6,417 Royalty-Free Audio Tracks for "Art"

City atmo inside a small pedestrian tunnel with roads around. Middle distance city traffic. Ambulance siren far away. Small construction/hammer nearby. Leaves and wind in foreground. Coimbra, portugal. Stereo l+r48k24bsound devices sd 688mic st km184metadata included. Use freely on your personal commercial and non-commercial projects. Don't put this raw sounds/files on youtube or anywhere else. You can use them in creative way as a part of art-form, but not "re-distribute" as (royalty free) stock material. Thank you.

Ludwig Van Beethoven's Symphony No. 1 in C (Op. 21): IV. Adagio, Allegro molto e vivace performed by the Marine Chamber Orchestra of the United States Marine Band on Jan. 27, 2019, at Northern Virginia Community College's Rachel M. Schlesinger Concert Hall and Arts Center. Captain Ryan J. Nowlin, conducting.

Ludwig Van Beethoven's Symphony No. 1 in C (Op. 21): II. Andante cantabile con moto performed by the Marine Chamber Orchestra of the United States Marine Band on Jan. 27, 2019, at Northern Virginia Community College's Rachel M. Schlesinger Concert Hall and Arts Center. Captain Ryan J. Nowlin, conducting.

Sound created and generated with the software "bitmaps & waves" version 3. 10. 1. I'm totally in love with this software, it let's you take an image, and "convert" it into a lovely sound. This was the best one i got so far, the image used can be found here: http://cdn3. Pitchfork. Com/advance/art/535/2172873c. Jpgand the software can be downloaded here: http://victorx. Eu/bitmapplayer. Htm.

Sunflower Slow Drag is a ragtime composition by Scott Joplin and Scott Hayden, performed as a wind band arrangement of a piano original. Recorded between May 23 and 27, 1994 by the United States Marine Corps Band at the Center for the Arts at George Mason University in Fairfax County, Virginia.

Grieg's Suite for Strings, Op. 40, From Holberg’s Time V. Rigaudon performed by the United States Marine Band. Maj Jason K. Fettig, conducting. Performed by the Marine Chamber Orchestra on Aug. 17, 2013, at the Rachel M. Schlesinger Concert Hall and Arts Center at Northern Virginia Community College in Alexandria, Va.

Grieg's Suite for Strings, Op. 40, From Holberg’s Time II. Sarabande performed by the United States Marine Band. Maj Jason K. Fettig, conducting. Performed by the Marine Chamber Orchestra on Aug. 17, 2013, at the Rachel M. Schlesinger Concert Hall and Arts Center at Northern Virginia Community College in Alexandria, Va.

Who imagined birds in super slow mode sound almost exactly like whales?i created this texture using only an audio i downloaded from julien nicolas https://freesound. Org/people/julien%20nicolas/ and a voice from mad monkey https://freesound. Org/people/mad-monkey/i made it for a homework and since i love this website and ive been using it for my school work i thought i could share and give something back :3if you make art with this, send it to me!!! i totally want to see/hear it.

Sunday 7pm, big avenue with mid-intense traffic 100 meters far down hill, motorcycles, buses, some horns, few birds. Recorded with zoom h4n-pro 48 khz / 24 bit. Use freely on your personal commercial and non-commercial projects. Don't put this raw sounds/files on youtube or anywhere else. You can use them in creative way as a part of art-form, but not "re-distribute" as (royalty free) stock material. Thank you.

Kid around 4 year old crying (tantrum) outside in the distance echoing among buildings. Some city rumble in background. I edited the sound to remove the mother's voice. Use an high-pass filter 120hz to diminish city rumble. Recorded with zoom h4n-pro 48 khz / 24 bit. Use freely on your personal commercial and non-commercial projects. Don't put this raw sounds/files on youtube or anywhere else. You can use them in creative way as a part of art-form, but not "re-distribute" as (royalty free) stock material. Thank you.

