279 Royalty-Free Audio Tracks for "Third"

Elevator (ste-7-. Wav) ~ elevator. Recorded at beihang training center (beihang university, beijing) at the third floor. Date: november 2nd 2015 at 19. 00 p. M with zoom h4n rec.

Three sets of stacked third, one whole step apart, panned left right and center. Originally intended for meditation. Sounds a bit like early 80's horror film music.

Recorded in germany, magdeburg out of a window on the third floor at afternoon. Some people talking, birds are tweeting and a bus is driving by. Sorry for mp3.

I cobbled some sound effects together to get the sound of footsteps on a rickety metal staircase for the third episode of bloody bold irresolute. It can also work for bridges.

Mid-afternoon activities between malaga's narrow streets. From the perspective of a third floor balcony. Recorded with a zoom h2recorded in 48khz 24bit wavestereo left-right.

Environment recorded in tel aviv, on shabbat's day. Taken from a building´s third floor, three blocks from the sea. Recorded with a tascam dr-680 and a sennheiser mkh-66 microphone.

The third installment of reading the titles from spam emails, including such revelations as "she loves it bigger and longer" and "jay leno found taking drugs. ".

Environment recorded in tel aviv, on shabbat's day. Taken from a building´s third floor, three blocks from the sea. Recorded with a tascam dr-680 and a sennheiser mkh-66 microphone.

A cartoon type message, prompt, notifier sound. Good for games. First is a stereo stack with a slight pitch offset on the right channel. Second is a mono version. Third has some reverb and delay.

A small test i did to see if i can emulate many games' futuristic computerized voice ui systems. 1st is a (terrible) pseudo british accent, second my regular voice modified, and third a heavily modified robotic sounding voice.

For this third sound i used a plastic bottle that i typed in rhythm a table. I applied a dissolve, a development of the basses and changed the height. Then i truncated the silences and made a dissolve in closure.

Third test sample using 2 ntg3's for seperate left and right audio channels. Recorded using fostex fr2-le, mogami neglex quad xlr cables. Aircraft were about 10-20ft about microphones.

Walking down donner third floor hallway in the morning. A door can be heard closing, then a water cooler, and finally the restroom and showers. Recorded on stanford university campus, ca.

Bagpiper practicing in high park august 2, 2021 afternooni separated it into three sections to get rid of some wind. There's a bit of wind, especially in the third part. Recorded with h4n.

Two distinct claps of thunder. The third clap was a once in a lifetime capture as the lightning can be distinctly heard as it splits the nearby air. I recorded this in flat rock north carolina atop pinnacle mountain. I've geotagged the location.

A heavy thunderstorm, mid-afternoon, after a long heatwave. The third and last lightening strike was about 100 meters from the microphone. You can just about hear the click (impulse response) of air being ionized just before the thunder.

Me saying 'will you tell the girls about the murder rate of squirrels in third world countries, for a friend who likes scots accents. For more info, go to http://wp. Me/p2lkjm-7p.

Played around with nexus and found this piano which sounds like zelda music. Used "kshmr_ambiance_drone_16_f" from kshmrs third "free-to-use" soundpack for background ambiance. Bpm: nonechord: i don't know chords i just used notes that sounded cool.

This is the third part of four sounds of a cessna 152. Here is the flight. At about 2’00’’, we can ear the engine slow down. Recorded on 2017/10/21 around the namur aero club with an olympus ls 100.

Opening and closing different types of windows. First one is a roof-light. Second one is a standard house window. Third one is tilting the standard house window and fourth one is a cellar window out of metal.

Bird call in north central massachusetts, in a wooded area within a city. Sound is up in a tree. I suspect it is baby bird calling to a parent, and the softer response is from a different tree. There is a third bird, possibly unrelated.

Group kmm-ambient field recording of faint construction, leaves, birds, and the usual sounds of a college campus. Recorded from third floor dorm room, pointed directly at ground, and recorded with a zoom h4 handheld recorder, high gain. Normalized in peak pro 6.

Pentax k1000 load film and shutter clicks. The first one with 1 second of exposure. The second one with 1/8s. The third and fourth - 1/125s. The last 2 clicks with 1/1000s. Recorded with h4n, 24/48.

We wanted to add some tape delay to a piano track we were recording. This is an artifact that came from routing the third delay track back to the source track. Essentially, a quick two second feedback loop. Recorded with a peluso p12 and an akg 414.

Here's a recording i did from the third floor balcony of my hotel room in the hyde park area of london. It was a noisy spot, but very atmospheric and ideal for recording street sounds, especially in stereo. Recorded on a tascam dr-40.

