361 Royalty-Free Audio Tracks for "Patch"

A small remixed weird voice patch that uses some small words of a song i wrote and then i used pitch correction to put it into the key of cmaj starting on f.

After some confused techno days i'm back with machine composition. This is a basic patch on my analog modular synth.

This is one of 17 recordings made with the same patch. Same tempo, same scale, different outcome. I made this recordings for disquiet junto project 0377: algorithms assemble.

Typical cmaj - fmaj - gmaj - cmaj chord progression played with the "space rez" patch i self-programmed in ichiro toda's synth1, with some heavy tal-reverb 4 applied over it.

This is a collection of whooshes that i created using melted sounds' whoosh reaktor patch, loaded with a collection of samples i recorded of a piece of sheet metal being rubbed with my hand. There are 35 different whooshes of fairly similar length in 01, and 29 varied whooshes in 02 which were hand-performed within the patch. Ps. If you like these, there is a second file with a wider variety of whooshes in a similar style here:. Http://www. Freesound. Org/people/framing_noise/sounds/256910/.

Alienxxx and i had a little private dare. This is how it sounds when i have mixed the two resulting files. I made a schematic sketch on a simple modular patch. All info was this sketch. The resulting sounds was meant to be 30seconds long and in mono. We both posted our sounds. Alienxxx sound http://freesound. Org/people/alienxxx/sounds/343864/my (gis_sweden) sound https://www. Freesound. Org/people/gis_sweden/sounds/344087/i wanted to mix the sounds as a stage two in this dare. This sound is the result of my mix.

Cptnal's comment on muffwiggler was an big aha moment. He wrote "you could patch the output of one s&h into the input of the next and get yourself a 12-step shift register. " well i don't have 12 s/h. I have 10. . . I would need a lot of sequenced gates to build that shift register. . . In this patch i use 4 s/h. (s/h or s&h is sample and hold. ).

It's ben a hard day. I have been an official at an big youth athletics competition. I chill down (or off?) with a modular synth moment. . . . I will not try to explain the patch.

A blues improvisation with a lounge lizard patch i've made. Free to use! don't forget to check out my soundcloud if you like my sounds: http://soundcloud. Com/beverlyhillsboy/ cheers!.

Yep, i'm reading allen stranges "electronic music: system, techniques and controls". Interesting from start. This is a patch made with lessons from chapter 4.

Two quantussy cells interacting. My goal is five cells. Now i have four. But i cant patch them up! i need stackablesand/or a lot of mults.

Semi-generative analog synth sequence (with delay) in random keys. One of a set (a - h). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Patch notes:matriarch self-patched & sequenced by noodleboxminimal post-processing in live.

This was an experiment running a yamaha tx81z through a korg ea-1. The fm is a grand piano patch decimated and warmed up with analog oscillators. Sampled into an mpc. 44. 1k, 16-bit.

A little patch hard to balance. It's a meditative timbre practice. . . A en envelope generator in quadrature mode is controlling the amplitude. Download and take a look at the wave - close. Nice!.

Synth and percussion loop created with moog mother 32 and novation circuit124 bpmkey of c minor. Doctor dreamchipportland, or.

Sound made from a random sample of https://freesound. Org/people/gis_sweden/sounds/413306/ i just applied paulstretch to it. Proves that my painting a yellyfish patch is useful. . .

A simple multi-sampled synthetic spacebass pack, containing 25 samples, derived from 2 octaves of a home made soft-synth patch. The original quality was 24 bits with a sample rate of 88. 2khz, which i converted with a very good src to 16 bits and 44. 1khz. Not that is was that important after all considering the fact that the patch itself has a grainy character in the higher frequencies. . . No compressing, equalizing whatsoever involved, the panning is pretty wide tho, with left and right sounding rather different, but in stereo it still feels pretty balanced i think.

The inspiration for this track came from a stereo cross-fading delay patch for modular synths i found, created using caustic 3. 2 with my akai mpk mini keyboard as usb-midi controller with a bit of a tangerine dream style.

Patch on a large modular analog synth, mainly doepfer but with some sputnik and intellijel modules. Sounds very arp 2600-ish, a soundcape reminiscent of birdsong and tweets. Mainly tuned filters seeded with pink noise.

This is an artificial lifeform. The sound of a worm striving to be free in a hostile ambient. Done for video game sound design , sine tones pitched up and down randomically , then ran through a max granular patch.

A patch around the build of a complex wave form. Creating an interesting timbre is challenging and fun. I have not tried but i think this sound will loop well!.

An engine sound (propeller plane maybe?) that i synthesised using my modular synthesiser and a complex fm patch. It is thunderous. Hope you enjoy and please send me a comment if you use it in one of your projects :).

An unsilent patch to celebrate that my spring reverb now is silent - when i want it to be silent. Spring reverbs can be sensitive to electricity. No my spring tank is hidden away!.

132 bpm in c minorjust simple chords in a quick patch i made in sylenth1. Cant imagine what anybody will do with this but might as well just leave it here for the good people of freesound. :d.

A patch in the eventide dsp4000 kept bugging out on me and this was the result. I couldn't be mad about the glitch because it sounded so cool when it did it's thing. I was just lucky enough to capture it.

Tawny owl at around 11pm giving 'kewick' type call from within small patch of coniferous woodland near samye ling's tibetan buddhist centre south-west scotland, with sound of small waterfall within samye ling's site. Recording: olympus ls3 + okm binaural mics.

Yep, i'm reading alen stranges "electronic music: system, techniques and controls". Interesting from start. This is a patch made with lessons from chapter 4. I will try to do about the same on my modular.

Nlc jerk off without any input is the engine for this simple patch. In my little world i see nlcs chaos modules as a helping hand. I find the though of chaos very pleasing. . . Spring reverb and analog delay are used.