Long bicycle ride, very old bike, noisy breaks, city traffic, start/stop, changing gears. Mic was mounted under the seat designed for capturing the bike sounds as clean as possible. 48k24b - sound devices sd 688. Use freely on your personal commercial and non-commercial projects. Don't put this raw sounds/files on youtube or anywhere else. You can use them in creative way as a part of art-form, but not "re-distribute" as (royalty free) stock material. Thank you.

Dawn (5am) with city rumble at the distance. Birds in foreground. Some dogs bark far away. Some distant city traffic. Stereo sound. Recorded with zoom h4n-pro 48 khz / 24 bit. Use freely on your personal commercial and non-commercial projects. Don't put this raw sounds/files on youtube or anywhere else. You can use them in creative way as a part of art-form, but not "re-distribute" as (royalty free) stock material. Thank you.

Sveriges Radios folkmusikinspelningar. Bohuslänsresan 1957 (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg, Ulf Peder Olrog SV EN Instrument: Röst (sång) Hänvisning till tryckt litteratur: Svend Grundtvig: Danmarks Gamle Folkeviser (DgF), nr. 369 Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:55:1

Grieg's Suite for Strings, Op. 40, From Holberg’s Time I. Praeludium performed by the United States Marine Band. Maj Jason K. Fettig, conducting. Performed by the Marine Chamber Orchestra on Aug. 17, 2013, at the Rachel M. Schlesinger Concert Hall and Arts Center at Northern Virginia Community College in Alexandria, Va.

Ludwig Van Beethoven's Symphony No. 1 in C (Op. 21): III. Menuetto, Allegro molto e vivace performed by the Marine Chamber Orchestra of the United States Marine Band on Jan. 27, 2019, at Northern Virginia Community College's Rachel M. Schlesinger Concert Hall and Arts Center. Captain Ryan J. Nowlin, conducting.

Johann Sebastian Bach's Violin Concerto No. 1 in A minor I. Allegro moderato (BWV 1041) performed by the Marine Chamber Orchestra of the United States Marine Band on June 7, 2014, at the Rachel M. Schlesinger Concert Hall and Arts Center at Northern Virginia Community College in Alexandria, Va. Capt. Michelle A. Rakers, conducting. MGySgt Claudia Chudacoff, soloist.

Johann Sebastian Bach's Violin Concerto No. 1 in A minor III. Allegro assai (BWV 1041) performed by the Marine Chamber Orchestra of the United States Marine Band on June 7, 2014, at the Rachel M. Schlesinger Concert Hall and Arts Center at Northern Virginia Community College in Alexandria, Va. Capt. Michelle A. Rakers, conducting. MGySgt Claudia Chudacoff, soloist.

Electric train arriving station. Exterior platform. Quiet ambience. Coimbra-a station, portugal. Boom + stereo l+r48k24bsound devices sd 688mic st km184 (st)mic mkh70 (boom)metadata included. Ch1: boomch2: st-lch3: st-r. Use freely on your personal commercial and non-commercial projects. Don't put this raw sounds/files on youtube or anywhere else. You can use them in creative way as a part of art-form, but not "re-distribute" as (royalty free) stock material. Thank you.

Grieg's Suite for Strings, Op. 40, From Holberg’s Time III. Gavotte-Musette-Gavotte performed by the United States Marine Band. Maj Jason K. Fettig, conducting. Performed by the Marine Chamber Orchestra on Aug. 17, 2013, at the Rachel M. Schlesinger Concert Hall and Arts Center at Northern Virginia Community College in Alexandria, Va.

Johann Sebastian Bach's Violin Concerto No. 1 in A minor II. Andante (BWV 1041) performed by the Marine Chamber Orchestra of the United States Marine Band on June 7, 2014, at the Rachel M. Schlesinger Concert Hall and Arts Center at Northern Virginia Community College in Alexandria, Va. Capt. Michelle A. Rakers, conducting. MGySgt Claudia Chudacoff, soloist.

