450 Royalty-Free Audio Tracks for "Progress"

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Chord progression recorded with korg m399 bpmkey of em.

Augmented chord progression: I+ IV64. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

The chord progression of the ostinato from "Creep" played with block chords with each chord in root position within one octave.

Recorded by roberto giannessiwith tascam dr100stereolocation : civitavecchia (rome)date : 07 07 2009.

Progressing/growing high pitch sound.

Chord progressions involving the tonic, a chromatic mediant, and then the tonic: I-VI-I.

ii-V substitution.

Augmented chord progression: V+43 I63. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

I made this chord progression using onlinesequencer. Net.

Chord progressions involving the tonic, a chromatic mediant, and then the tonic: I-♭vi-I.

Chord progressions involving the tonic, a chromatic mediant, and then the tonic: I-♭III-I.

Augmented chord progression: I+ vi63. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Augmented chord progression: I+65 IV. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified].

Augmented chord progression: I+#6 IV. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Augmented chord progression: I+64 IV6. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Have fun.

A short and sweet simple piano chord progression. This is in a minor key with a sad feel.

Chord progressions involving the tonic, a chromatic mediant, and then the tonic: I-III-I.

Altered dominant played twice then resolved to the tonic. Created using Sibelius and Audacity.

Augmented chord progression: V+75 I. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Augmented chord progression: I+75 IV. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Augmented chord progression: V+65 I. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Mandolin + reversed piano chord progression loop. D69-e9sus4-bminor11-bminor11 played twice @120bpm detuned to 100bpm. 16bit 44. 1khz. This is the mastered file with phaser, chorus, surround reverb, & stereo widening fx baked in.

Chord progression with a borrowed chord second: v or Gm in C major.

Piano progression.

Jazz standard bridge, ragtime progression: E7-A7-D7-G7, III7-VI7-II7-V7, or V7/V/V/V - V7/V/V - V7/V - V7 [or V7/vi - V7/ii - V7/V - V7]. MIDI file Progression d'accords : Pont Jazz standard. La progression de ragtime (E7-A7-D7-G7) apparaît souvent dans les ponts des standards de jazz. Fichier midi.

The most common or standard 12-bar blues progressions variations, in C.(Benward & Saker 2003, 186). Created by Hyacinth (talk) 05:08, 14 July 2011 (UTC) using Sibelius 5.

Chord progression.

Chord progressions involving the tonic, a chromatic mediant, and then the tonic: i-♯iii-i.

Chord progressions involving the tonic, a chromatic mediant, and then the tonic: i-♯VI-i.

Charleston rhythm, simple rhythm commonly used in comping. Ragtime progression.

This track is not professional, but sounds good. Fuuny, hopefull, avicii style progressive house track, useful for some videos, to make sunny atmosphere. Produced with daw reaper. It was created in progressive house electronic dance music style in semptember 2017.

I recorded this groove at an art gallery. This exhibition was about bergama. It was very annoying when listen clean. Because original recording of this location is for the investing people for the spesific idea. It is already progressive grooving but after noise reduction and filtering audio, i explore an interesting groove again. It was more progressive than the others. Im very happy to create the unique sound. Wish i use people for. Almostly i was forgetting to say. I recorded this sound with a samsung galaxy s3. Little bit crazy but, it was very pure and clear.

Just a piano loop. Use as you see fit. First and last few samples have been faded to avoid pops with looping.

I just like that bouncy bubbly kinda distorted guitar sound so i came up with this progression and it reminded me of k-on! i hope you like it and as always if you sample it or do something cool with it let me see!.

V of V in C, on guitar.

Chord progression with diminished seventh chords added.

Short guitar progression.

Free use.

120 bpm midi synth chords in e-minor, 8 measures and loop-able.

Chord progression with a borrowed chord second to last: iv or Fm in C major.

The most common or standard 12-bar blues progressions variations, in C.(Benward & Saker 2003, 186). Created by Hyacinth (talk) 06:08, 14 July 2011 (UTC) using Sibelius 5.

The most common or standard 12-bar blues progressions variations, in C.(Benward & Saker 2003, 186). Created by Hyacinth (talk) 06:08, 14 July 2011 (UTC) using Sibelius 5.

The most common or standard 12-bar blues progressions variations, in C.(Benward & Saker 2003, 186). Created by Hyacinth (talk) 06:08, 14 July 2011 (UTC) using Sibelius 5.

Sixteen-bar progression - repeating variety: third section's first half repeated twice.

Have fun.

reale Quintfallsequenz

reale Quartfallsequenz

tonale Quartfallsequenz