30 Royalty-Free Audio Tracks for "Using Chains"

Chains being collected/used by hand. Chains being picked up. Touching chains.

Chains simulated using keys.

1/4" chains rattle along with an added interesting sound, possibly myself sliding away on a smooth surface. Recorded using a zoom h4n field recorder.

Sfx - chains being rattled outside, variation in the intensity of the rattling. Recorded outside using a zoom h6 recorder,.

I made this as jump point for another sound for a foley project for a movie. This was made using a number of chain dog leashes and my mxl mic along with an echo chamber affect in my sound editing software.

This sound is of a loop of chains being manipulated, along with footsteps. It is meant to invoke a sense of imprisonment or creepiness, but you may use it as you please. It was taken using a zoom h4n field recorder. The chains were 1/4 inch thick, attached to picnic tables, the footsteps are of skate shoes on concrete. 2014.

Director of "rodky horror show" wanted a spooky sound effect when riff raff opens door. I recorded and made up a sound effect of door being unchained using tire chains, and mixed it with freesound 70101 of a creaky door.

A gliz. Glitched and reverbed perc. (48khz, 24bit, wav format). Sounds where created using ableton live as daw, reaktor ensembles and m4l devices as synths and processed with long fx chains. Useful for idm, glitch, experimental dnb.

Reversed impact with reverb and fx's(48khz, 24bit, wav format). Sounds where created using ableton live as daw, reaktor ensembles and m4l devices as synths and processed with long fx chains. Useful for idm, glitch, experimental dnb.

This is the recording of one of my chain necklaces. Recorded using my personal home studio pc with yamaha ag06, a shure beta 58a microphone, and no processing.

The chained creature. This effect was made by recording a barking dog and slowing it down using audacity.

Explosion sound with a relatively quick curve made using white noise run through eq's, guitar amp distortion and a chain of reverb/delays. Has.

Imitation of a roller coaster lift chain ratcheting sound. Sound produced using a pipe wrench and moving the upper part of the jaws back and forth. Slows down at the end. Used in an educational animated video.

In this record you can hear the noise of the chain of one bicycle being pedaled. Is like a hum. It is a sound object used in the sonic ensemble soundscape for the sound creation lab project. It was recorded using a zoom h4 recording device at roc boronat street, barcelona. The recording was edited with a fade in and out effect.

I grabbed a kick from a break and did some intense processing using a nice little effects chain and came up with this. Use judiciously.

Person punching a title light weight punching bag. Load hollow slapping sound. Chain jangling sound present. Hit using 10 ounce title leather boxing gloves. Recorded indoors in a vehicle garage using a zoom h6 recorder.

Heavily-processed glitchy sounding samples, possibly useful for minimal. Made using my own recordings as well as fl studio samples (royalty free) through vst effects chain.

A long atmospheric soundtrack for your haunted experience. This was created using various percussion instruments slowed way down with other effects to create a foreboding vibe.

This is a sample of a wooden flute my girlfriend gave to me in high school. I'm playing an a at 440hz. It was recorded using a townsend labs sphere l22 into my uad input chain: neve 1073 > sphere (u67) > la2a (grey) > oxide tape > pultec eqp-1a.

This second sound is a recorded sound of a bike chain, i modified it using some effects :1-normalize2-wahwah effect with-frequency = 3. 3 hz-start phase = 0-depth = 70%-resonance = 2. 5-wah frequency shift = 30%3-melt closingthe final sound gives an impression of a sound under water.

Processed version of:https://freesound. Org/people/toiletrolltube/sounds/422056/which is itself a processed version of:https://freesound. Org/people/gis_sweden/sounds/417382/. Signal chain was as follows:1) gate (otherwise the quiet parts would have a lot of digital sounding noise after processing)2) spectral processing (frequency reversing) applied using unfiltered audio's specops vst plugin. 3) reverb4) slight compression. Effects 1), 3) an 4) above were applied using ableton live's built in effects.

I take out a keychain from my pocket and open the lock at the entrance door to the flat. You can hear the key ringing and the sound of the lock being opened. You can hear the sound of hitting metal on metal. Recorded using zoom h2n.

Sound created using the wooden rod inside of my coat closet, and recorded on a zoom h2 recorder. This effect was used to create a sort of dungeon ambiance in a musical track. A decent down some steps, some creepy creaking, a little chain movement action, and it all seemed to fit ok. Check it out here: first trackhttps://brookinthebirchwood. Bandcamp. Com/album/disarm-the-mighty. Edited on reaper.

Lead in groove of a 7" single @ 45 rpm. Recording chain:. Pro-ject primary turntable with an ortofon om 5e cartridge→ onkyo stereo amplifier→ behringer uca202 audio interface→ laptop using audacity. Notched out some motor noise and selectively eliminated or lessened some other noises for aesthetic reasons.

Feel free to use the sound anywhere you want (even commercially). If you can, please, give us feedback. We care. Get the the remaining 146 mb of modern basslines sample pack at our website. Www. Audiowizzards. Com. Made using the amazing mpowersynth + our very own fx chain [which is going to remain our little secret]. Thank you.

I couldn't find a decent heavy iron door/gate sound fitting my needs on freesound. Org so i made one combining 4 different sounds that i got from freesound. Org using adobe audition. . . . I hope you find it useful!. #109710 by tomlija "horror gate"#268233 by ylearkisto (a great big long name in some other language)#199282 by gubodup "big metal chain"197463 by hykenfreak "draw bridge lower".

