223 Royalty-Free Audio Tracks for "Seventh"

*Hundred-sixty-seventh harmonic on C = ?. Just: 167/128 = 460.45 cents. Limit: 167-limit. MIDI pitch bend: 43,51

*Hundred-thirty-seventh harmonic on C = ?. Just: 137/128 = 117.64 cents. Limit: 137-limit. MIDI pitch bend: 82,69

*Hundred-fifty-seventh harmonic on C = ?. Just: 157:128 = 353.54 cents. Limit: 157-limit. MIDI pitch bend: 17,49

John Philip Sousa's "The Gallant Seventh", composed 1922. Recording date not clear according to CD booklet, metadata suggests 1989 Українська: «The Gallant Seventh» Джона Філіпа Соузи, створена 1922 року. Дата запису не відома, згідно з буклетом компакт-диска, припускається 1989 рік.

*Seventh-hundred-fifth harmonic on C = F♯+. Just: 705/512 = 553.78 cents. Limit: 47-limit. MIDI pitch bend: 26,49

*Four-hundred-seventy-seventh harmonic on C = ?. Just: 477/256 = 1077.41 cents. Limit: 53-limit. MIDI pitch bend: 98,56

*Four-hundred-seventh harmonic on C = G↑♯. Just: 407/256 = 802.66 cents. Limit: 37-limit. MIDI pitch bend: 109,64

*Seventh-hundred-third harmonic on C = F♯+. Just: 703/512 = 548.86 cents. Limit: 37-limit. MIDI pitch bend: 81,79

*Five-hundred-seventh harmonic on C = C♭. Just: 407/256 = 1183.01 cents. Limit: 13-limit. MIDI pitch bend: 72,58

Major seventh sharp eleventh chord on C. Created by Hyacinth (talk) 17:56, 4 July 2011 (UTC) using Sibelius 5.

*Hundred-forty-seventh subharmonic on C = A-. Just: 256/147 = 960.39 cents. Limit: 7-limit. MIDI pitch bend: 41,51

viio7 as dominant substitute.

*Eight-hundred-forty-seventh harmonic on C = A↑↑♭. Just: 847/512 = 871.46 cents. Limit: 11-limit. MIDI pitch bend: 111,54

*Seven-hundred-seventy-seventh harmonic on C = G♯+. Just: 777/512 = 722.12 cents. Limit: 37-limit. MIDI pitch bend: 10,71

*Eight-hundred-ninety-seventh harmonic on C = A+. Just: 897/512 = 970.76 cents. Limit: 23-limit. MIDI pitch bend: 82,54

*Three-hundred-eighty-seventh harmonic on C = G. Just: 387/256 = 715.43 cents. Limit: 43-limit. MIDI pitch bend: 119,68

*Two-hundred-seventh harmonic on C = G♯+. Just: 207 : 128 = 832.18 cents. Limit: 23-limit. MIDI pitch bend: 38,74

*Eight-hundred-thirty-seventh harmonic on C = G♯+. Just: 837/512 = 850.90 cents. Limit: 31-limit. MIDI pitch bend: 36,48

*Six-hundred-twenty-seventh harmonic on C = E↑♭. Just: 627/512 = 350.79 cents. Limit: 19-limit. MIDI pitch bend: 32,48

*Eight-hundred-sixty-seventh harmonic on C = G. Just: 867/512 = 911.87 cents. Limit: 17-limit. MIDI pitch bend: 102,67

*Two-hundred-eighty-seventh harmonic on C = D. Just: 287/256 = 197.89 cents. Limit: 41-limit. MIDI pitch bend: 41,63

*Six-hundred-sixty-seventh harmonic on C = E+. Just: 667/512 = 457.85 cents. Limit: 29-limit. MIDI pitch bend: 65,82

*Three-hundred-fifty-seventh harmonic on C = F♯+. Just: 357/256 = 575.74 cents. Limit: 17-limit. MIDI pitch bend: 30,56

*Nine-hundred-fifty-seventh harmonic on C = B↑♭. Just: 957/512 = 1082.85 cents. Limit: 29-limit. MIDI pitch bend: 65,58

*Two-hundred-ninety-seventh harmonic on C = D↑. Just: 297/256 = 257.18 cents. Limit: 11-limit. MIDI pitch bend: 38,50

