114 Royalty-Free Audio Tracks for "Diminishing"

I really couldn't figure out how to describe this. There must be an industry standard description for what i'm calling a diminishing reverb. It was the metal funnel in a stove top espresso maker as it was rolling on a tile counter and got got in the tile grooves.

*Classic diminished octave/Large just major seventh on C = C♭. 48/25 = 1129.33 cents. Limit: 5-limit. MIDI pitch bend: 49,73

D, F, Ab = C, Eb-, Gb-

*Pythagorean diminished fourth on C = F♭-- (Ben Johnston's notation). 8192:6561 = 384.36 cents. Limit: 3-limit.

English: Chopin Prelude, Op. 20, No. 10 (1832) opening. Consecutive diminished seventh chords as whole tone scale harmony. Piston analyses viio as Vo9 with a missing root.

viio7 as dominant substitute.

A sliced up amen break that is still at 170 bpm.

Made in korg gadget.

Large exercise ball bouncing several times with diminishing amplitude.

Iidim6 chord in C.

viio7 in G major, on the guitar.

Leading-tone diminished seventh chords as dominant in Beethoven's Piano Sonata No. 5, Op. 10, no. 1, I, mm.1-10.

Leading-tone diminished seventh chord as dominant in Mozart's Don Giovanni, K. 527, Act I, Scene XIII, mm.116-117.

Leading-tone half-diminished seventh chord as dominant in Mozart, Piano Sonata in D Major, III (end of Variation V), K. 284, mm.14-17.

Created in Sibelius. Major sixth (Diminished seventh) on C = A (B). Equal-tempered: 29/12:1 = 900 cents. MIDI pitch bend: 0,64

Bowling ball being rolled down an alley. No striking of pins and no diminishment of modulation as ball rolls.

Beethoven Appassionata 3 final bars of Andante

viio/V - V - I chord progression. Common in ragtime.

bdim7=do7=fo7=a♭o7 and it's enharmonic equivalents resolving (d7 to E-flat).

bdim7=do7=fo7=a♭/g♯o7 and it's enharmonic equivalents resolving (b7 to C).

Blues scale consists of a: tonic, minor 3rd, perfect 4th, diminished 5th, perfect 5th, and minor 7th.

Leading-tone seventh chord in C minor.

bdim7=do7=fo7=a♭o7 and it's enharmonic equivalents resolving (g♯7 to A).

Car approaching from the distance on the left gets louder as it approaches with a squealing engine belt. It moves to the right and sound level diminishes.

Leading-tone seventh chord in C major.

bdim7=do7=fo7=a♭o7 and it's enharmonic equivalents resolving. (fo7 to G-flat)

Amplification at -28,1 to diminish sound. The sound has an effect which turn; a rounded up effect. Retro flanger has an average stall (8,02 ms) and flange frequency (1,58 hz).

John Stepan Zamecnik's 1913 composition Mysterioso - Burglar Music 1, which appeared in Sam Fox Moving Picture Music volume 1.

*Diaschisma on C = D--. 2048:2025 = 19.5 cents. Limit: 5-limit. MIDI pitch bend: 33,70

Cannon shots recorded at a medieval festival in belgium with a rode nt5 (mono). The gain has been diminished at the begining to avoid saturation. There are differents cannon shots and arrows shooting.

*Augmented unison on C = C♯. Equal-tempered: 21/12:1 = 100 cents. MIDI pitch bend: none Note how the diminished unison is essentially equivalent to the augmented unison.

*Lesser septimal tritone on C = G♭ (Ben Johnston's notation). 7:5 = 582.51 cents. Limit: 7-limit.

A snare drum with some delay added. Roughly around 200ms delay then goes down in whole number increments while decreasing in volume. A cool affect if it works with your tempo. Enjoy!.

*5-limit limma/Enharmonic diesis on C. 128/125 = 41.06 cents. Limit: 5-limit. MIDI pitch bend: 18,77

*Tridecimal major third on C. Just: 13:10 = 454.21 cents. Limit: 13-limit.

*6859rd harmonic on C = B. Just: 4/12 = 892.54 cents. Limit: 19-limit. MIDI pitch bend: 78,61

Secondary leading-tone chord: viio7/V - V in C major. Created by Hyacinth (talk) 05:18, 23 May 2010 using sibelius 5.

*Hundred-sixty-ninth harmonic on C = F♭. Just: 169:128 = 481.06 cents. Limit: 13-limit. MIDI pitch bend: 120,57 on P4

*Schisma on C = B♯++ (Ben Johnston's notation). 32805:32768 = 1.9537 cents. Limit: 5-limit. MIDI pitch bend: 80,64

*Undecimal major third on C = F↓+ (Ben Johnston's notation). 14:11 = 417.51 cents. Limit: 11-limit.

viio6 as a substitute for V43 chord in Beethoven Piano Sonata in C major, Op. 2, No. 3, fourth movement.

*Three-hundred-forty-third harmonic on C = G♭+. Just: 343:256 = 506.48 cents. Limit: 7-limit. MIDI pitch bend: 9,66

*Just tritone on C = G♭- (Ben Johnston's notation). 64/45 = 609.78 cents. Limit: 5-limit. MIDI pitch bend: 16,67

Leading-tone seventh chord often serves a dominant function. This example is from Mozart's K. 283 III, mm. 64-69.

*Two-hundred-forty-seventh harmonic on C = C♭. Just: 247/128 = 1138.04 cents. Limit: 19-limit. MIDI pitch bend: 22,76

Leading-tone seventh chord in baroque composer Élisabeth Jacquet de La Guerre's 1707 Pièces de clavessin, book 2, "Sarabande", mm.21-8 (ending).

Leading-tone seventh chord often serves a dominant function. This example is from Beethoven's no. 5 op. 10, no. 1, I, mm.13-16.

*24389th harmonic on C = G♭+. Just: 4/12 = 688.73 cents. Limit: 29-limit. MIDI pitch bend: 50,92 on TT

V43 for comparison with viio6 as a substitute for V43 in Beethoven Piano Sonata in C major, Op. 2, No. 3, fourth movement.

*Diesis on C = D-. 128:125 = 41.06 cents. Limit: 5-limit. MIDI pitch bend: 18,77 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on 18,77 for 41.064453 cents rather than 0.