Night. Dogs barking at the distance. Church bell (10pm). Distant city traffic. Stereo sound. Recorded with zoom h4n-pro 48 khz / 24 bit. Use freely on your personal commercial and non-commercial projects. Don't put this raw sounds/files on youtube or anywhere else. You can use them in creative way as a part of art-form, but not "re-distribute" as (royalty free) stock material. Thank you.

Ludwig Van Beethoven's Symphony No. 1 in C (Op. 21): I. Adagio molto, Allegro con brio performed by the Marine Chamber Orchestra of the United States Marine Band on Jan. 27, 2019, at Northern Virginia Community College's Rachel M. Schlesinger Concert Hall and Arts Center. Captain Ryan J. Nowlin, conducting.

Electric train halting and then leaving station. Exterior platform. Quiet ambience. Coimbra-a station, portugal. Boom + stereo l+r48k24bsound devices sd 688mic st km184 (st)mic mkh70 (boom)metadata included. Ch1: boomch2: st-lch3: st-r. Use freely on your personal commercial and non-commercial projects. Don't put this raw sounds/files on youtube or anywhere else. You can use them in creative way as a part of art-form, but not "re-distribute" as (royalty free) stock material. Thank you.

My contribution to the freesouond collaborative performance of gyorgi ligeti's "poème symphonique for 100 metronomes". The metronome is marked "wittner" and "made in w. Germany". It ran for a little over 13 minutes at about 140. 7 bpm. Recorded on the hardwood floor of my bedroom, with the mic in front about 30 cm away. Equipment used: oktava mk102 mic, art digital mpa preamp, m-audio audiophile card. This sample is completely unprocessed. It looks limited or clipped, but i can't hear it - must be from the tube preamp (i had the gain cranked way up). It's pretty quiet, but if you listen carefully you may hear some noises in the background, especially near the beginning where i leave the room.

I asked for a fabric shredder because i couldn't find one, and i knew my dearest would knock himself out trying to. He didn't either but he did have one made, probably at considerable expense. It's a cute little portable unit, i think made of a modified paper(?) shredder, powered by a geared motor from a battery-operated power tool. It's probably a dangerous little work of art. So we're getting dressed in the bedroom after opening gifts on christmas morning, and i decided to try out my new toy. Good conversation, mechanical whir.

The stock sounds i used to create my catalog have been shared via freesound by creators with skills that make my sounds possible. My goal with learning sound is creating immersive soundscapes and imaginative moments. I want to create fantastic art, and i can’t reach the peak of my imagination without help. Big thanks to this community!. If you feel like showing some support, go check out my channel and show it some love! also, go check out the profiles of the creators who made and recorded the elements of this sound:. Wshintani__airplane-landing. Wav. Nuncaconoci__truck-jake-brake. Wav. Melissapons__whoosh-motron-very-low. Wav. Danwardvs__harddrivespinup. Ogg.

The stock sounds i used to create my catalog have been shared via freesound by creators with skills that make my sounds possible. My goal with learning sound is creating immersive soundscapes and imaginative moments. I want to create fantastic art, and i can’t reach the peak of my imagination without help. Big thanks to this community!. If you feel like showing some support, go check out my channel and show it some love! also, go check out the profiles of the creators who made and recorded the elements of this sound:. Suzenako__caja1. Wav. Estlacksensory__estlack-liftb-3. Aiff. Paul368__sfx-door-close-big. Wav. Daveincamas__20061111airhosedisconnect1. W.

The stock sounds i used to create my catalog have been shared via freesound by creators with skills that make my sounds possible. My goal with learning sound is creating immersive soundscapes and imaginative moments. I want to create fantastic art, and i can’t reach the peak of my imagination without help. Big thanks to this community!. If you feel like showing some support, go check out my channel and show it some love! also, go check out the profiles of the creators who made and recorded the elements of this sound:. Eminyildirim__volcano-lava-steam-burst. Wav. Aemyn__crashing-starship. Flac. Aemyn_journey-to-the-interweb. Mp3. Inspectorj__abstract-spaceship-a01-ascending. Wav.

