156 Royalty-Free Audio Tracks for "Root"

Engine control unit ecu utv atv super fraser lens iso synchronous railway battery jitter rack shelf trail path channel wavelength carrier unit root 2 power 3 effort efficiency rheology paradigm.

Engine control unit ecu utv atv super fraser lens iso synchronous railway battery jitter rack shelf trail path channel wavelength carrier unit root 2 power 3 effort efficiency rheology paradigm.

Passamezzo moderno/"Gregory Walker" chord progression in C major, beginning with tonic chord in second inversion and continuing using minimal-change and "closest-packing" rules (minimizing each voice's change from previous note and keeping each chord's notes as close to each other as possible; resulting order of inversions is second-first-second-root/second-first-second-root-second)

Passamezzo moderno/"Gregory Walker" chord progression in C major, beginning with tonic chord in first inversion and continuing using minimal-change and "closest-packing" rules (minimizing each voice's change from previous note and keeping each chord's notes as close to each other as possible; resulting order of inversions is first-root-first-second/first-root-first-second-first)

C major triads played on piano: 1) root position, 2) first inversion, 3) second inversion

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

An important subtype of the descending 5-6 sequence is the root position variant, also known as the Pachelbel sequence, due to the use of this sequence in Pachelbel's Canon. The Pachelbel sequence changes the first inversion chords in the descending 5-6 sequence to root position chords, resulting in a bass pattern that moves down a fourth, and then up stepwise.

The chord progression of the ostinato from "Creep" played with block chords with each chord in root position within one octave.

Tritone substitution and altered chord as, "nearly identical". Chords: C7, F♯7, and C7 +9 +5: Root 3rd 5th 7th 9th 11th 13th C

English: Chopin Prelude, Op. 20, No. 10 (1832) opening. Consecutive diminished seventh chords as whole tone scale harmony. Piston analyses viio as Vo9 with a missing root.

Synth ambient pad. Root note c1, bpm 100.

Based on a root tuning of c256hz. 5th up, granular time stretched.

Notes a and e, with panoramization without square root. Controlled amplitude. Time lapses.

A rather flatulent one-shot. Root note c4.

This one is a bounce kicker for your songs. Part of pack: bounce.

Bell sound playing an arp with a sub-octave root note.

The vowel "o" ordered within a standard scale of one octave starting with root. Made with supercollider formant class.

The vowel “i" ordered within a standard scale of one octave starting with root. Made with supercollider formant class.

The vowel “e" ordered within a standard scale of one octave starting with root. Made with supercollider formant class.

The vowel “a" ordered within a standard scale of one octave starting with root. Made with supercollider formant class.

Just a random thing i thought of doing when i grabbed a root beer. Lol just use. No credit needed.

Isolated sound form one of my excavator field-recordings. I think it is the scope that made this noise with a rock or root, not sure.

Casio mt40 el piano sound multisample in minor thirds. Root keys and ranges are written into the headers, so the set should auto map in most samplers.

High pitch synth stab with resonant filter. [root: g][format: wav][license: cc 0].

Recorded with a zoom device , time of day- evening, a field about 300 meter from highway. Sometime a random car on a gravel root pass by. Crickets are chirping. .

Formatted for use in the make noise morphagene. Nine chords from my fender rhodes, based around an a-minor root, each on its own splice. See a video of this reel used as a background pad: https://youtu. Be/upezmsyvst4.

A short ocarina sample i recorded in my studio. This sample was made to be place into a sampler but you can do whatever you want, the root note is c.

Metal coated tree with mallet and stick samples, recorded from physical portable recorderthe meadow, san francisco 2020. Metal metallic resonant percussive hit percussion drum tree field-recording industrial impact high-quality city. Metallic tree roots.

A small sample of my classical guitar playing a reggae skank. Could stick this on a sampler and use as a chordal bed for a tune. Might be well coupled with a minor skank playing the root chord and this playing the 7 chord!.

Looped files and added header informations for the files from saif sameer pack "sy99 afm fm waveform operators" https://freesound. Org/people/saif_sameer/packs/31288/. Looped sounds, added header infos loop settings, root key, key range, velocity range, tune and gain. Thanks for sharing sameer!.

Rhythm generated by wogglebug quantized into harmonaig root 3th 5th and 7th outputs generated using telharmonic, mysteron, plaits and final output of dpo. Maths generated envelope. Effects mimeophon, erbe-verb (output to morphagene max speed and morph slide @ 12. Rendered to 48khz 32 bit in reaper. Enjoy and stay safe!.

