117 Royalty-Free Audio Tracks for "Dominant"

Dominant seventh in Beethoven's Piano Sonata in B-flat major, Op. 22.

Picardy third in Bach - BWV 81.7, mm. 12-13. Created by Hyacinth (talk) 00:21, 13 July 2011 (UTC) using Sibelius 5.

Modulation to the dominant in Haydn's Symphony in C Major, No. 97, Movement III Menuetto, measures 0-8 (piano reduction). Compiled from Murphy, Melcher, and Warch (1973). Music for Study, p.115. ISBN 0-13-607515-0; August Horn's piano reduction; and Howard Chandler Robbins Landon's full score edition. Roman numeral analysis added.

An example of how the subtonic serves as a secondary dominant to the mediant (in A minor: G is the dominant of C). From Bach's Chorale Ach wie flüchtig, ach wie nichtig, BWV 26. It is a reduction of the opening of the "Choral" or sixth movement.

7th dominant chord played on flute.

Here is a short bite of "i will destroy the world. " my son recorded this and i processed it in adobe audition.

Dominant seventh raised ninth vs dominant seventh split third chord.

Dominant and dominant parallel in C minor: Gm and BM chords.

Dominant and dominant parallel in C major: GM and Em chords.

Date 05/19---------------------------------------------------------------------------------samples created with ableton live, the intent is to emulate but not only the most beautiful kicks of the hardstyle and raw style genre, using overlaps of multiple audio layersvsti used:sylenthrob panen raw---------------------------------------------------------------------------------vst insert:qx24 (exciter)thrillseekervbl (vintage broadcast limiter)ivgi (saturation)safe distortion (distortion)dcam free comp (compressor)camelcrusher (distortion)tal filter 2 (filter modulator)clip star (soft clipper)d2 (compressor)---------------------------------------------------------------------------------master effects:ott multiband compressorlimiter 6 (limiter)---------------------------------------------------------------------------------i would like, as a reward for the time spent creating the sound, to receive a positive or negative evaluation, for those who have downloaded the file, thanks.

Date 05/19---------------------------------------------------------------------------------samples created with ableton live, the intent is to emulate but not only the most beautiful kicks of the hardstyle and raw style genre, using overlaps of multiple audio layersvsti used:sylenthrob panen raw---------------------------------------------------------------------------------vst insert:qx24 (exciter)thrillseekervbl (vintage broadcast limiter)ivgi (saturation)safe distortion (distortion)dcam free comp (compressor)camelcrusher (distortion)tal filter 2 (filter modulator)clip star (soft clipper)d2 (compressor)---------------------------------------------------------------------------------master effects:ott multiband compressorlimiter 6 (limiter)---------------------------------------------------------------------------------i would like, as a reward for the time spent creating the sound, to receive a positive or negative evaluation, for those who have downloaded the file, thanks.

Date 05/19---------------------------------------------------------------------------------samples created with ableton live, the intent is to emulate but not only the most beautiful kicks of the hardstyle and raw style genre, using overlaps of multiple audio layersvsti used:sylenthrob panen raw---------------------------------------------------------------------------------vst insert:qx24 (exciter)thrillseekervbl (vintage broadcast limiter)ivgi (saturation)safe distortion (distortion)dcam free comp (compressor)camelcrusher (distortion)tal filter 2 (filter modulator)clip star (soft clipper)d2 (compressor)---------------------------------------------------------------------------------master effects:ott multiband compressorlimiter 6 (limiter)---------------------------------------------------------------------------------i would like, as a reward for the time spent creating the sound, to receive a positive or negative evaluation, for those who have downloaded the file, thanks.

Date 05/19---------------------------------------------------------------------------------samples created with ableton live, the intent is to emulate but not only the most beautiful kicks of the hardstyle and raw style genre, using overlaps of multiple audio layersvsti used:sylenthrob panen raw---------------------------------------------------------------------------------vst insert:qx24 (exciter)thrillseekervbl (vintage broadcast limiter)ivgi (saturation)safe distortion (distortion)dcam free comp (compressor)camelcrusher (distortion)tal filter 2 (filter modulator)clip star (soft clipper)d2 (compressor)---------------------------------------------------------------------------------master effects:ott multiband compressorlimiter 6 (limiter)---------------------------------------------------------------------------------i would like, as a reward for the time spent creating the sound, to receive a positive or negative evaluation, for those who have downloaded the file, thanks.

Dominant form chord: Diminished leading-tone chord preceding tonic chord and possessing a secondary dominant function.

Dominant form chord: Half-diminished leading-tone chord preceding tonic chord and possessing a secondary dominant function.

Date 05/19---------------------------------------------------------------------------------samples created with ableton live, the intent is to emulate but not only the most beautiful kicks of the hardstyle and raw style genre, using overlaps of multiple audio layersvsti used:sylenthrob panen raw---------------------------------------------------------------------------------vst insert:qx24 (exciter)thrillseekervbl (vintage broadcast limiter)ivgi (saturation)safe distortion (distortion)dcam free comp (compressor)camelcrusher (distortion)tal filter 2 (filter modulator)clip star (soft clipper)d2 (compressor)---------------------------------------------------------------------------------master effects:ott multiband compressorlimiter 6 (limiter)---------------------------------------------------------------------------------i would like, as a reward for the time spent creating the sound, to receive a positive or negative evaluation, for those who have downloaded the file, thanks.