*Six-hundred-thirty-seventh harmonic on C = F♭+. Just: 637/512 = 378.18 cents. Limit: 13-limit. MIDI pitch bend: 2,57

*Four-hundred-thirty-seventh harmonic on C = A+. Just: 437/256 = 925.79 cents. Limit: 23-limit. MIDI pitch bend: 32,72

*Three-hundred-seventy-seventh harmonic on C = B♭. Just: 377/256 = 670.10 cents. Limit: 29-limit. MIDI pitch bend: 55,54

*Hundred-eighty-seventh harmonic on C = F♯↑. Just: 187:128 = 656.27 cents. Limit: 17-limit. MIDI pitch bend: 0,82 on TT

*Sixty-seventh harmonic on C = ?. Just: 67/64 = 79.31 cents. Limit: 67-limit. MIDI pitch bend: 49,89 on PU

*Five-hundred-sixty-seventh harmonic on C = D♭+. Just: 567/512 = 176.65 cents. Limit: 7-limit. MIDI pitch bend: 67,88 on m2

*Hundred-twenty-seventh harmonic on C = ?. Just: 127/64 = 1186.42 cents. Limit: 41-limit. MIDI pitch bend: 84,91 on M7

*Hundred-nineteenth harmonic on C = B. Just: 119/64 = 1073.78 cents. Equal-tempered: 211/12:1 = 1100 cents. Limit: 17-limit. MIDI pitch bend: 78,87

*Thirty-first harmonic on C = B. Just: 31:16 = 1145.04 cents. Equal-tempered: 211/12:1 = 1100 cents. Limit: 31-limit. MIDI pitch bend: 53,78

*Six-hundred-ninety-seventh harmonic on C = E♯. Just: 697/512 = 534.02 cents. Limit: 41-limit. MIDI pitch bend: 113,74

*Hundred-forty-seventh harmonic on C = E♭+. Just: 147:128 = 239.61 cents. Limit: 7-limit. MIDI pitch bend: 86,44

*Two-hundred-forty-seventh harmonic on C = C♭. Just: 247/128 = 1138.04 cents. Limit: 19-limit. MIDI pitch bend: 22,76

*Seventy-seventh harmonic on C = E↑♭ (Ben Johnston's notation). Just: 77/64 = 320.14 cents. Limit: 11-limit. MIDI pitch bend: 57,70

*Eighty-seventh harmonic on C = F+ (Ben Johnston's notation). Just: 87:64 = 531.53 cents. Equal-tempered: 25/12:1 = 500 cents. Limit: 29-limit. MIDI pitch bend: 11,74

The Gallant Seventh performed by the Concert Band of the United States Air Force Heritage of America Band. Track 3 from American Salute (1998).

Complexe sonore: the octatonic scale may be arranged as four major chords or seventh chords. Created by Hyacinth (talk) 13:49, 13 June 2010 using Sibelius 5.

Thirteenth chord inversion with no fifth or ninth and the flatted seventh in the bass. Different voicing for guitar.

Diagonal barre chord: major seventh chord on G. The first finger fingers both the second fret on the first four strings and the third fret on the sixth string.

Thirteenth chord inversion with no fifth or ninth and the flatted seventh in the bass. Created by Hyacinth (talk) using Sibelius 5.

*257th harmonic on C = ??. Just: 257:256 = 6.75 cents. Limit: 257-limit. MIDI pitch bend: 20,66

This is a recording of a Wolf Tone on the major sixth or seventh above the open G on a cello. I recorded this sound using an Azden SGM-X microphone and edited it in Audacity.

*Classic diminished octave/Large just major seventh on C = C♭. 48/25 = 1129.33 cents. Limit: 5-limit. MIDI pitch bend: 49,73

*Twenty-first harmonic, harmonic seventh on G on C = F+ (Ben Johnston's notation). 21:16 = 470.78 cents. Limit: 7-limit. MIDI pitch bend: 83,54

V of V in C, four-part harmony. Bruce Benward and Marilyn Nadine Saker (2003). Music: In Theory and Practice, Vol. I, seventh edition: p.269. ISBN 978-0-07-294262-0.

Thirteenth chord inversion with no fifth or ninth and the flatted seventh in the bass. Different voicing for guitar. Created by Hyacinth (talk) 14:10, 7 July 2009 using Sibelius 5.