This is the 1st sound i uploaded online in like four years. I'm shocked no one uploaded a sound like this prior 2020! it was made using layering of crackling sounds, deep drum for base, chain sound effect, and of course a nice swoosh. The end result is a sound that is very crunchy and powerful. Feel free to use it for commercial use, like video games or movies, no credit is necessary yet is always appreciated. Share your work with me! :).

This is my first recording using my binaural mic. I took a walk to meet my wife for lunch and decided to record it. It was windy outside, and even with the standard foam wind protection, you can still hear some wind rumble. It might be fixed using some low cut filtering but i wanted to post it as is. This take started inside my recording studio and ended in a fairly large avenue with lots of traffic (cars and motorcycles). There is a pause on the recording by 01:59, when i had to change the mic cable position. Signal chain: roland cs-10em (with foam windscreen) > sony pcm-m10 (rec level: manual, at about 3,5; mic sensitivity: low; limiter: off; low cut filter: disabled).

My first upload! this sound i made using the zmors synth on my ipad air2 - i used audiobus which is a great routing software allowing many of a lot of awesome sounding synths that are now on ipad and can be played professionally via a usb keyboard controller (very handy for gigging) okay this is getting too wordy. . . I used audiobus overall with zmors in the first slot being routed through the wonderful aufx eq app in the center (effects) slot then ran the most useful of all ---> audioshare app in the 3rd or output slot to record it all. . . Keep in mind that the number of devices you can run in these three slots is virtually limitless - as much as your device can handle so you can get really nuts with several synths, a drum machine, etc all routing to the middle (fx) stop in the chain and picking up a fat 3 or 4 nice sounding effects devices then on to output to audioshare or you can now use just audioshare as host and run zmors in it directly (and probably more smoothly). I chose zmors because on a couple of other ipads (ipad mini, ipad 2 especially, and ipad air a little bit) i was noticing that it was a resource hog and was not playing correctly or there was a huge lag in the latency so with the new(er) ipad air 2 i wanted to hear the zmors synth and it really is an underappreciated majestic sounding beast if you ask me. I am going to experiment further with it as the unique architecture and just the way it sounds is totally different from any other synth i've yet to hear on ipad or in general. It kind of reminds me of a fatter, more modern. Sequential circuits 6 track. Which i've had a couple of and have a thick layered sound - kind of like a really nice turkey sandwich with a good portion of swiss cheese then you notice that there's still some roast beef left and put a good amount of that between bread as well. Hell, that's a sandwich that's gonna be filling! thanks for reading.

Created by divkid for use in the make noise soundhack morphagene. There are dry-only, fx-only, and mix versions of this reel in the pack. See it in action at https://youtu. Be/rk4ufmfcouc. Patch walkthrough. The patch starts with the qu-bit chance providing discrete random values (sample and hold) going into an instruo harmonaig. This takes the stepped random voltages and quantizing them to a given scale. I put in the notes c d eb f g ab bb which is a c natural minor scale, the relative minor of eb major (for anyone that's curious). However like most of my modular work i didn't actually tune the oscillators to anything specific. So treat the scale as a pattern of intervals not a set of specific notes. The quantized notes then form 4 voice chords giving us a root, third, fifth and seventh cv output that will be diatonic following the scale pattern, meaning the third will be major or minor, the seventh major, minor or dominant and the fifth natural or diminshed to suit the scale. With the 4 quantized outputs on the harmonaig these all go into the four oscillators on the synthesis technology e370 quad morphing vco. Each of the e370 oscillators are in the basic morph xy mode using the built in rom b set of wavetables. Wavetables are modulating by various mixes of the befaco rampage, mutable instruments tides, wmd multimode envelopes and music thing modular turing machine. The modulation sources are mixed and split with multiples and mixers. These modulating wavetables then go into a bubblesound vca4p where i'm using 4 mk1 intellijel dixie oscillators all un-synced and free running with sine wave lfos. Each lfo freely fades the voice in and out of the vca4p. As this is unsynced there's no regard to pitch changes linked to changes in amplitude and the swells. I find splitting the gate/rhythm from pitch regarding sequencing to be a freeing and interesting way to work that's not available on traditional instruments. This is just a simple application of that idea with the lfos fading freely unrelated to the other modulation or sequencing of pitch. The sound then goes from the vca4p mix out into a befaco mixer and praxis snake charmer which the output section of the larger case and i'm sending a 'pre' auxiliary out into my fx case. The dry sound first goes into the erica synths fusion delay / flanger vintage ensemble which is giving me short modulated delays giving vibrato like sounds and pushing the input level and overdrive gives us some warmth and grit that thickens up the sound and also fills in the gaps left by the free running lfos pulling quieter sounds and compressing in the on board tube. This then outputs to the feedback 1 bit multitap delay module which has it's delay chip pushed to longer times for some added crackle and noise. I'm using the two delay taps for a shorter and longer delay with little feedback to mix the dry sound for a generally noisier and smeared version of the input. This then goes into the xaoc devices kamieniec with it's on board lfo as slow as possibly for a mildly resonant phase shifting. This goes into mutable instruments clouds set to sew random grains slowly and randomly which are pitch shifted up 2 octaves to fill out some high end flourishes against the closed chord voicings at the core of the patch. Finally this goes into a long lush reverb from the halls of valhalla card in the tiptop audio z-dsp. The stereo fx chain and the mono dry signal are mixed in the befaco hexmix and recorded as a mixed stereo file. I'd consider this to be the main 'reel'. However i split the dry signal and the fx only wet stereo signal and recorded those at the same time so you can choose which reel to use and experiment with dry/wet or blended sounds from this patch.