I want you to compare this sound with:"electronic minute no 18 - vcv rack sqr sequencing"https://freesound. Org/people/gis_sweden/sounds/413520/in this sound, no 19, i use my modular synth. The sound is not as clean as in the virtual one. To some extent i blame my method of recording. . . Different oscillators sound different. Here i use a self oscillating filter. That produces a clean sinus wave. The cleanest sinus in my rack. But i guess the real thing is not perfect and that is what you are hearing? in neither of the patches i use a quantizer. . . (that's art :-)and, i almost forgot, i use a cheap analog delay pedal. Noisy. . .

The stock sounds i used to create my catalog have been shared via freesound by creators with skills that make my sounds possible. My goal with learning sound is creating immersive soundscapes and imaginative moments. I want to create fantastic art, and i can’t reach the peak of my imagination without help. Big thanks to this community!. If you feel like showing some support, go check out my channel and show it some love! also, go check out the profiles of the creators who made and recorded the elements of this sound:. Robinhood76__06391-fast-air-impact. Wav. Paul368__hatch-seal. Wav. Paul368__sfx-door-open. Wav. Arithni__heavy-thud. Wav. Schluppipuppie__schnurr-01. Wav. Album-heavy-object-impact-10. Wav.

This anthem commemorates the Liberation of Azarbaijan on December 15, 1946. In one of the first episodes of the Cold War, Imperial Iran overcame the puppet states installed by the Soviet Union prior to their exit from Iran's northwest. The region had been occupied since the Anglo-Soviet Invasion in the Second World War. Nurtured by Joseph Stalin, the territory of Azarbaijan was infested by Communists with the likes of Baghirov and political outcasts with the likes of Pishevari. This anthem, written by the famed Hossein Golegolab, is an ode to the true regal spirit of Azarbaijan. It was played during the commemorative anniversaries of the territory's liberation and was performed by the students of the Imperial Officers' Academy.

Broadcast made by the Russian composer Dmitri Shostakovich from the besieged city of Leningrad in 1941. The work he refers to here is Symphony No. 7 in C Major, opus 60, subtitled Leningrad. Transcript: An hour ago, I finished the score of two parts of a large symphonic composition. If I succeed in writing this composition well, if I succeed in completing the third and fourth parts, then it will be possible to call this composition the seventh symphony. Why do I announce this? So that the radio listeners who are listening to me now will know that the life of our city goes on as normal. We are all now doing our military duty. Soviet musicians, my dear friends and numerous brothers-in-arms, my friends! Remember that our art is now in great danger. Let us defend our music, let us work honestly and selflessly! Hace una hora, he terminado la partitura de dos partes de una composición sinfónica de gran tamaño. De tener éxito en escribir bien esta composición, de tener éxito en completar las partes tercera y cuarta, entonces se hará posible llamar a esta composición la sinfonía sétima. ¿Por qué les anuncio esto? Para que los radioescuchas que me están escuchando ahora sepan que la vida en nuestra ciudad prosigue como de costumbre. Todos estamos ahora haciendo nuestro deber militar. ¡Músicos soviéticos, queridos amigos y numerosos hermanos de armas míos, mis amigos! Recuerden que nuestro arte está en gran peligro ahora. ¡Defendamos nuestra música, trabajemos honesta y desinteresadamente! Час тому назад я закончил партитуру двух частей большого симфонического сочинения. Если это сочинение мне удасться написать хорошо, удасться закончить третью и четвертую части, то тогда можно будет назвать это сочинение Седьмой симфонией. Для чего я сообщаю об этом? Для того, чтобы радиослушатели, которые слушают меня сейчас, знали, что жизнь нашего города идет нормально. Все мы несем сейчас свою боевую вахту. Советские музыканты, мои дорогие и многочисленные соратники по оружию, мои друзья! Помните, что сейчас нашему искусству грозит великая опасность. Будем же защищать нашу музыку, будем же честно и самоотверженно работать.

