164 Royalty-Free Audio Tracks for "Dominant"

Recorded on an iphone on a trip to the philippine island of dumaguete. Early morning ambiance dominated by the incredible amount of chickens on the island.

The Carpenters chord notated in C Major. Dominant 9sus4 chord in C major: G9sus4.

Perdie shuffle loop at 140 bpm. Sean smith, alistair beecham, joe dudley, kaleigh miles, alex hughes + dominic smith.

Greet them with more dominating and confident manner to impress them. . It's a really great pleasure if my voice is a use to you. . Thank you. .

Evening crickets chirping. Relatively thin, early evening ambience. Repeated trill of one particular cricket dominates. Some wind noise.

The ambient noise of a parking lot at a walmart store, dominated by the throaty sound of a truck's engine. Carts rolling, cars starting up, etc. Recorded with the zoom h4n.

Dominant eleventh chord on C, C11, with third. V11 in F major. Created by Hyacinth (talk) using Sibelius 5.

V-I progression, unaltered dominant resolving to the tonic. Created by Hyacinth (talk) 22:29, 9 July 2008 using Sibelius and Audacity.

Fast break beat on an acoustic kit, 160 bpm. Sean smith, dominic smith, joe dudley, kaleigh miles, alex hughes + alistair beecham.

Snippet from my unreleased track bobber. Characteristics:- 4 the floor kickdrum- filtered buzzing synths- dominant snare.

VI7 in C minor. Created by Hyacinth (talk) 15:26, 2 July 2011 (UTC) using Sibelius 5.

160 bpm drum loop based on amen brothers brake. Sean smith, dominic smith, joe dudley, kaleigh miles, alex hughes + alistair beecham.

[Dominant] eleventh chord in F, on C (C11). "As it appears in actual music": C, —, G, B, D, F.

Secondary leading tone in Beethoven Sonata in C for piano Op. 53, first movement.

Classic rave noise as made famous in human resource's track "dominator" - commonly referred to as "hoover noises". Sampled directly from a roland juno2.

Chord progression (half note open guitar chords) for the widely recorded ragtime influenced song written in 1923 by Jimmy Cox, "Nobody Knows You When You're Down and Out". It features chromaticism through chains of secondary dominants (III = V/V/V/V = V/vi, VI = V/V/V = V/ii, II = V/V, and V) and a secondary diminished seventh chord (viio7/V=♯IVo7).

A peaceful, insect dominated recording of an open field surrounded by woods in the midwest. Equipment: zoom f3emc clippy 272 omni microphones. Recorded on august 24th 2022.

Dominant seventh flat nine chord on C. Created by Hyacinth (talk) 17:06, 10 July 2008 using Sibelius.

Bekehre uns, vergib die Sünde; Gotteslob (1975) 160; Gotteslob (2013) 266

Music example illustrating counterpoint style of Rennaissance composer Josquin des Prez, especially paired motivic imitation. First bars of second part of Psalm motet Domine ne in furore (Ps. 37).

An evil woman describes what is achieved by causing someone pain. Just me, audacity and a microphone.

V of V chord progression in "Sweet Georgia Brown". V/V/V-V/V-V-I: A-D-G-C. Note that the tempo is kept but the number of measures is cut in half.

Domine Deus from the "Gloria" from Gioachino Rossini's Petite Messe Solennelle, performed by Enrico Caruso

Voice leading for dominant eleventh chords in the common practice period. Created by Hyacinth (talk) 23:16, 6 July 2009 using Sibelius 5.

Magpie family group singing/calling in the morning in kings park perth western australia. Magpies call in family groups to locate each other, acert dominance and too defend their territory.

Dominant thirteenth: four-voice version. "This disposition is typical." Created by Hyacinth (talk) 18:33, 30 May 2011 (UTC) using Sibelius 5.

School: loyola high school of los angelesclass: music appreciationteacher: mr. Specialeassignment: sound project, using individual sounds recreated one minute of my original three minute recording of the naturally occurring sounds outside my house. Uploaded: 3:30:21, 10:02 p. M.

V43 for comparison with viio6 as a substitute for V43 in Beethoven Piano Sonata in C major, Op. 2, No. 3, fourth movement.

Sequential modulation through the circle of fifths in Haydn, Quartet Op. 3, No. 3, IV, Hob.III:15 (now considered spurious, perhaps by Roman Hoffstetter).

This recording is made not of the falls but of the water right before the falls, so you can hear the roar of the falls in the background, but the recording is dominated by the sound of the river approaching them. I made the recording on the brazilian side of the falls, if that makes any difference to you.

Leading-tone seventh chord often serves a dominant function. This example is from Beethoven's no. 5 op. 10, no. 1, I, mm.13-16.

A stereo recording of a very large, well-known, long-time apple festival in illinois. Primarily a dominant sound of the popular shoot-water-game. Recording made originally at 96hz using sound devices 702 and the audio-technica bp4025 stereo microphone. Lots of childhood memories ambiance in the background.

A sunday morning soundscape recorded in july of 2017 in a small town in the midwest. Insects dominate, with a window-unit air conditioner in the background. The spike toward the end of the audio file is a very talkative crow. Enjoy. Made with the fantastic sound devices 702 and the rode ntg-2 shotgun microphone.

A wonderful orgasm with a nice long build-up and great release, then some contented moans to finish. Recorded with an iphone and edited in reaper to remove noise. The dominant hissing background noise was successfully removed, replaced with a sparkly mist of glitchness, which i feel creates a sci-fi fantasy setting.

