38 Royalty-Free Audio Tracks for "Playback"

Gramophone playback rate fun.

Sounds of sony cd walkman d-ej360 portable cd player. Lots of takes here from different angles - unprocessed, raw recordeing. Captured with zoom h2.

All right, my first contribution and i hope i will be able to help you with some more good sound effects on the way. Here's a sound effect of a cassette tape being rewound in a tape recorder, although i kinda tweaked with the effect. Hope you like it, fellas.

Got some weird sounding audio playback on my pc that could very much be used in creature sound design. Hope it helps!.

Cassette player foley, buttons and playback. Recorded with dr40 and rode ntg1 from a 2000s era aiwa portable stereo.

Cassette player foley, buttons and playback. Recorded with dr40 and rode ntg1 from a 2000s era aiwa portable stereo.

Heavily edited sounds that sound weird espicially if you are using high stereo quality playback like headphones.

Cassette player, push buttons, ffww and normal playback. Recorded with dr40 and rode ntg1 from a 2000s era aiwa portable stereo.

A set of tones to help determine left and right outputs in a system. Set in a loop, this is useful for checking out stereo playback and headphone systems.

Some hints of distortion. Some sloppy playing around doing some pull offs. Can probably add some extra delay or even reverse the track to get a weird playback. The name says it all, sloppy.

The squeak sounds you hear are not in the original sound once downloaded. They are a strange artifact on this websites playback widget i think. 13 seconds of rain i quickly recorded today at my back door. Recorded with a zoom h5.

European tour snooker, recorded from studer vista 8 console into rme madiface. Two 416's hung above table, three mke-2's under table, some crowd reaction mics and a referee wireless mic. Occasional slow motion playback sound. 48khz. 16 bit for the sake of filesize.

This emulates the sound of accelerating to warp speed or some other crazy fast velocity. Originally a clock and pendulum, modified of course. (during playback, there is a chirping sound, but upon download, it vanishes when played. ).

Sound output from playback of an old blank/empty type 1 audio tape that has an undulating pattern of noise. The volume hasn't been adjusted, so this is true to the amount of noise present in a tape recording.

Edited a default preset in bk-synthlab's free "vs-1 oscilloscope" synth and hooked it up with a free midi sequencer vst (hyperion) and placed thrillseekervbl on the master. This was done using headphones back then so the sound may not be optimal on some playback devices.

This is a powerful turkey lure/call or general sound effect. Recorded entirely on my own equipment, a zoom h8 at 96 khz @ 24-bit encoding for high resolution life-like playback. Background filtered to absolute silence using nch wave pad and mix pad, along with rodecaster pro audio dsw processing.

While outputting a file of sound effects, i ended up with a severely corrupted file. Playback results include incessant shrieking and slight pitch alterations. To create more variety, i used a lowpass filter and long reverb.

Accompanying synth sounds created in pure data and used in another piece but on soloing and playback i decided this was nice standalone and might be suitable for remixing so i put on freesound, partly as though i've uploaded a couple of pieces i've downloaded more than contributed so i wanted to with this piece or snippet of pieces.

A very low frequency tone/drone made with the studiofactory software synth. It's a cross-mod of the perlin tone generator with a formant generator. This is about as low and loud as my current speaker/amplifier system allows. Use with care i. E. Turn down your playback systems output before you play it. Final mastering was done with audacity.

Heavy rain followed by a blast of thunder that 'rushes' away and fades. I've left enough room for an audio edit to fit your project. Enjoy. On playback, there seems to be a very high pitched 'tick' in places. This is not part of the original recording and is not included when 'downloaded'. I think this must be a slight fault on the web site.

Dvw500 in standby-off mode, idling. This sample is part of a set featuring the interior of a sony dvw500 digital video tape recorder with a tape loaded and performing various playback operations. Recorded with a pair of soundman okmii mics inserted into the unit via the cassette-slot.

