2,748 Royalty-Free Audio Tracks for "Pitch"

0 7 10 was judged most consonant by the untrained subjects. Title refers to number of semitones (unison=0).

*Wolf fourth on C = F+ (Ben Johnston's notation). 27:20 = 519.55 cents. Limit: 5-limit.

*Just augmented third on C = E♯. 125:96 = 456.99 cents. Limit: 5-limit.

Rattle snake hissing or shaking its tail at variable pitches. Recorded with the tascam dr-40 built-in microphones, processed in pro tools 10, bounced to a 48khz 24bit wav file.

Made a snare, then totally twisted it. All this done in fl studio. Took a lot of tinkering in a certain newtone program to make this sound. Enjoy!.

Raindrops in a rainwater gutter which ends in plastic construction foil, depending on the angle of the foil it leads to a different pitch of the dropping.

A sweeping / rising sound, intended for use in build-ups or transitions in dance music. Created with crescendo by digital dj tools: http://digitaldjtools. Net/software/crescendo/.

A recording of a frog noisemaker much like this one with the pitch lowered and some subtle reverb added. Suitable for old houses or wooden ships creaking.

This was created as the sound of bullets hitting robots. I dropped coins on a music stand and then pitch shifted them. Oktava 012 microphone through neve preamp and apogee mini-me a/d.

This is an old toy made of metal. It has a handle on top which turns to produce the sound. It is supposed to play a simple melody but it is broken and only plays one pitch.

This is an old toy made of metal. It has a handle on top which turns to produce the sound. It is supposed to play a simple melody but it is broken and only plays one pitch.

A synth bell with added reverb and a slight pitch slide.

Cool for any project but. . . Can't remember the sound but the way it was processed was easy. . . Higher pitch, bit of eco delay, tiny reveerb, and the basic equalization.

A snare i made in fl studio by layering multiple different snare and tom sounds together and eq'ing them slightly.

Metal tank, rubbing it with a metal stick. Lot of pitch shift,time stretch and modulation.

My laptop disk slot opening and closing while making a high pitch beeping noise, recorded and processed in audacity.

A series of 5 high-pitched "ding" sounds of varying intensity, created by striking the loose casing of a bicycle bell suspended from a string with a screw.

My voice recorded by iphone 4 mic(directly, near). Without post processing. Singing (shout-like) "hey" word slowly. Highest pitch is f4. October 2017.

The effect was made by opening and closing a cupboard door slowly to get the high pitch noise. Sound recorded using a samsung galaxy s7 edge and edited in audacity. (created by derek g. ).

Sound of a sci-fi plasma gun/cannon made by layering several bass-heavy sounds and pitch-shifting them together with applying noise and some reverb.

Various exclamations and electronic speech patterns, improvised using wavetable synthesis and envelope modifcations, with random pitch shifts and vowel/consonant/exclamatory sounds coming through the droid speak.

Record vinyl ripped and reversed and stretched and filterd and eqed into whatever noise this is for you!.

A scoff before telling an opponent to perish. In my normal pitch range. (note: i do not speak japanese so i cannot confirm the accuracy of this sound).

A low bassy throb created using audacity. I initially used the 'risset drum' creator. Then randomly altered pitch and speed, increased the bass, then copied and pasted repeats.

A steampunk style grapple hook made in reaper from cutting up and doing eq, pitch, and fade manipulations. Source audio is me smashing my bicycle chain against various surfaces while recording from iphone audio recorder.

High pitch synth stab with resonant filter. [root: g][format: wav][license: cc 0].

Recording of myself growling. Applied pitch bend, delay, speed and noise reduction. Recorded with at2020 mic and coexant hd audio, processed using audacity.

This is a recording we used from one of our episodes. Recorded on a mobile phone and cleaned through audacity.

A simple recording of a wind on a music box, repeatable and loopable. (if sound-effect is used i would recommend adding some slight variation to the pitch, so it isn't as repetitive!).

4 hits x 2 times. I knocked on the recording table. This one is the same as "knock knock on door", with a higher pitch, resembling more of metal gate.

A rapid-fire machine gun sound. I made it through firing a nerf alphastrike stinger, speeding it up, pitch and all, and then repeating it. Recorded in my bedroom with a gaming headset mic.

*Pythagorean diminished sixth on C = A--- (Ben Johnston's notation). 262144:177147 = 678.49 cents. Limit: 3-limit.

*Octave, fourth, and just chromatic semitone/Compound just augmented fourth on C = F♯ (Ben Johnston's notation). 50:18 = 1768.72 cents.

*Minor third on C = E♭. Equal-tempered: 23/12:1 = 300 cents. MIDI pitch bend: 0,64

Primary triad in C in just intonation. Created by Hyacinth (talk) 11:17, 22 December 2011 (UTC) using Sibelius 5.

*Septimal diatonic semitone/Major diatonic semitone on C = C♯ (Ben Johnston's notation). 15:14 = 119.44 cents. Limit: 7-limit.

5:7:9 is the first inversion of the major triad. Title refers to harmonics (fundamental=1:3:9:etc.).

*Septimal third-tone on C = D♭- (Ben Johnston's notation). Just: 28:27 = 62.96 cents. Limit: 7-limit.

*Septimal major third on C = E (Ben Johnston's notation). 9:7 = 435.08 cents. Limit: 7-limit.

*Augmented octave and diminished unison on C = C♯. Equal-tempered: 21/12:1 = 100 cents. MIDI pitch bend: none Note how the diminished unison is essentially equivalent to the augmented unison.

*Pythagorean diminished octave on C = C♭-- (Ben Johnston's notation). 4096:2187 = 1086.31 cents. Limit: 3-limit.

*Pythagorean augmented seventh on C = B♯+++ (Ben Johnston's notation). 531441/262144 = 1223.46 cents. Limit: 3-limit.

*Septimal major sixth on C = A (Ben Johnston's notation). 12:7 = 933.13 cents. Limit: 7-limit.

*Septimal minor sixth on C = A♭ (Ben Johnston's notation). 14:9 = 764.92 cents. Limit: 7-limit.

*Septimal major seventh on C. Just: 27/14 = 1137.04 cents. Equal-tempered: 211/12:1 = 1100 cents. Limit: 7-limit.

Supermajor sixth on B7b. Created by Hyacinth (talk) 20:20, 19 March 2011 (UTC) using Sibelius 5.

Double harmonic scale with quarter tones. Created by Hyacinth (talk) 07:11, 10 March 2010 using Sibelius 5. MIDI pitch bend appears to match intervals.

I'm not sure when or why i made this, but it's a recording of me screaming in a weird way. I think i may have changed the pitch of my voice or something, but i'm not sure.

This track was a voice recording of me saying "freesound. Org" using my laptops internal microphone, and then edited audacity®. The gverb filter was applied. The pitch was changed from the original tone which was c to b.

Plywood door with spring latch closed with moderate force. By changing pitch/volume it could work for a variety of doors, cabinets or percussive thumps. Recorded on a sony wireless lav to a dvcam.