367 Royalty-Free Audio Tracks for "Octave"

*Octave equivalent second Feigenbaum constant on C. α/2 = 2.50291 : 2 = 388.33 cents. MIDI pitch bend: 33,60

*Octave equivalent first Feigenbaum constant on C = δ. δ/4 = 4.66920 = 267.81 cents. MIDI pitch bend: 89,53

*Perfect octave on C = C'. Just: 2:1 = 1200 cents. Equal-tempered: 212/12:1 = 1200 cents. Limit: 3-limit. MIDI pitch bend: none MIDI.

A short marimba note - the number donates the octave (i've loaded two octaves worth if you look carefully).

*Octave equivalent square root of 7 on C. √7/2 = 484.41 cents. MIDI pitch bend: 1,59

Harmonica ab octave 5 looped note.

*Octave minus syntonic comma on C = C-. Just: 160/81 = 1178.49 cents. Limit: 5-limit. MIDI pitch bend: 15,89 on M7

*Octave, fourth, and just chromatic semitone/Compound just augmented fourth on C = F♯ (Ben Johnston's notation). 50:18 = 1768.72 cents.

Several octaves of the e note played on a piano at once with some added effects. Created with soundtrap.

Multi-octave F major chord with octaves marked by brackets. Created by Hyacinth (talk) 07:47, 3 January 2012 (UTC) using Sibelius 5.

*Octave (2/1) minus major chroma ((2:1)/(135:128)=256:135), 135th subharmonic on C = C♭- (Ben Johnston's notation). Just: 256/135 = 1107.82 cents. Limit: 5-limit. MIDI pitch bend: 64,66

Triangle wave contains odd harmonics that decrease at −12 db/octave.

5 7 9 chord on E, eight steps in the octave. Other non-octave tunings investigated by Bohlen besides the Bohlen-Pierce scale include eight steps in the octave, based on 5:7:9 and of which only the just version would be used. Traditional notation: E B♭ D.

A long tone (approx. G#) on the alto sax, with varying harmonic content.

A rapidly descending sonorous pad repeated at a lower octave.

Recorded from shuniji vst plugin. 2 octave c to c glide (white notes only).

A filtered drumloop, clean, pitched down 1 octave, delayed, phaser & vocoded.

This noise sound is only made by lmms. (bit invader : "noise wave"+"arpeggio-random-octave ").

Audio clip of the same octave cycled through five different accordion keyboard tones (piano accordion).

A seven note scale (c c# d# f f# g# a#) over separate octaves. Some notes repeat in the same octave, but are slightly different samples. Each note starts on the grid of 100bpm. Recorded the samples a few years ago. From memory the original sounds are sections of acoustic guitar notes, manipulated, pitched and fx added.

A#2 glockenspiel note in mono, recorded using an akg c3000b and straight into my 'puter. Part of a set. The glockenspiel is a 3 octave educational type, not abig orchestral one, so the octave numbers supplied are actually about 4octaves lower than true!.

Sample of harmonium at 136,10hz, the 32th octave of the solar tropic year.

One minute of tampura at 136,10hz, the 32th octave of the solar tropic year.

Natural armonics at 136,10hz, the 32th octave of the solar tropic year. Synthesized sound with zynaddsubfx.

A variation on the acisted loop, less delay, no octave notes. A sparser sequence.

One minute of monochord at 136,10hz, the 32th octave of the solar tropic year.

Sounds of the anordam, an experimental instrument that plays a 10-tone scale which consists entirely of perfect fractional divisions of the octave. The highest interval in the scale is 1/2, which means that for a given a value, half the octave will be left out of the scale.

A rising pitch modulation starting in d and ending in a higher octave d.

Sound of user dobroide modified octave downhttps://www. Freesound. Org/people/dobroide/sounds/19368/.

C Major scale played on an Ibanez RG120, with octave effect produced by a Peavey VYPYR 75 amplifier.