This is a recording i made of a child's toy that had dead batteries in it. The sample playback rate was slowed by the drain of the amplifier. As sounds played back their pitch and sample rate changed depending on the amplitude of the sound. . . Pretty cool effect i figured. . . "man i gotta record that and use it!" so here it is!.

Opening a sliding door to a lot of chatty morning birds. You can hear a some fire truck sirens far in the background. After a few minutes, door is closed, i let you hear the difference, and we’re done. Recorded with a tascam dr-05 at about 5 am. Converted to mp3 with command “lame --preset extreme” since it’s rather huge. Not normalized; lame reports a playback gain of +21 db.

Inspired by erokia's tutorial here:https://www. Youtube. Com/watch?v=sjnjfyvqrfo. I did not use paul's extreme sound stretch, but rather took an original recording of a glockenspiel (with a lot of reverb), and set the playback rate to around 20% its original value. This stretching was combined with use of the following plugins:. Valhalla space modulatorni phasistdr nova geim widertal reverb 4soundspot velo2 limiter.

Bats recorded along the lagan river near belfast in september 2019. This recording was originally made at 192 khz but the registered sample rate has been changed to 16 khz in order to make their ultrasonic calls audible in playback. In this excerpt you can hear social calls (the trills), soprano pipistrelle echolocation (the higher pitched chirps) and common pipistrelle echolocation (the lower pitched chirps). Recorded on a sony pcm d100 using knowles ultrasonic mics. Noise reduction has been applied.

Here's a vocal sample of "hydrochloric acid" ran through audioterm and sent to a waldorf blofeld as a wavetable. The blofeld pitches up and then scans the wavetable (via mod wheel, so it's fun), which plays out what you hear here, plus a fair bit of outboard verb. Sounds like a vocoder but it's not. As opposed to traditional samplers the pitch is independent of the playback rate / length of the sample.

Close your eyes and listen to the composition that nature is playing before you. Walk around quietly, with nothing interrupting your ears. Go out and record some sounds wihtout labeling them, then bring them back and try to identify every sound you hear on playback. It's tough, but it's a good way to train your ears. Another selection from the fairhaven audio archives. See my page for a copy of the whole 6+ hours worth of high fidelity, royalty free recordings.

Line samples from a casio ap-45 on the default grand piano patch. Samples every c and g from c2 through to g8 with the sustain pedal down. Velocity is pretty aggressive and it doesn't sound quite in tune to my ear. Feels like it's a little bit out. You may want to tune these yourself, if you plan to use them for anything significant. No post processing done, so it might be worthwhile to normalize the samples out, if you're planning on putting them into a sampler for playback.

320kbps mp3 version. Recording of a heavy, impressive storm which passed over bristol on 23rd july 2013. One loud, underwear-browning thunder clap at the beginning, followed by 30-40 minutes of thunder rolling away in the distance. It's effective as a sleep aid, but don't loop its playback because the initial thunder clap will tear you from your dreams. Available under a creative commons 0 licence. Recording a storm while i sleep doesn't constitute the kind of creative labour that fills me with a sense of ownership. Enjoy the recording and use it as you wish.

Wav 24bit version. Recording of a heavy, impressive storm which passed over bristol on 23rd july 2013. One loud, underwear-browning thunder clap at the beginning, followed by 30-40 minutes of thunder rolling away in the distance. It's effective as a sleep aid, but don't loop its playback because the initial thunder clap will tear you from your dreams. Available under a creative commons 0 licence. Recording a storm while i sleep doesn't constitute the kind of creative labour that fills me with a sense of ownership. Enjoy the recording and use it as you wish.

Sound sources: make noise mysteron (high energy excitation and depth, type and gen extreme cw) and white noise doepfer a-118. High red and blue mixed output. Maths- controlled: mystery excitation; dynamic and adsr. Maths triggered by stepped make noise richter wogglebug. Sound signals passed through 2 channels of make noise dynamix. Summed output to soundhack make noise erbe-verb. Decay controlled by internal feedback loop. Size controlled by wogglebug woggle output. Erbe-verb output into morphagene. Straight playback into reaper. 32bit 48khz rendering. Totally synthetic with no prerecording. Grateful to make noise company (shared system and other modules) and those "awfully compelling" instructional videos on youtube. No financial connections.