This is a krell patch from my modular. Using the e352 and rings to generate the sound. And peaks, ultra-random, maths and the disting mk4 to modulate. There are no slices, part of the fun is to slice. I hope you enjoy the reel.

Patch generating classic space sounds. . . Maybe to much is going on? and to fast. This sound even has an ending :-). A respect to the pioneers in this field. Bebe barron and louis barron. They made the music to forbidden planet (1956).

The sound is going through zoom ms-70cdr. I use the "particer" reverb program. It acts like a compressor and limiter too. . . Kills the dynamics of the modular. Nice anyway - or not. . . And i use the ladik r-330 reverb too.

This sound was made with 3 lfos, 1 vco and 1 vca. It was decided that the sound should be 30s. It took some tries for me to set the lfo that controlled the vca. The vca controls the output amplitude of the sound.

Another room acoustic ambiance recording. Connected my little modular to a guitar amp (orange crush 12l). Some overdrive added character to the sound and the simple patch. Placed my phone 2,5meters from the speaker and recorded. No post editing! not even amplification.

First patch with klangbau köln "rnd modul logistische gleichung". I got it, and i fried it, but now it's okay again - i hope. An arduino based module. Allows you to play with the logistic equation easily.

Had a patch. Changed speed, attack and delay time. Got this. A bubbly noisy landscape. At the end i dissconect the "main lfo". The one thats makes things advance. But beyond that i get sounds.

While i'm at it. Another electronic minute. Made this patch really fast. No random! i use chaos. You can loop this sound. A modular is like sound lego. I like that. Relaxing. Well, not the sounds. . . Totally unedited sound.

A commercial jet passing overhead. Recorded with a sennheiser 416 shotgun microphone into a sounddevices 702 digital recorder, standing on the small patch of grass behind the landing strip at lax (near the in-n-out burger).

In this patch i’m using doepfer a-160 clock divider as a sub bas generator. Square wave out from doepfer a-110 to trig in on a-160. I guess a square wave makes it easier for a-160? /4, in this patch, out to uvcf. The sawtooth from a-110 to another nice filter - the wasp filter. The transient modules 8s sequencer gives us an 8 note sequence. A copy of the sawtooth melody is going to an analog delay stomp box from joyo and back to the synth. Some reverb from a-199 sprv, spring reverb. Https://www. Youtube. Com/watch?v=ssrlq42phvi.

Simple noodling using the soprsax! patch on the yamaha vl70-m physical modelling synthesizer using the yamaha wx11 windcontroller. Vaguely inspired by listening to a video about wayne shorter’s infant eyes. Might become useful in a future piece of musicking.

I have recently built a granular sampler in puredata and have been using various samples in it and creating cool patches with it. This is one of the more technical patches. Please let me know if you would like to review my pd patch.

Same patch as in electronic minute no 226 but on my real modular. I'm using a wave folder. Thats why i call this version additive. I'm adding timbre to a sinus wave. I will do an subtractive version next.

Recorded a patch that generates blippy swooshy and clicky etc sound effects. The sound file is straight from the modular. You do the post editing. There must be some noises in here that is useful. . . ?.

6 octaves of a simple square wave in concert c for reference. Tuning oscillators has never been easier! just patch an oscillator output into the morphagene input, select an octave with the organize control and dial sound on sound to mix the two to assist in tuning.

A blues-inspired throaty lead line created from an original patch of arturia's buchla easel v. Dark, and full of overdrive and saturation, this loop is perfect for driving an energetic electronic composition.

Some sweepish sounds. Synthesized with "vacuum pro" vsti from air, the patch was a unmodified "500msvph"added effects with a "tassman 4" vst filterbank, multiple low pass filter with some oscillation. Echo was enable in a part of this whole creation.

3 cell quantussy patch. One cell acts as "controller cell". When the controller cell starts a new cycle a noise is heard defining the start of one cycle and at the same time the ending of the previous. Here we have three short cycle.

Using an lfo, mixer, exp vca, envelope generator, cycling envelope generator and spring reverb to create strange sounds. Evaluation of patch/soundone cycle is about 28 sec - cycles. . . Dont knowonly short sounds - goodamplitude variation - goodpitch variation - mediumtimbre variation - mediummusical value - low to mediumentertaining - medium?.

The deep, low octave sound effect popularised by eric serra for the goldeneye film score. It is available on the e-mu proteus 2 fx synth module under the patch "infinite". Alternatively, you can make a similar sound by sampling a woodblock/tambourine/cowbell and then pitching it down heavily (with added reverb).

No it didn't. Well cool patch anyway? it's what i like. Small variations on a simple theme. Sloth lfos and a jerk off (both from nlc) are the engine. Yes and a comparator. Using an or/gate-combiner to create a trigger-ish for quadra to react on. Analog delay and spring reverb. Why did i do this patch from the very beginning? when the voltage on x from sloth reaches a specific value a trigger is generated and i sample the value on y and uses to select pitch on an oscillator. The one playing the long tones. Chaos creates my variations. Sh1t, now when i've stopped recording cool thing are happening. Promise. . .

Electronic minute no 27 - combined forces. A patch with 2 unrelated patchesthey share an lfo. . . A) 2 lfos playing with a-101-1 vactrol vcfthe filter is feed with a square wave. B) a more advanced patchtriggers from env. Follow. Feed with cv from jerkoff (chaos)noise to a slew controlled by a sloth lfos/h to oscosc to vcathe vca is controlled by the same lfo as the slew but inverted!. Evaluation of patch/soundone cycle is - cycles? about 1min - goodonly short sounds - no, and thats goodamplitude variation - fairly goodpitch variation - yes, goodtimbre variation - not bad at allmusical value - i should consider this musicalentertaining - think so, yes.