Broadcast made by the Russian composer Dmitri Shostakovich from the besieged city of Leningrad in 1941. The work he refers to here is Symphony No. 7 in C Major, opus 60, subtitled Leningrad. Transcript: An hour ago, I finished the score of two parts of a large symphonic composition. If I succeed in writing this composition well, if I succeed in completing the third and fourth parts, then it will be possible to call this composition the seventh symphony. Why do I announce this? So that the radio listeners who are listening to me now will know that the life of our city goes on as normal. We are all now doing our military duty. Soviet musicians, my dear friends and numerous brothers-in-arms, my friends! Remember that our art is now in great danger. Let us defend our music, let us work honestly and selflessly! Hace una hora, he terminado la partitura de dos partes de una composición sinfónica de gran tamaño. De tener éxito en escribir bien esta composición, de tener éxito en completar las partes tercera y cuarta, entonces se hará posible llamar a esta composición la sinfonía sétima. ¿Por qué les anuncio esto? Para que los radioescuchas que me están escuchando ahora sepan que la vida en nuestra ciudad prosigue como de costumbre. Todos estamos ahora haciendo nuestro deber militar. ¡Músicos soviéticos, queridos amigos y numerosos hermanos de armas míos, mis amigos! Recuerden que nuestro arte está en gran peligro ahora. ¡Defendamos nuestra música, trabajemos honesta y desinteresadamente! Час тому назад я закончил партитуру двух частей большого симфонического сочинения. Если это сочинение мне удасться написать хорошо, удасться закончить третью и четвертую части, то тогда можно будет назвать это сочинение Седьмой симфонией. Для чего я сообщаю об этом? Для того, чтобы радиослушатели, которые слушают меня сейчас, знали, что жизнь нашего города идет нормально. Все мы несем сейчас свою боевую вахту. Советские музыканты, мои дорогие и многочисленные соратники по оружию, мои друзья! Помните, что сейчас нашему искусству грозит великая опасность. Будем же защищать нашу музыку, будем же честно и самоотверженно работать.

Made with audacity. Copy and paste it 4 times. The first track should not been changed. Change the pitch to +3 on the second track. Change the pitch to -3 on the third track. Change the pitch to -7 on the forth track. And change the pitch to -9 on the fifth track.

Rainy day in the city of tel aviv, israel. Some rain outside with light traffic and people. Recorded from a third-floor window during daytime. Recorded with zoom h5 with its built-in stereo xy mics.

In order, the first sound is the turning of a doorknob and opening an exterior door; the second is the closing and latching of the same door; the third is the engagement of a deadbolt lock, and the fourth is the disengagement of the deadbolt. Recorded with an iphone and external microphone.

I recorded using a zoom h6 with an xy mic and foam screen and tripod. I recorded various zip sounds at a slow pace and then fast pace in front of the mic. The first zip is from a jacket, the second is a travel bag, and the third is from a pencil case. Recorded for a school project for a sfx library.

Recorded from a third-floor room. Stood in the room about 3 feet (1 meter) from an open window. Outside there is rain and light city traffic. Recorded with zoom h5 with its built-in stereo xy mics.

A field recording of light rain as it falls steadily in a hilly suburban area near the sea shore. The microphone was placed on a third-story roof window in the framing of a plexiglass/plastic skylight facing the opposing street. You can hear the rain falling onto the roof, plastic window pane, and deck below. An unedited 1 minute sample.

Recording of knocking on three kinds of glass for effect of tapping on window (recorded as foley for characters tapping on viewer's screen from the inside). First is damped thick glass, second is undamped thick glass, third is double-glazed window pane. Knocks separated to allow reverb and dynamics to damp down between them, background noise lightly cleaned.

Cartoon whizz past, or slapstick fling something effect. Free for use anywhere, anyhow, any time. No attribution required. Three instances of the same sound effect. First instance has a rapid left to right pan. Second instance pans right to left. Third instance stays central. Cut 'n' paste whichever one of the three that you like best. Created with ni fm8 and son of a pitch vst inside flstudio 11. 04.

Just intonation minor chord from maurolupo’s “ahohe” (211961, “girl's voice singing”). Https://www. Freesound. Org/people/maurolupo/sounds/211961/. Used sonic pi to add a minor third (315. 641 cents) and a perfect fifth (701. 955 cents) while maintaining the duration. Code snippet:```sample dir, "ahohe"sample dir, "ahohe", pitch: 3. 15641sample dir, "ahohe", pitch: 7. 01955```.

2:54 field recording interior of an empty lincolnshire office ambience on the third floor during high winds. Mics in the closed window. Recorded with a stereo pair of (different make) mics and edited to remove intrusions. Filter at 90hz.

Foghorns of two ships meeting in the st. Lawrence rivier at sillery (quebec city, quebec) on a foggy night. Recorded on a third-floor balcony overlooking a cemetery (hence, the crickets) on a cold september night at 1 am. 19-minute mono recording using a sennheiser 416 shotgun mic, sound devices 302 mixer and sd 744t recorder. 24-bit, 48khz.