It's me saying some words. I've recorded my speech and then used ardour's (http://ardour. Org) looping funtionality (which have proven to be rock-solid) to perform theese glitches. I used my mouse to select random ranges in the session, then used the "]" key to set tre selected region as a loop range. And also used "l" key to start looping if i accidentaly clicked on the playhead (which makes it stop playing). I also used space bar to break the loop into normal playback. There was a limiter in ardour. Recorded the performace using jack_capture cli program. I cut out some silence using audacity and converted the recording to flac.

A technical problem i had with my technics stereo cassette desk rs-5 where playback would deliver this fading squarewave at maximum volume. Apparently, it could have been an issue with the tape header wearing out. Thought i might as well upload it here, as i'm not sure anyone will be able to create this sound again. Note, this sound was de-amplifiied by 10 db in audacity 3. 1. 3. Simply put, the raw file was incredibly loud. If you're curious enough, you can increase it back up to its original volume, though i wouldn't advise it.

Shortwave wide-band digital emission recorded on july 15, 2014 at 15:17 utc in am mode using 2 instances of the online remote controllable short-wave receiver located at the amateur radio club etgd at the university of twente the netherlands. Left channel was recorded below the central frequency, at a frequency of 10187khz, right channel was recorded above the central frequency, at 10191khz. This was an experiment to see if selective fading would create stereo effects, as the lower frequency part of the transmission would be heard better in the left channel, and the higher frequency component would be heard better on the right. I used goldwave to put the separate recordings into 2 channels of the same file, after i synched the recordings by ear at 1/16 playback speed using a set of 2 particularly strong lightning static crashes as a guide, trimming off everything that came before the first strike in both original recordings, then inserting silence in the range of a few milliseconds until the stereo separation was as close to zero as i could get it. I wasn't as successful at that as i've been with experiments with voice recordings from simultaneous broadcasts on 2 wavelengths that i haven't posted here.

I made this sound in september 2003 - i used a fairlight mfx 3 - a direct descendant of the first sampler ever made - and the best ever to this day editing software for ground breaking features and functions. Clip based eq and level which you could cross fade between made the use of automation almost redundant in precise to picture editing. It also had a unique alternative jog function. You could loop 1 frame or so as you chose of sound at the orginal pitch which made it easy to find transient points. I then 'grind' the play head over a solo'd sound and play this into a reverb unit. I have many of these accidental experiments and one day i shall make the fairlight pack!. Until then enjoy this alien - from mars with love :). Ps - you can do this experiment today! i found that i can use sound flower as an out put in audio finder. If you open a sample in the sample editor - you can recreate the fairlight jpg by grabbing the playback head in play. You may then route sound flower thru an input channel and get some unusual effects that are difficult to achieve. . If you can improve on this method let me know!.

I won't claim that this is a ghost as i am sure many would debunk, only that i believe it to be. This is an evp i found during playback for something else i recorded in audacity with a usb condenser mic. This happens a lot and i have quite a few. It sounds to me like a voice that is not mine is saying "watch" i cleaned it up as much as i could but this was barely audible originally so i had to bring up the volume a lot which made the noise floor pretty loud. I did some noise reduction to make it sound cleaner. I have personally had experiences that i believe to be supernatural but decide for yourself as you listen or use it as make believe. I have more i will upload when i can including ones from places that have been researched and said to be haunted (taken on my phone). I have to find them but as i come across them or new ones i will share. No need to credit me, i am just sharing this for fun. It creeps me out, and gives me chills so hopefully it does the same for you mwuah hahahahaha! enjoy ;). Evp ghost spirit ghosthunters ghostly spectral haunted ominous whisper voice ghosts spirits hauntings evps creepy spooky weird strange mysterious supernatural paranormal electronic-voice-phenomenon spirit-voices halloween.