My mogalyn consists of a torn-up book cover, a gnarled root i found on the ground, and a pinwheel called a "moga. " the moga spins, and picks rhythmically strum the strings according to their placement and the rotation of the mo. This version was created with paper and glue - which fell apart, so a more robust version is coming soon.

Note c. I recorded the ukulele on my phone, playing the note c on several strings. The recording was then reversed and treated with more reverb. At the end of the recording, after processing, we got a very cool "wind" effect. Place the file in the sampler with root note c and get an unusual cinematic pad. Enjoy).

Formatted for use in the make noise morphagene. Eight chords from my fender rhodes, each on its own splice, based around an f-minor root. The rhodes is running through an mxr zw-44 for some mild overdrive, and was boosted with a focusrite scarlett dynamic octopre. See a video of this reel here: https://youtu. Be/ybhmx38n5oo.

Note e. Atmospheric cinematic pad. I recorded the guitar, then processed a lot of reverb and added some synth sounds. You can put it in the sampler by setting the root note to e and you will have a complete instrument. I especially like to layer on it additionally the sounds of the waves that i put on my page before.

Wine glass, tuned with water, being hit with an improvised percussion stick made from chopstick and a piece of plastic. Recorded with olympus ls-10 (no zoom) in a small reverberating bathroom, edited in audacity. The whole pack intended to be used as a virtual instrument. Note c#4 (root note c5, 440hz).

Wine glass, tuned with water, rubbed with wet finger in a circular motion to produce sustained tone. Recorded with olympus ls-10 (no zoom) in a small reverberating bathroom, edited in audacity to make a seamless loop. The whole pack intended to be used as a virtual instrument. Note c#4 (root note c5, 440hz).

Sustained m7 chord, root note e3, 45bpm. This is a small preview of an upcoming ambient sample pack i'm working on, which i'll be releasing to promote a short ep i've completed this year. The pack will come with lots of soft pads, synth one shots and soundscapes. It will be completely free of course and under creative commons 0, you can follow me here for updates. As always, feedback is very welcome!.

Simple retro video game sound effects created using the amazing, free chiptone tool. Http://sfbgames. Com/chiptone. For this pack i selected the jump generator as a starting point. I tried to stick to c as the root note. It's always nice to hear back from you. What projects did you use these sounds for?please let me know. ;-).

Wine glass, tuned with water, rubbed with pressure in a circular motion to produce sustained distorted tone. Recorded with olympus ls-10 (no zoom) in a small reverberating bathroom, edited in audacity to make a seamless loop. The whole pack intended to be used as a virtual instrument. Note c#4 (root note c5, 440hz).

Simple retro video game sound effects created using the amazing, free chiptone tool. Http://sfbgames. Com/chiptone. For this pack i selected the blip generator as a starting point. I tried to stick to c as the root note. It's always nice to hear back from you what projects you use these sounds for. Please let me know. ;-).

Simple retro video game sound effects created using the amazing, free chiptone tool. Http://sfbgames. Com/chiptone. For this pack i selected the coin generator as a starting point. I tried to stick to c as the root note. It's always nice to hear back from you. What projects did you use these sounds for?please let me know. ;-).

Simple retro video game sound effects created using the amazing, free chiptone tool. Http://sfbgames. Com/chiptone. For this pack i selected the hurt generator as a starting point. I tried to stick to c as the root note. It's always nice to hear back from you. What projects did you use these sounds for?please let me know. ;-).

Formatted for use in the make noise morphagene. Seven chords from my fender rhodes, each on its own splice, centered around a bb-minor root. The rhodes was running through an mxr zw-44 for mild overdrive, and the signal was boosted with a focusrite scarlett dynamic octopre. This reel was originally created for a guest post on the noise engineering blog: https://www. Noiseengineering. Us/blog/2017/9/18/modular-tips-and-tricks-guest-post-rheyne. Here's a video using this reel: https://youtu. Be/cyhpcbu71rc.

Simple retro video game sound effects created using the amazing, free chiptone tool. Http://sfbgames. Com/chiptone. For this pack i selected the zap generator as a starting point. I tried to stick to c as the root note. It's always nice to hear back from you. What projects did you use these sounds for?please let me know. ;-).

Simple retro video game sound effects created using the amazing, free chiptone tool. Http://sfbgames. Com/chiptone. For this pack i selected the boom generator as a starting point. I tried to stick to c as the root note. Well, maybe not so much in this one. . It's always nice to hear back from you. What projects did you use these sounds for?please let me know. ;-).