1:41 field recording of interior daytime in an empty third floor office during high winds, with mics near an open window which eventually blows shut. Recorded with a stereo pair of (different make) mics and edited to remove intrusions.

Hitting a half-full insulated klean kanteen water bottle with various objects. First short set with my fingertip, second set with the side of my varnished tin starbucks coffee mug and the third set with the side of a standard 3/8" plastic sharpie marker. According to my synth, this is extremely close to, if not spot-on with a d-natural (294 hz).

A short theatrical loop created in bitwig using third party instruments and effects. This sample is free for anyone to use but if you find it useful, please think about a small donation through paypal: thedjj. Lee@googlemail. Com to fund future samples. We also offer a tailor made sampling service, just drop us a message on here for more details.

In the range of three octaves, sung by me in 13 tracks. Not completely in tune. The first one is unedited sound. The second is transposed an octave lower. The third is transposed two octaves lower. In the fourth all the latter are sounded together (39 voices). The transposing makes a peculiar effect to the voice specially in the second (12 semitone) transposition.

This loop was created in bitwig using multipule third party vsts and processors. This sample is free for anyone to use but if you find it useful, please think about a small donation through paypal: thedjj. Lee@googlemail. Com to fund future samples. We also offer a tailor made sampling service, just drop us a message on here for more details.

Layered snare that has been eq'd (equalised)it was made in ableton and processed with a couple of third party plugins. It's a combination of sounds that i've found on the internet and recorded. This snare obviously doesn't have to be played in trap music but it's been layered with a 808 even if you can't here it or not it has similar fundamentals. It has been compressed also.

This sound is made up with 3 differents sounds :. - the first is a 440hz sinusoide with a phaser effect during the entire time of the sound. - the second is a 440hz sawtooth with a wahwah effect during the entire time of the sound. - the third is a 440hz square whistle with a reverse direction. Also, i increased the speed of these sounds and i repeated them 3 times for a duration of 3 seconds approximately.

Three partsfirst part 11 tones and 4ssecond part 4 tones and 3s (a little unstable sequence. . . )third part 8 tones and 12s. Question. Do i need a modular synth for making meanless things as this. . . Well, yes and no. The parts are related in different ways and theunstableness is nice. Or?all three sequences are made in different ways.

This a amaj drone tone created from an orchestra tuning sound segment (http://www. Freesound. Org/people/acclivity/sounds/24205/). Through an harmonic model, the low brass section have been separated of the trumpets and then a series of harmonic (harmonizer) transformations have been done in order to include a major third and a perfect fifth in the f0 = a2 harmonic serie. The a tuning is a little bit down from 110hz (~106-107hz).

A recording of morning birds and other morning sounds (cars, bicycle) made in barnet england around 6am on a fine day on the 15th june of 2022. As it was near the solstice the sun was already up. The recording was made by poking a zoom h5 portable recorder outside a third story loft window. The microphones are the stereo pair included with that unit, with a windjammer.

Theme old bombtimer :. Production steps:i record the sound of a book falling on the floor. I copy the sound impact 8 times on the same track. At the end « i fade in closing ». On another track, i copy the first track. I displace this second track on the right with « time shift tool », it creates a shift. I change the pitch of this track with a percent of change of -47. On a third track i take another recording sound of a key knocking on metal. I copy this sound 8 times and put a « fade out » on all the third track. I shift the track to begin at 1sec. Description:this sound look like to an old bomb timber. There is two different sounds one look like a heartbeat and the second a clock ticking. It creates a very stressful sound because of the progressive amplification. The bomb will explode soon and we need to hurry to defuse it. Typologie de schaffer :. Masse: son cannelétimbre harmonique: éclatantgrain: itérationallure: mécaniquedynamique: graduelleprofil mélodique: ascendantprofil de masse: dilatation.

Amateur guitar play from an old cassette (memorex 120, 1 of 2) recorded in 1984 when i was 15. Plucking 1 or 2 strings to a tune of my own making. This was an experimental recording session, using two tape recording machines. (ghetto blaster & hi-fi tower) take - 3 with takes 1 & 2 impositions playing, creating a final 3 track recording. Two previous takes (two track recording) playing, while recording a third track.

Various sounds created with ar 15. First sound is removing the magazine. Second sound is putting the magazine back in, but not all the way. Third sound is pushing the magazine in all the way. Fourth sound is taking the magazine out again. Fifth sound is putting it in again, all the way this time. Sixth sound is cycling the charging handle. Sixth sound is engaging the bolt catch with an open bolt. Recorded with a blue snowball through audacity.