Picardy third in Bach - BWV 81.7, mm. 12-13. Created by Hyacinth (talk) 00:21, 13 July 2011 (UTC) using Sibelius 5.

Wolfgang Amadeus Mozart: Great Mass in C minor, K. 427 Ferenc Fricsay, Berlin Radio Symphony Orchestra, Chor der St. Hedwigs-Kathedrale Berlin, Maria Stader, Hertha Töpper, Ernst Haefliger, Ivan Sardi.

Australian magpie (western) 'gymnorhina tibicen dorsalis', family group carolling warbling in kings park perth western australia. Magpies call in family groups to locate each other, acert dominance and too defend their territory. (recorded august 2016, trimmed to 30s).

Wolfgang Amadeus Mozart: Requiem, K. 626 Salzburg Festival, 1960 Herbert von Karajan, conductor; Wiener Philharmoniker; Leontyne Price, soprano; Hilde Rössel-Majdan, alto; Fritz Wunderlich, tenor; Eberhard Wächter, baritone; Walter Berry, bass.

Dusk in the midwest during the summer is usually dominated by insects, but, the wood thrush often sings around dusk, making quite a unique natural soundscape. This wood thrush was recorded on may 26, 2012 at 7:45p. M. Using a rode ntg-2 microphone going into my handy zoom h4n recorder.

Schubert - op.9 D.365, mm.17-24. Modulation using German sixth in new key, enharmonic to dominant seventh in old key.

Graham cracker foley recorded with a pair of mics in xy stereo arrangement (close), and small diaphragm condenser mic (far) running parallel. Processed in reaper with ambient noise reduction, compression, and eq. Each file mixed according to the title ("far" or "close" dominant).

Needed a really good bar drop for a film we where doing. This is a nice combo of a dead iron bar drop to a sawdust and straw wood floor with the addition of a metal bar dropped on wood. A little drop of a light bulb to finish the sound off. One drop not repeated. Created by paul villeneuve and dominic kaiser / stories by the river.

A zoom h4n recording of neighborhood ambiance in the san gabriel, california, on an early summer day. Dominated by the sound of a mockingbird, in the distance is the faint sound of a freeway. Note: you are free to use this recording in any way deemed fit for both personal and commercial use, provided that you expressly credit the sample with the following author in your published material: andi roselund (sangwha comm).

The typical sound of the late summer insect chorus here in the midwest. From about mid-july to early october the sounds of insects dominate. . . Recorded about 5:00 in the morning in the backyard of a small town using my zoom h4n recorder and the internal microphones. For this recording i used the highest bit-rate possible -- 96 kbps ---- to get the best quality. .

Made using the online remote shortwave receiver of university of twente in enschede holland:http://websdr. Ewi. Utwente. Nl:8901/made in the part of the 20-meter ham band where psk31 is the dominant digital mode, with the receiver deliberately mistuned, in fm mode at it's widest setting to get a mishmash heterodyning sound.

A sound effect from a camp that i was an assistant at - this happened when the boys found they had won a boy vs. Girl competition. That's why there's background screams from girls. I hope you enjoy, and thanks for checking this out!. P. S. I request that all my sound effects only be used for clean, appropriate media and projects. Thanks!.

This is the first recording in this pack from inside a traditional, working old dutch windmill, called de lelie - the lily - in the picturesque dutch village of eenrum. This mill was used to grind grain. There was a strong northwesterly breeze straight from te sea, so the sails of the windmill were in full swing, this morning on saturday may 14th. The dominant sound you hear is the sound of the so called “schuddebak”, litterally translated as “shaking bin”. This is a device in the form of a large wooden shovel which is tapping against the turning millstone in order to distribute the grain equally along the millstone. On the background you hear the millstone itself. On the second recording in this pack, the millers had detached the schuddebak, so the sound of the millstone is more dominant in that recording. This windmill is now a small museum. Admission is free, so everyone can admire this proud dutch windmill heritage which reclaimed half our country from the sea and gave us our daily bread. Thanks to the millers fort heir hospitality and cooperation!. (i used an iphone with a zoom iq5).

Field recording of a summer afternoon (28th june, ~20:30) in berlin lichtenberg. The recorder (edirol r-09rh) was set in a very high building, therefore the sound consists mainly of ambient noise, eventually with subtle concrete sounds (birds, childs, dogs, sirens,. . . ). The audio is unfiltered, so it's dominated by low-frequency energy. Filter as you wish :). (the web preview seems to have some high frequency artifacts. Download the wav file to get it on full quality).

A stereo field recording of hundreds of several species of frogs at spring in raleigh, nc. Recorded at a very large concrete stormwater retention pond. The tall concrete walls made a nice effect acoustically. There are a few other faint sounds such as my dog walking around, a bit of wind and a car door as the pond was next to a parking garage. But, the frogs definitely dominate. I recorded this with an olympus ls-11.

Arpeggios in bm key : bm, am5b, g, f#7. Played on acoustic nylon guitar. Melancholic / sad feeling, the second chord has a dissonant flat dominant to give a hint of strangeness to the phrase. Sound capture using internal guitar electronics (godin multiac grand concert duet). Recording device is a tascam gt-r1. Initial sound was stereo with left and light sides 180 degrees out of phase. I converted to mono using audacity. Recorded on the 12-dec-2015 in houston, texas.