Date 05/19---------------------------------------------------------------------------------samples created with ableton live, the intent is to emulate but not only the most beautiful kicks of the hardstyle and raw style genre, using overlaps of multiple audio layersvsti used:sylenthrob panen raw---------------------------------------------------------------------------------vst insert:qx24 (exciter)thrillseekervbl (vintage broadcast limiter)ivgi (saturation)safe distortion (distortion)dcam free comp (compressor)camelcrusher (distortion)tal filter 2 (filter modulator)clip star (soft clipper)d2 (compressor)---------------------------------------------------------------------------------master effects:ott multiband compressorlimiter 6 (limiter)---------------------------------------------------------------------------------i would like, as a reward for the time spent creating the sound, to receive a positive or negative evaluation, for those who have downloaded the file, thanks.

Date 05/19---------------------------------------------------------------------------------samples created with ableton live, the intent is to emulate but not only the most beautiful kicks of the hardstyle and raw style genre, using overlaps of multiple audio layersvsti used:sylenthrob panen raw---------------------------------------------------------------------------------vst insert:qx24 (exciter)thrillseekervbl (vintage broadcast limiter)ivgi (saturation)safe distortion (distortion)dcam free comp (compressor)camelcrusher (distortion)tal filter 2 (filter modulator)clip star (soft clipper)d2 (compressor)---------------------------------------------------------------------------------master effects:ott multiband compressorlimiter 6 (limiter)---------------------------------------------------------------------------------i would like, as a reward for the time spent creating the sound, to receive a positive or negative evaluation, for those who have downloaded the file, thanks.

♯IIo7 as dominant substitute.

Lydian dominant scale on C.

Diminished seventh chord to dominant cadence (bo-e7-A7-D).

4-27A (dominant seventh chord) tetrachord on C

Tonic and dominant in C. C major and G major chords.

Augmented dominant seventh chord on C

Dominant thirteenth: four-voice version.

A sound effect from a camp that i was an assistant at - this happened when the boys found they had won a boy vs. Girl competition. That's why there's background screams from girls. I hope you enjoy, and thanks for checking this out!. P. S. I request that all my sound effects only be used for clean, appropriate media and projects. Thanks!.

Dominant thirteenth chord in four-part writing.

An evil woman describes what is achieved by causing someone pain. Just me, audacity and a microphone.

A dominant thirteenth in F minor. Created by Hyacinth (talk) using Sibelius 5.

Bebop dominant scale in C. Created by Hyacinth (talk) using Sibelius 5.

Augmented dominant seventh raised ninth on C. C E G♯ B♭ D♯.

Extended dominant relationship in Schubert's German Dance, D. 643, opening.

Seventh of a dominant seventh chord in C. Created by Hyacinth (talk) 22:57, 13 May 2010 using Sibelius 5.

Leading-tone diminished seventh chord as dominant in Mozart's Don Giovanni, K. 527, Act I, Scene XIII, mm.116-117.

viio7 as dominant substitute.

Leading-tone seventh chord often serves a dominant function. This example is from Mozart's K. 283 III, mm. 64-69.

Leading-tone diminished seventh chords as dominant in Beethoven's Piano Sonata No. 5, Op. 10, no. 1, I, mm.1-10.

Leading-tone half-diminished seventh chord as dominant in Mozart, Piano Sonata in D Major, III (end of Variation V), K. 284, mm.14-17.

Chord progression by descending thirds from mediant to supertonic resolving to dominant.

Dominant thirteenth chord in Claude Debussy's Prelude to the Afternoon of a Faun (1894). Created by Hyacinth (talk) 02:50, 5 July 2009 using Sibelius 5.

Chord rewrite rules I: replacement or substitution of a chord by its dominant or subdominant.

Example of modulation to the dominant from vocal music (1836).

Altered dominant played twice then resolved to the tonic. Created using Sibelius and Audacity.

The Carpenters chord notated in C Major. Dominant 9sus4 chord in C major: G9sus4.

Secondary dominant with barbershop seventh chords. V/V - V - I in F major (G7-C7-F). Derived from [1]. In just intonation. Sevenths are harmonic sevenths, and the F in the first measure is 27.26 cents lower than the F in the third measure. Pitch bend matches intervals.

Example of the submediant ("triad on VI") used as a dominant preparation.

Dominant eleventh chord on C, C11, with third. V11 in F major. Created by Hyacinth (talk) using Sibelius 5.

V-I progression, unaltered dominant resolving to the tonic. Created by Hyacinth (talk) 22:29, 9 July 2008 using Sibelius and Audacity.

[Dominant] eleventh chord in F, on C (C11). "As it appears in actual music": C, —, G, B, D, F.

Dominant seventh flat nine chord on C. Created by Hyacinth (talk) 17:06, 10 July 2008 using Sibelius.