Sharing some of my favorite sounds! (favorites, a. 11-a. 18). These are samples from the korg microkorg, recorded via audio interface. Multiple octaves.

Bell sound playing an arp with a sub-octave root note.

A noise made by pulling the battery out of a circuit bent behringer "ultra octaver" pedal.

I recorded a "p"pitched it up an octave or two and added a delay and some reverb. . .

The note a in octave 4. An fm synth brass patch created in audiosauna.

*Octave and septimal chromatic semitone on C = D♭ (Ben Johnston's notation). Just: 21:10 = 1284.47 cents. Limit: 7-limit. Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on 4,91 for 1284.472656 cents rather than 1200.

Twitter https://twitter. Com/samples_simple@samples_simple. More bass lines on my youtube channelhttps://youtu. Be/n1psilegxwa?list=pl9bdtoyt75avynpu55sc1v6fhamafegix. An excellent example of how my samples can be usedjames gallag - hot lovehttps://www. Youtube. Com/watch?v=nccpy40zyys. Donations directly to me are welcome at this link below, i appreciate it. Https://www. Paypal. Com/paypalme/josefpres1. This sound can be combined with other sounds in the pack. Otherwise, it is well usable up to 120 bpm. Subscribe my youtube channel :-)for new samples. Https://youtu. Be/fzhu2rkaxvc?t=17. Facebook. Https://www. Facebook. Com/simplesamplesweb.

Twitter https://twitter. Com/samples_simple@samples_simple. More bass lines on my youtube channelhttps://youtu. Be/n1psilegxwa?list=pl9bdtoyt75avynpu55sc1v6fhamafegix. An excellent example of how my samples can be usedjames gallag - hot lovehttps://www. Youtube. Com/watch?v=nccpy40zyys. Donations directly to me are welcome at this link below, i appreciate it. Https://www. Paypal. Com/paypalme/josefpres1. This sound can be combined with other sounds in the pack. Otherwise, it is well usable up to 120 bpm. Subscribe my youtube channel :-)for new samples. Https://youtu. Be/fzhu2rkaxvc?t=17. Facebook. Https://www. Facebook. Com/simplesamplesweb.

Twitter https://twitter. Com/samples_simple@samples_simple. More bass lines on my youtube channelhttps://youtu. Be/n1psilegxwa?list=pl9bdtoyt75avynpu55sc1v6fhamafegix. An excellent example of how my samples can be usedjames gallag - hot lovehttps://www. Youtube. Com/watch?v=nccpy40zyys. Donations directly to me are welcome at this link below, i appreciate it. Https://www. Paypal. Com/paypalme/josefpres1. This sound can be combined with other sounds in the pack. Otherwise, it is well usable up to 120 bpm. Subscribe my youtube channel :-)for new samples. Https://youtu. Be/fzhu2rkaxvc?t=17. Facebook. Https://www. Facebook. Com/simplesamplesweb.

The vowel “i" ordered within a standard scale of one octave starting with root. Made with supercollider formant class.

The vowel “e" ordered within a standard scale of one octave starting with root. Made with supercollider formant class.

The vowel "o" ordered within a standard scale of one octave starting with root. Made with supercollider formant class.

Also available in soundfont, bitwig sampler & ableton sampler form here: https://drive. Google. Com/file/d/1jidurgkwfbhudfnuygpgunf4mcunvh4-/view?usp=sharing.

Remix of this::. Http://www. Freesound. Org/people/bronxio/sounds/239080/. Pitched it up an octave, gave it a saw hpf lfo, and a saw vol gate (cleans up the rhythm) then added the original octave lower in the mix. Made it sound more digitized. Good sound for starting off a track. 고맙습니다.

The vowel “a" ordered within a standard scale of one octave starting with root. Made with supercollider formant class.

An analog-esque strings ensemble sound. This is the note a of octave 4. (created with audiosauna, as always. ).

First main string of a sitar, called ma = western f (1 octave below middle c). Some sympathetic strings working, others yet to be installed and tuned.