397 Royalty-Free Audio Tracks for "Patch"

I recorded this on my roland electronic patch 'monster' right off the roland cube monitors to my yamaha pocketrak recorder. Use it as you like but comment what you will use it for. Thanks. :^).

A patch generating triggers not that random. . . The triggers are triggering an envelope generator and a sample and hold. The sample and hold cv is quantized following a minor 7th chord rules. Hope you understand. . . Pardon my english. Why this. Answer. I have to start adding something like this to my patches. But i use 3 lfos for this :-/ thats about all i got - right now. The alm pip slope works fine as an lfo too. Square wave this time. Take a close look.

A simple multi-sampled synthetic spacebass pack, containing 25 samples, derived from 2 octaves of a home made soft-synth patch. The original quality was 24 bits with a sample rate of 88. 2khz, which i converted with a very good src to 16 bits and 44. 1khz. Not that is was that important after all considering the fact that the patch itself has a grainy character in the higher frequencies. . . No compressing, equalizing whatsoever involved, the panning is pretty wide tho, with left and right sounding rather different, but in stereo it still feels pretty balanced i think.

Same as thrumbeat-volume re-leveled and length trimmed for a better loopambiguous beat pattern produced with a heavily cross-modulated sample and hold patch on the studiofactory/synfactory soft synth.

A little patch hard to balance. It's a meditative timbre practice. . . A en envelope generator in quadrature mode is controlling the amplitude. Download and take a look at the wave - close. Nice!.

A sound made usingalienxxx sound http://freesound. Org/people/alienxxx/sounds/343864/and my (gis_sweden) sound https://www. Freesound. Org/people/gis_sweden/sounds/344087/.

I programed a patch on the arturia jupiter 8 demo and made a improvisation out of it.

The sounds of walking through muddy/mucky patches after rain within a forest in howard county, maryland. This sound was recorded on a zoom h6 handy recorder with a sennheiser shotgun microphone.

Recording of a synthesizer loading patches from tape storage, made by placing a magnetic pickup next to the digital port during the load operation. (i don't recall specifically which synth was involved, sorry!).

Recording of a synthesizer loading patches from tape storage, made by placing a magnetic pickup next to the digital port during the load operation. (i don't recall specifically which synth was involved, sorry!).

An evolving bass/pad i patched using subtractive synthesis. Convolution reverb added as well as some subtle distortion and post synth filtering. Please give me a mention if you use this :-).

This is a krell patch from my modular. Using the e352 and rings to generate the sound. And peaks, ultra-random, maths and the disting mk4 to modulate. There are no slices, part of the fun is to slice. I hope you enjoy the reel.

Complex patch made with ni massive.

Some sounds from my analog modular synthyou my notice the typical ring modulation sound :-)a self playing (generative) patch making noise. . . .

Created using a patch on the roland mc-505. I recorded it through a m-audio fast track pro into sequel 2.

In this patch i use bastl instruments tromsø as comparator, sample and hold and oscillator (3 in 1). The cv is coming from nonlinearcircuits jerk off. The audio out from tromsø goes through nonlinearcircuits timbre!. Some delay from an analog delay pedal and reverb from doepfer spring reverb. One voice exploring a chaotic cv source. I sold one of my tromsøs a while ago. Will i regret that? psssst take a closer look at the wave form! the wave folder is doing its work!.

A morphagene-formatted reel of typing and tapping sounds on a vintage apple iie desktop computer. These sounds were recorded using a zoom h6 and cut into splices using reaper. Download, retitle the file as mg1. Wav (or whatever number is next available on your morphagene's sd card) and start patching!. For more information on the morphagene, check out its manual on our website: http://makenoisemusic. Com/modules/morphagene. . . . As well as a playlist of morphagene videos on our youtube channel: https://www. Youtube. Com/playlist?list=pl0jgfc0fwqshzzpzdtucojgcrgy4h0jsr. Happy patching!.

Friday. Random. Why this madness? answer: i have patched s/h (sample and hold) random to doepfer a-160 clock divider and that affects the a-161. For the sake of it i patched one of the gates to the ladik r-110 rnd t/g (random trigger and gate). Result much more randomness than i can use. I can tell you that there is a lot of blinking diodes :-) sounds from doepfer a-110 and 2hp osc and sampler soundmachines ul1uloop.

I created this with a custom rakarrack patch and an epiphone explorer guitar. Captured with jack_capture commandline program.

Cptnal's comment on muffwiggler was an big aha moment. He wrote "you could patch the output of one s&h into the input of the next and get yourself a 12-step shift register. " well i don't have 12 s/h. I have 10. . . I would need a lot of sequenced gates to build that shift register. . . In this patch i use 4 s/h. (s/h or s&h is sample and hold. ).

This was an experiment running a yamaha tx81z through a korg ea-1. The fm is a grand piano patch decimated and warmed up with analog oscillators. Sampled into an mpc. 44. 1k, 16-bit.

Pattern 5 seaweed. Long. Some low frequencies. The pattern is here: https://www. Instagram. Com/p/bmluh8vajro/?taken-by=gis_sweden.

This is an artificial lifeform. The sound of a worm striving to be free in a hostile ambient. Done for video game sound design , sine tones pitched up and down randomically , then ran through a max granular patch.

It's zynaddsubfx custom patch piped through a ir convlolution reverb played with a midi keyboard. Eqd, compressed and limited using audacity.