This is a quick fire sound i made using qubodup's "swing 25" public domain/cc0 upload on this site. It's a bamboo stick swinging, which i layered and toyed with to get the results here. For those curious, here are the steps. * i took the file into reaper, and slowed the file's playback rate to 31% of the original. * i then duplicated the file three times, for a total of 4 tracks. * track 1 (lowish gas-burner sound):- reverb (drum-room impulse response, a medium-sounding reverb with a slight deadness to it. In free impulse loader reverberate le, stretched impulse to 150% and set attack time to 0. 218s). - eq (-8db bandpass near 200hz, rising back to 0 by the 1k mark. Low-pass applied at 5. 8khz). * track 2 (lowest of sounds, like a bassy gas-burner):- chorus effect. That's it. (specifically acon digital multiply, a free plugin, set to the "romantic" preset). * track 3 (not as low as track 2, but closer to track 2 than 1)- reverb (a large hall impulse response. No adjustments, ie. No increased attack or stretching like for track 1. ). -chorus doubler (free plugin duet, preset: "basic doubler. " same effect as if i had doubled the track and pitched one up 6 cents. ). - chorus (free plugin acon digital multiply, preset: "romantic. "). * track 4 (most flame-thrower, whooshy of tracks. )- reverb (impulse response says "hall medium," but it's a thick, even echo from start to finish. Makes the sound go from its default "whoosh" to a flamethrower noise. - chorus doubler (duet again, preset: basic doubler). - chorus (acon digital multiply, preset: "romantic. "). Master bus:. - compressor (tdr kotelnikov mastering compressor, the free successor to the tdr feedback compressor ii. Preset: punchy. Thresh: -20. 9, soft knee: -1. 5, ratio: 2:0:1, attack: 7. 0 ms, release peak: 70 ms, release rms: 165 ms, makeup: 1. 5 db, output: 2. 0 db. That's it.

The same as my other fire whoosh sound, but i used a hi-pass eq at the 50hz mark to take out some of the "mud. ". --. This is a quick fire sound i made using qubodup's "swing 25" public domain/cc0 upload on this site. It's a bamboo stick swinging, which i layered and toyed with to get the results here. For those curious, here are the steps. * i took the file into reaper, and slowed the file's playback rate to 31% of the original. * i then duplicated the file three times, for a total of 4 tracks. * track 1 (lowish gas-burner sound):- reverb (drum-room impulse response, a medium-sounding reverb with a slight deadness to it. In free impulse loader reverberate le, stretched impulse to 150% and set attack time to 0. 218s). - eq (-8db bandpass near 200hz, rising back to 0 by the 1k mark. Low-pass applied at 5. 8khz). * track 2 (lowest of sounds, like a bassy gas-burner):- chorus effect. That's it. (specifically acon digital multiply, a free plugin, set to the "romantic" preset). * track 3 (not as low as track 2, but closer to track 2 than 1)- reverb (a large hall impulse response. No adjustments, ie. No increased attack or stretching like for track 1. ). -chorus doubler (free plugin duet, preset: "basic doubler. " same effect as if i had doubled the track and pitched one up 6 cents. ). - chorus (free plugin acon digital multiply, preset: "romantic. "). * track 4 (most flame-thrower, whooshy of tracks. )- reverb (impulse response says "hall medium," but it's a thick, even echo from start to finish. Makes the sound go from its default "whoosh" to a flamethrower noise. - chorus doubler (duet again, preset: basic doubler). - chorus (acon digital multiply, preset: "romantic. "). Master bus:. - compressor (tdr kotelnikov mastering compressor, the free successor to the tdr feedback compressor ii. Preset: punchy. Thresh: -20. 9, soft knee: -1. 5, ratio: 2:0:1, attack: 7. 0 ms, release peak: 165 ms, release rms: 165 ms, makeup: 1. 5 db, output: 2. 0 db. That's it.