The stock sounds i used to create my catalog have been shared via freesound by creators with skills that make my sounds possible. My goal with learning sound is creating immersive soundscapes and imaginative moments. I want to create fantastic art, and i can’t reach the peak of my imagination without help. Big thanks to this community!. If you feel like showing some support, go check out my channel and show it some love! also, go check out the profiles of the creators who made and recorded the elements of this sound:. Audiopapkin__riser-hit-sfx-026. Wav. Audiopapkin__impact-sfx-011. Wav. Coolernow123__lordboner101-s-reverse-door-slam-but-thicc. Wav. Ezwider__impact3. Wav. Eminyildirim__volcano-lava-steam-burst. Wav. Sukritsen__steam. Wav. Inspectorj__abstract-spaceship-a01-descending. Wav.

Chinese restaurant (portugal) about 10 x 10 mts large with 20 people inside. Sunday 9pm. Chatter (portuguese + other), chairs dragging, some noise from the street behind the big glass window in front; noise from the kitchen (cutting vegetables on wood, frying on wok, chatter in chinese). Mic pointing at the center of the room. In front a big avenue (door closed). On my right/behind is the kitchen on an open space. Recorded with zoom h4n-pro 48 khz / 24 bit. Use freely on your personal commercial and non-commercial projects. Don't put this raw sounds/files on youtube or anywhere else. You can use them in creative way as a part of art-form, but not "re-distribute" as (royalty free) stock material. Thank you.

This stereo recording was made on november 23, 2014 in grays harbor washington during a rare thunderstorm. The clip contains rain falling on a wooden deck and recurring peals of thunder both near and far. This original recording was made using a zoom h-6 handy recorder with zoom stereo xy microphone. The track was edited in audacity 2. 0. 6 to remove a few artifacts. Total run time for this wav file is: 8:29. This is my first upload. I am hearing impaired and new to field audio recording. I am fascinated by this art form and hearing sounds that i haven’t been able to hear in twenty years. I would greatly appreciate your feedback on the quality of my work and, if you choose to use this in a project, the end use you have in mind.

A group of 5 people - 4 guards and 1 nun (woman), walking fast from the distance until near the mic, stop, and then one man moves forward. Walking with boots on stone floor, sound of metal, swords, armours mixed with the steps. Two men and the nun carried a wireless mic. Recorded with sound devices at 48k 24bit in 6 channels. Channel 1: boom mchannel 2: boom schannel 3: boomchannel 4: man wireless micchannel 5: man wireless micchannel 6: woman wireless mic. Use freely on your personal commercial and non-commercial projects. Don't put this raw sounds/files on youtube or anywhere else. You can use them in creative way as a part of art-form, but not "re-distribute" as (royalty free) stock material. Thank you.

Euskara: Urtero San Pedro eguneko meza nagusia bukatu ondoren abesten den ereserkia. Mendi abesbatzak kantatua eta 1998. urtean Santa Ceciliaren inguruko kontzertuan kantatu zuten lehendabiziko aldiz. Hitzak Gora Doneztebe! Zabaldi ederra Mendaurren oñian etxe sorta txuria eliz itzalian karrika txukuna txukunen artian berdin gabea zera Napar alderdian Baztan aldetik dator ugalde zabal ta argia Ezkurra ta Labaindik erreka garbi ta ugaria bihori emanaz besarkada eztia Bidasoa ibaiari ematen diozu bizia Gora Doneztebe, gora Doneztebe! San Pedro eguna, egun berezia doneztebarrendako besta nagusia alaitsu dabila gure gaztedia bai zarretatik ere gauza dan guzia plaza berrian esku ta guantez jokatuko dute ta ilunabarrez neska mutilek dantza lertu arte alaitu zaitezte bai zar eta gazte alkartu eta ohiu eginaz: gora Doneztebe! Gora Doneztebe, gora Doneztebe! Cada año el día de San pedro se canta al finalizar la misa mayor. Cantado por la Coral Mendi abesbatza. Letra Gora Doneztebe! Zabaldi ederra Mendaurren oñian etxe sorta txuria eliz itzalian karrika txukuna txukunen artian berdin gabea zera Napar alderdian Baztan aldetik dator ugalde zabal ta argia Ezkurra ta Labaindik erreka garbi ta ugaria bihori emanaz besarkada eztia Bidasoa ibaiari ematen diozu bizia Gora Doneztebe, gora Doneztebe! San Pedro eguna, egun berezia doneztebarrendako besta nagusia alaitsu dabila gure gaztedia bai zarretatik ere gauza dan guzia plaza berrian esku ta guantez jokatuko dute ta ilunabarrez neska mutilek dantza lertu arte alaitu zaitezte bai zar eta gazte alkartu eta ohiu eginaz: gora Doneztebe!