Typical cmaj - fmaj - gmaj - cmaj chord progression played with the "space rez" patch i self-programmed in ichiro toda's synth1, with some heavy tal-reverb 4 applied over it.

A patch around the build of a complex wave form. Creating an interesting timbre is challenging and fun. I have not tried but i think this sound will loop well!.

Original patches for native instruments ‘massive’ in combination with original foley samples. A small, initial sample package for various science fiction style sounds.

A krell patch and short sample and hold tones. Okay even the krell gets pitch cv from a sample and hold. The short sample and hold tones are panned with help of chaos. I use two nlc sloth lfos to control the panning. The speed of the short sample and hold tones are controlled by two mixed lfos from bmc 2lfosh. Reverb from spring reverb and delay from an anlog delay stomp box. Please suggest some tags i should have used. . . !.

An engine sound (propeller plane maybe?) that i synthesised using my modular synthesiser and a complex fm patch. It is thunderous. Hope you enjoy and please send me a comment if you use it in one of your projects :).

I let both the vco (intellijel μvcf) and the uoki-toki polivoks vcf play a little melody, the same. The vcf is in self-oscillation and cv1 at 100%. It does not track perfectly, but could be useful.

A patch in the eventide dsp4000 kept bugging out on me and this was the result. I couldn't be mad about the glitch because it sounded so cool when it did it's thing. I was just lucky enough to capture it.

A blues improvisation with a lounge lizard patch i've made. Free to use! don't forget to check out my soundcloud if you like my sounds: http://soundcloud. Com/beverlyhillsboy/ cheers!.

Two quantussy cells interacting. My goal is five cells. Now i have four. But i cant patch them up! i need stackablesand/or a lot of mults.

Pattern 3 w 3 x cvlfo-motorthe pattern is here: https://www. Instagram. Com/p/bmtfta5ajfh/?taken-by=gis_sweden.

120 bpm rising square arpegiated chords, feel free to use with anything. Synth patch is "square lead" from cubase's "prologue". Chord progression: amin d fmin bflat.

A self generating patch going though the zoom ms-70cdr. The synth generates weird noises etc and the fx adds reverb anda strange clipped pan fx. I recorded 5 minutes.

The inspiration for this track came from a stereo cross-fading delay patch for modular synths i found, created using caustic 3. 2 with my akai mpk mini keyboard as usb-midi controller with a bit of a tangerine dream style.

An unsilent patch to celebrate that my spring reverb now is silent - when i want it to be silent. Spring reverbs can be sensitive to electricity. No my spring tank is hidden away!.

Modular patch ending up in the zoom ms-70cdr multi effect. 2 voices, noise and very much reverb :-). Shoutout to cabled_messhttps://www. Freesound. Org/people/cabled_mess/.

A simple patch on my modular going through zoom ms-70cdr spacehole reverb. The effect is based on the famous eventide space blackhole.

Yep, i'm reading allen stranges "electronic music: system, techniques and controls". Interesting from start. This is a patch made with lessons from chapter 4.

Sound made from a random sample of https://freesound. Org/people/gis_sweden/sounds/413306/ i just applied paulstretch to it. Proves that my painting a yellyfish patch is useful. . .

132 bpm in c minorjust simple chords in a quick patch i made in sylenth1. Cant imagine what anybody will do with this but might as well just leave it here for the good people of freesound. :d.

Nlc jerk off without any input is the engine for this simple patch. In my little world i see nlcs chaos modules as a helping hand. I find the though of chaos very pleasing. . . Spring reverb and analog delay are used.

Pattern 6 hold back the clams. . . Simple graphic score. Fun. Not that obvious. Pattern 6 is here: https://www. Instagram. Com/p/bml3wfka8lg/?taken-by=gis_sweden.

Patch generating classic space sounds. . . Maybe to much is going on? and to fast. This sound even has an ending :-). A respect to the pioneers in this field. Bebe barron and louis barron. They made the music to forbidden planet (1956).

Patch on a large modular analog synth, mainly doepfer but with some sputnik and intellijel modules. Sounds very arp 2600-ish, a soundcape reminiscent of birdsong and tweets. Mainly tuned filters seeded with pink noise.

No it didn't. Well cool patch anyway? it's what i like. Small variations on a simple theme. Sloth lfos and a jerk off (both from nlc) are the engine. Yes and a comparator. Using an or/gate-combiner to create a trigger-ish for quadra to react on. Analog delay and spring reverb. Why did i do this patch from the very beginning? when the voltage on x from sloth reaches a specific value a trigger is generated and i sample the value on y and uses to select pitch on an oscillator. The one playing the long tones. Chaos creates my variations. Sh1t, now when i've stopped recording cool thing are happening. Promise. . .

In this patch i’m using doepfer a-160 clock divider as a sub bas generator. Square wave out from doepfer a-110 to trig in on a-160. I guess a square wave makes it easier for a-160? /4, in this patch, out to uvcf. The sawtooth from a-110 to another nice filter - the wasp filter. The transient modules 8s sequencer gives us an 8 note sequence. A copy of the sawtooth melody is going to an analog delay stomp box from joyo and back to the synth. Some reverb from a-199 sprv, spring reverb. Https://www. Youtube. Com/watch?v=ssrlq42phvi.

The definition of entropic is having a tendency to change from a state of order to a state of disorder. An example of something entropic is a building which is being demolished. This is an not that entropic version of the entropical paradise patch made in vcv-rack.