square root of 7 on C. √7/2 = 484.41 cents. MIDI pitch bend: 1,59

*Octave equivalent second Feigenbaum constant on C. α/2 = 2.50291 : 2 = 388.33 cents. MIDI pitch bend: 33,60

*Octave (2/1) minus major chroma ((2:1)/(135:128)=256:135), 135th subharmonic on C = C♭- (Ben Johnston's notation). Just: 256/135 = 1107.82 cents. Limit: 5-limit. MIDI pitch bend: 64,66

Waldorf rocket and 2-pole filter. Four octaves. Enjoy!.

My original dw toms, mixed with themselves 1 octave up [the octave up is lowered -6db and the envelope reshaped to allow loud only the attack]. Then for that resulting mixdow again the same thing [so i used the same method two times]. At all steps i was using the simple compressor[not multiband] for not allowing overlimiting. For the two general mixdowns [because it was a double process] i used hard compressor at -0. 45 dbs. And for the two octavic parallel channels i used hard compressor -3. 60 dbsbecause the octave doesn't sound realistic if not well compressed. For all my dw octavic tomsed i used the same exact method. My original dw toms are here if you want to read data or mics. These toms do not sound realistic as stand alone sounds. These harmonics work better only in a complete mixdown, and have increased audibility than the original recordings [for silent music parts use the original because low velocity of parallel instruments will expose the supportive tom-harmonics].

A saw wave sweeping up a few octaves.

A long tone (approx. G#) on the alto sax, with varying harmonic content.

Harmonica ab octave 5 looped note.

5 7 9 chord on E, eight steps in the octave. Other non-octave tunings investigated by Bohlen besides the Bohlen-Pierce scale include eight steps in the octave, based on 5:7:9 and of which only the just version would be used. Traditional notation: E B♭ D.

A#2 glockenspiel note in mono, recorded using an akg c3000b and straight into my 'puter. Part of a set. The glockenspiel is a 3 octave educational type, not abig orchestral one, so the octave numbers supplied are actually about 4octaves lower than true!.

*Octave minus syntonic comma on C = C-. Just: 160/81 = 1178.49 cents. Limit: 5-limit. MIDI pitch bend: 15,89 on M7

Sounds of the anordam, an experimental instrument that plays a 10-tone scale which consists entirely of perfect fractional divisions of the octave. The highest interval in the scale is 1/2, which means that for a given a value, half the octave will be left out of the scale.

*Octave, fourth, and just chromatic semitone/Compound just augmented fourth on C = F♯ (Ben Johnston's notation). 50:18 = 1768.72 cents.

6 octaves of a simple square wave in concert c for reference. Tuning oscillators has never been easier! just patch an oscillator output into the morphagene input, select an octave with the organize control and dial sound on sound to mix the two to assist in tuning.

I used the pedal of the boss gt 10 to make this octaved bend.

Sample of harmonium at 136,10hz, the 32th octave of the solar tropic year.

Natural armonics at 136,10hz, the 32th octave of the solar tropic year. Synthesized sound with zynaddsubfx.

Stretched out chorus sample with extra octaves.

Triangle wave contains odd harmonics that decrease at −12 db/octave.

A rapidly descending sonorous pad repeated at a lower octave.

A variation on the acisted loop, less delay, no octave notes. A sparser sequence.

This noise sound is only made by lmms. (bit invader : "noise wave"+"arpeggio-random-octave ").

One minute of tampura at 136,10hz, the 32th octave of the solar tropic year.

One minute of monochord at 136,10hz, the 32th octave of the solar tropic year.

A synth sweeping between 6 octaves starting at c and descending through c major.

Saw wave arpeggio with lfo, 2 octaves. Tools: jp8080 & fx.

Audio clip of the same octave cycled through five different accordion keyboard tones (piano accordion).

I recorded a "p"pitched it up an octave or two and added a delay and some reverb. . .

Pseudo-rising flute on different octaves.

A rising pitch modulation starting in d and ending in a higher octave d.

Various samples played in octaves lower, and many effects.