26,612 Royalty-Free Audio Tracks for "Audio Files Of Demonstrations Of Musical Effects"

Baroque cadence parfaite ('authentic cadence' trill), above, and the same, drawn out, below.

Example of modulation to the dominant from vocal music (1836).

Modulation with subsidiary chord (in blue). Created by Hyacinth (talk) 02:10, 15 November 2011 (UTC) using Sibelius 5.

D♭7♯11 chord = G7alt chord. G7alt chord = G,B,F,Ab,A#,C#,Eb. D♭7♯11 chord = D,F,Cb,Eb,G.

Bitonal polychord: F major on top of C major. Created by Hyacinth (talk) 01:48, 7 July 2009 using Sibelius 5.

Mystic chord Acorde místico

Tritonus f'h' aufwärts zusammen abwärts Akkord Frequenzen Frequenzverhältnis in Cent f' ,h' 352 495 45/35 590,2237 Tonbezeichnung nach https://de.wikipedia.org/wiki/Eulersches_Tonnetz

Diatonic major scale in 12 tone equal temperament

Elektra chord: E B Db F Ab.

Euler-Fokker genus on C. 1/1, 9/8, 21/16, 3/2, 7/4, 63/32. C, D, F+, G, B♭, C+.

Farben chord.

Tout d'abord un la pur. Se rajoute un autre la, un comma pythagoricien au-dessus. On entend des battements.

An A major scale in Music.

Diminished seventh chord's use in modulation.

Parrallelism in music (example).

The opening eleven note chord from Aaron Copland's Inscape, without orchestration shown.

Chromatic scales down, played on a digital piano (Yamahe CLP-470) Chromatische Tonleitern abwärts, gespielt auf einem Digitalpiano (Yamaha CLP-470)

Slonimsky's Pyramid chord. A G# F# D# B F# C♮ F♮ A C D♮ Eb = 0 e 9 6 2 9 3 8 0 3 5 6.

Lydian augmented polychord on C: 04689e = C,E,F#,G#,A,B.

Suggestion of bitonality in Beethoven's Sonata in E♭ for Piano, Op. 8la.

Comma pythagoricien. Deux notes séparées d'un comma pythagoricien, jouées alternativement. Format ogg. Fait avec CSound.

Un la à 440hz, puis un la élevé d'un comma à 446 hz, puis les deux ensemble. Fait avec CSound.An A at 440 hz, then an A + one comma at 446hz, then both together. Made with CSound.

Une quinte pythagoricienne juste (10 secondes) suivie d'une quinte du loup (10 autres secondes). Fait avec Csound.

So What chord.

Example of flats in music on piano. An A, then A♭.  This image was created with Audacity.

Miracle scale, derived from the secor (s = 116.72 cents), plus the difference between 10 secors and a perfect octave (q = 32.84 cents). MIDI pitch bend appears to match intervals. The Miracle scale is 0 1 2 3 4 5 6 7 8 9 0' s s s s s s s s s s+q The difference between s and q (r) is used in the File:Blackjack scale.mid.

Blackjack scale, derived from the secor (s = 116.72 cents), the difference between 10 secors and a perfect octave (q = 32.84 cents), and the difference between that and a secor (r = s-q = 83.88 cents). MIDI pitch bend appears to match intervals. If the Miracle scale is 0 1 2 3 4 5 6 7 8 9 0' s s s s s s s s s s +q q +r q +r q +r q +r q +r q +r q +r q +r q +r q +r +q then the Blackjack scale is 0 >0 1 >1 2 >2 3 >3 4 >4 5 >5 6 >6 7 >7 8 >8 9 >9 <0 0' q r q r q r q r q r q r q r q r q r q r q

Modulation von Heinrich Schütz aus SWV 379

An OGG file that plays a C chromatic scale

C-F-B Synthetic chord

Simplest type of metric modulation in Bach. Slow introduction followed by Allegro, traditionally taken twice as fast. Eighth notes in the new tempo prepared by sixteenth notes in the old tempo ( = ).

Tonic and dominant in C. C major and G major chords.

Aeolian scale of C

Canción popular (Dominio publico): Romanza española. Interpretada por la Maestra Alisa Gladyseva.Popular song (public domain): Spanish Romance. Performed by the Master Alisa Gladyseva.

This is a whole tone scale beginning on middle-C, created by me using Lilypond and TiMidity.

Thirteenth chord inversion with no fifth or ninth and the flatted seventh in the bass. Different voicing for guitar. Created by Hyacinth (talk) 14:10, 7 July 2009 using Sibelius 5.

Triad in Bohlen-Pierce tuning (0 11 13). Title refers to number of semitones (unison=0).

Violoncello chord on D.

Truck driver's gear change, modulation up a whole step, in "Because the Night".

Bebop dominant scale in C. Created by Hyacinth (talk) using Sibelius 5.

Triad in Equal Tempered Bohlen-Pierce tuning (0 4 10)

Melodic half step in Bohlen-Pierce tuning (Equal Tempered)

Triad in Equal Tempered Bohlen-Pierce tuning (0 4 7 semitones). Title refers to harmonics (fundamental=1:3:9:etc.).

Lambda mode diatonic scale in Bohlen-Pierce tuning (Equal Tempered)

A chorale melody containing only steps, no skips: "Jesu, Leiden, Pein, un Tod".

D♭7♯11 chord = G7alt chord.

Audio con las notas musicales en piano C-D-E (Do, Re, Mi)

Nederlands: demo kwarttonenquartertones

Bridge chord, named after en:Frank Bridge. Major chord with a minor chord a semitone above. Chord pictured followed by arpeggio with Db minor at the octave.

I created this file myself (using Sibelius, Windows Sound Recorder, and Audacity) to illustrate the concept of interval class.