Sveriges Radios folkmusikinspelningar. Smålandsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:14:4 Text: På en ödsliger häll satte ödet mitt tjäll, bland klippor och bränningars svall. Nakna klippor där stå och där gror knappt ett strå, Kvar med nöd står den tvinande tall. Så jag föddes så här, mellan klippor och skär, man är redan med vindarna strid. Ty det första jag såg var den brusande våg, och dess svall har bevittnat mitt ord.

فارسی: سرود ورزش جمهوری اسلامی ایران (معروف به «ورزشکاران دلاوران نام‌آوران») توسط سازمان صداوسیما در سال ۱۳۶۹ برای بازی‌های آسیایی ۱۹۹۰ پکن تهیه و پخش شد (هرچند این سرود بیشتر با پخش مکرر آن پس از صعود ناباورانه تیم ملی فوتبال ایران به جام جهانی ۱۹۹۸ در بازی با استرالیا و همچنین پیروزی آن مقابل آمریکا در این جام مشهور است). رشید وطن‌دوست این قطعه را در دستگاه ماهور روی ترانه‌ای از نادر مرتضی‌پور و موسیقی ارکستر سمفونیک صداوسیما خوانده‌است.

I created this sound to add to the freesound. Org library of sound, because, to obtain use on a sound here, one of the stipulations was that i had to add a sound here at freesound. Org. I love sounds. My senses have always naturally been fine tuned to appreciate the subtle cues in sounds, although, as an artist, i am more drawn to create music or visual art, rather than sounds, but i gave it my best try here. This is a sound i have been doing for years, since a very young child actually. Basically the sound is achieved by making three sounds with my mouth. . . 1. Sucking my lips together, and then opening my mouth, 2. Bringing lips back together and forcing air out 3. And then the sound of my tongue pressed just under my front teeth, and flicking my tongue down. I do this very fast. Enjoy!.

Sound transparency (first example on sound transparency and opacity). This sound sample is a companion to my talk and paper presented at foteo ("faire oeuvre, transparence et opacité") at université laval, visual art department, may 2008. The paper title is: "transparence sonore : acoustique physique; opacité sonore : un phénomène psychoacoustique; implications en création sonore". This nearly trivial example shows what i call "sound transparency". Since sound propagation is a linear phenomena, sound is transparent: the presence of a given sound (here a razor) does not modify the sound quality of an other sound (here a knife being rubbed). You can appreciate the sound quality, timbre, texture, dynamic of each sound even when an other one is present. The second part of the sample is the repetition of the first part, but the two sounds are presented on different channels.

Free open source voice overs free of charge. . . To use in your animations games or anything. . . I like to do free voice overs if you want one i can do it for you for completely free but you must join me my deviant-art page for more free stuff as well as paid stuff to if you like what i do please watch my youtube channellink: https://www. Youtube. Com/channel/ucrdm5i3kzmo8yhznba3vg3a?view_as=subscriberdeviantart: link:https://www. Deviantart. Com/xxdowntoearthfooxx there you can get free stuff aswell as stuff that cost a little bit please just click the links and i sent you in this description click the youtube link login and subscribe to my channel it would be very much appreciated if you did i will record a voice over for you and you can have fun making games animations for free and have fun with the voice over i created for you? thank you freesound users.

Sveriges Radios folkmusikinspelningar. Författarträff i Brottby Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 56/10198:3:2 Text: I gamla döende jätteekar, Vad sågen I? Hur många blodiga vapenlekar upplevden I? Fast fred och lycka i nejden rår, Så sorgset näcken på harpan slår. När markens gräs sina stjälkar böja i midnatten för sommarfläktar, som tveksamt dröja vid Hjälmaren, då suckar jorden, ur dvalan väckt, då viskar vinden om Engelbrekt. Hans stora bragder, hans ädla sinne, hans mannamod än leva kvar uti troget minne och hågkomst god, fast vemod blandar däri en tår vid tanken på, hur han bragts på bår.

Another bahai prayer in farsi recorded at home on a minidisc of a friend of mine singing the following prayer: (translation)o thou art turning thy face towards god! close thine eyes to all else, and open them to the realm of the all glorious. Ask whatsoever thou wishest of him alone; seek whatsoever thou seekest from him alone. With a look he granteth a hundred thousand hopes. He healeth a hundred thousand incurable ills, with a nod he layeth balm on every wound, with a glimpse. He freeth the hearts from the shackles of grif. He doeth as he doeth, and what recourse have we? he carrieth out his will, he ordaineth what he pleaseth. Then better for thee to bow down thy head in submission, and put thy trust in the all mercifull lord. The language is old fashioned because the bahai have special requirements about maintaining the integrity of their texts. It is a verbatim quote from an english prayer book. In farsi, for instance, i believe that the masculine gender of god is absent and is really non-specific.

This historic "flute clock" (orgeluhr) is a precious mechanical clock, with a small organ is combined. Given time to hear music from a pen-driven roller. Flötenuhrbaues the heyday was the late 18th out century. Flute clocks were built for affluent, culturally sophisticated circles, educated people with appropriate art and music understanding. The finest pieces built in vienna and berlin. Easier flute watches were up to about 1850 in large quantities in the black produced. They played for entertainment in guest houses. Several well-known composers wrote works specially for this instrument, as george frideric handel, carl philipp emanuel bach, haydn, antonio salieri, wolfgang amadeus mozart or ludwig van beethoven. Flute watches with great restrictions than their recorded music era to consider it forced the composer to be exact instructions in execution ornamentation and tempo. The coupling of wind plant and roll can be traced back to minimum tempos and makes historical flute clocks so interesting for issues of historical performance practice. Record with tascam hd-p2 and beyerdynamic mce82soundsystem: pro tools le.

Turntable brown noise mixed edited in audacityused fx phaser and paulstretch and you wa shock !. Free to use. Enjoy !. Subtopia limburg / schmeets media. Http://subtopia-limburg. Comhttps://paper. Li/subtopialimburg/#/http://wp. Subtopia-limburg. Com/http://blog. Subtopia-limburg. Com/https://soundcloud. Com/subtopia-limburghttps://www. Audiomack. Com/artist/subtopialimburghttps://www. Freesound. Org/people/subtopialimburg/http://twitter. Com/subtopialimburghttp://www. Youtube. Com/user/subtopialimburghttp://www. Youtube. Com/user/splendithttp://www. Schmeets. Nl. Https://limebooth. Com/subtopialimburg/profile/https://www. Tribeofnoise. Com/splendithttps://www. Jamendo. Com/artist/499666/subtopialimburg. Https://www. Facebook. Com/profile. Php?id=100020387445244. Subtopia limburg virtual live. Influanced by:. Lou reedvernian processuz jsme domathrobbing gristlesunn o)))scott walkerrecoil (band)moondogjonathan davis and the sfahella (band)brian enoeinstürzende neubautencoiljohn caleboredomsbjörkpink floydarcturusautopsiakarlheinz stockhausensteve reichsun ramax neuhausmike oldfieldphilip glassaaron funkmorton feldmanaphex twinbrian enoclaude debussyivor cutlerjohn cagelustmordkraftwerkthe art of noisethe future sound of london ( fsol )zoviet francemusique concretetangerin dreamyello.

01. Fantasia (Alfonso Ferrabosco d.y., ca 1575-1628); 02. Orpheus ur Henrik VIII (William Shakespeare, 1564-161); 03. Pavin (Thomas Morley, 1557-1602); 04. Fancy (John Bull, 1562-1628); 05. Sonett nr 18, Evig sommar (William Shakespeare, 1564-161); 06. Lachrymae Pavan (Giles Farnaby ca 1560-1620); 07. Sonett nr 71, Dödens triumf (William Shakespeare, 1564-161); 08. Fantasia, Te lucis ante terminum (William Byrd, 1543-1623); 09. Fancy (John Ward, 1571-1638); 10. Till hans pryda väninna (Andrew Marwell, 1621-1678); 11. Galiarda (William Byrd, 1543-1623); 12. Avskedet, (Michael Drayton, 1563-1621); 13. The most sacred Queen Elizabeth her Galliard (John Dowland, 1562-1626);

This sound sample is part of the free collective soundbank "negative mass", which is comprised of around 60 royalty free samples and field recordings used by some of the artists featured in the "new chronologies of sound" collection to compose their sound works. "new chronologies of sound" is a sound art collection that proposes to generate debate on issues related to the ways in which lockdown affected our ways of listening, perception of time and work habits, by developing a collection of sound works based on field recordings, which reflect upon those matters. This artistic research project gathers artists and researchers from all over the globe — agf (de), budhaditya chattopadhyay (in), bj nilsen (se), diana combo (pt), gustavo costa (pt), hugo branco (pt), kyoka (jp), laura romero (es), lawrence english (es), matthew herbert (uk), miguel isaza (co) and natalia valencia zuluaga (co)— encompassing a broad diversity of aesthetics, geographies, processual latitudes and conceptual attitudes, which range from pure field recordings and processed soundscapes down to more musical or compositional uses of found sounds. + info: https://lifeisavicnic. Com/vn003.

I remember as if it was yesterday !. An enfant terrible move sprungvery spontaneously out of the brainof just a normal guy 👦 whowent to get a nice but huge two-piecevintage very german very deutsch hohnerguitar / instrument amplifier ( so very big ) about900 km away direktionebavaria. . . The year was 2018. . . Ah, withthe train. . . 9h in the train one way , 9h back. . . Around the corner of the thomann. De huge onlinemusicstore , that’s what the seller told me. . . Btwi won this little auction on ebay & there was no wayi was going to let it ship, besides i travelled freeback in those days !. At a certain moment ! poef ! train packed withpeople. . . I thought, this must be my moment degloire ! a performance in a german packed train. . . So ipulled out my little phone, looked for the googletranslate app, searched for some inspiration &the rest is history , 25 oktober 2018 ! what aglorious day ! german people are so reservedmight i say polite ! no reaction whatsoever ??!!??. . . That’s why ladies &gentlemen, i put it on again but a little bit louder. . Kein ein without zwei !. 23. 11. 2020jj josé.

A flötenuhr (also orgeluhr) is a precious mechanical clock, with a small organ is combined. Given time to hear music from a pen-driven roller. Flötenuhrbaues the heyday was the late 18th out century. Flute clocks were built for affluent, culturally sophisticated circles, educated people with appropriate art and music understanding. The finest pieces built in vienna and berlin. Easier flute watches were up to about 1850 in large quantities in the black produced. They played for entertainment in guest houses. Several well-known composers wrote works specially for this instrument, as george frideric handel, carl philipp emanuel bach, haydn, antonio salieri, wolfgang amadeus mozart or ludwig van beethoven. Flute watches with great restrictions than their recorded music era to consider it forced the composer to be exact instructions in execution ornamentation and tempo. The coupling of wind plant and roll can be traced back to minimum tempos and makes historical flute clocks so interesting for issues of historical performance practice. Recorded at "deutsches musikautomaten museum bruchsal"recording: tascam hd-p2 and beyerdynamic mce82;soundsystem: pro tools le.