223 Royalty-Free Audio Tracks for "Seventh"

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*Hundred-twenty-seventh harmonic on C = ?. Just: 127/64 = 1186.42 cents. Limit: 41-limit. MIDI pitch bend: 84,91 on M7
Author: Hyacinth
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*Six-hundred-ninety-seventh harmonic on C = E♯. Just: 697/512 = 534.02 cents. Limit: 41-limit. MIDI pitch bend: 113,74
Author: Hyacinth
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*Hundred-forty-seventh harmonic on C = E♭+. Just: 147:128 = 239.61 cents. Limit: 7-limit. MIDI pitch bend: 86,44
Author: Hyacinth
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viio7 in G major, on the guitar.
Author: Hyacinth
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Dominant sevenths in Chopin's (1810–1849) Mazurka in F minor, op. 68, no. 4, m. 1-4.
Author: This file is lacking author information.
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*Two-hundred-forty-seventh harmonic on C = C♭. Just: 247/128 = 1138.04 cents. Limit: 19-limit. MIDI pitch bend: 22,76
Author: Hyacinth
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*Seventy-seventh harmonic on C = E↑♭ (Ben Johnston's notation). Just: 77/64 = 320.14 cents. Limit: 11-limit. MIDI pitch bend: 57,70
Author: Hyacinth
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Shuffle pattern with staggered thirds played on piano.
Author: Created by Hyacinth (talk) 03:22, 16 March 2010 using Sibelius 5.
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*Eighty-seventh harmonic on C = F+ (Ben Johnston's notation). Just: 87:64 = 531.53 cents. Equal-tempered: 25/12:1 = 500 cents. Limit: 29-limit. MIDI pitch bend: 11,74
Author: Hyacinth
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The Gallant Seventh performed by the Concert Band of the United States Air Force Heritage of America Band. Track 3 from American Salute (1998).
Author: Composition: John Philip Sousa; Performance: United States Air Force Heritage of America Band, Concert Band; Recording: United States Air Force
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viio/V - V - I chord progression. Common in ragtime.
Author: Hyacinth
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Sixth and seventh grade girls warming up for a basketball game at a st. Paul, mn gymnasium.
Author: Fkunze
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*6859rd harmonic on C = B. Just: 4/12 = 892.54 cents. Limit: 19-limit. MIDI pitch bend: 78,61
Author: Hyacinth
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bdim7=do7=fo7=a♭o7 and it's enharmonic equivalents resolving (g♯7 to A).
Author: Hyacinth
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bdim7=do7=fo7=a♭o7 and it's enharmonic equivalents resolving (d7 to E-flat).
Author: Hyacinth
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bdim7=do7=fo7=a♭/g♯o7 and it's enharmonic equivalents resolving (b7 to C).
Author: Hyacinth
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bdim7=do7=fo7=a♭o7 and it's enharmonic equivalents resolving. (fo7 to G-flat)
Author: Hyacinth
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Created in Sibelius. Major sixth (Diminished seventh) on C = A (B). Equal-tempered: 29/12:1 = 900 cents. MIDI pitch bend: 0,64
Author: The original uploader was Hyacinth at English Wikipedia.
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Recorded next to a window, in a seventh floor, with traffic below, while it was raining hard.
Author: User
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VI7 in C minor. Created by Hyacinth (talk) 15:26, 2 July 2011 (UTC) using Sibelius 5.
Author: The original uploader was Hyacinth at English Wikipedia.
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Augmented chord progression: I+65 IV. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified].
Author: Hyacinth
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Seven six chord on C (C7/6). Created by Hyacinth (talk) 15:53, 26 June 2011 (UTC) using Sibelius 5.
Author: Hyacinth at English Wikipedia
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John Stepan Zamecnik's 1913 composition Mysterioso - Burglar Music 1, which appeared in Sam Fox Moving Picture Music volume 1.
Author: John Stepan Zamecnik (1872–1953)
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Fifteenth chord from Marpurg on A: A,(C,E,)G,B',D',F',(A"). Resolves to C,E,G,C',E'.
Author: Hyacinth
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Augmented chord progression: I+75 IV. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]
Author: Hyacinth
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The "Schwencke measure" added to J.S. Bach's Prelude in C Major BWV 846
Author: Hyacinth
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00:41
Some piano recordings with door noises in the background. First chord is an f major 7th and then it goes down to a d minor seventh or something. Not sure.
Author: Nesden
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Augmented chord progression: V+75 I. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]
Author: Hyacinth
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Augmented chord progression: V+65 I. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]
Author: Hyacinth
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Augmented chord progression: V+43 I63. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]
Author: Hyacinth
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Complexe sonore: the octatonic scale may be arranged as four major chords or seventh chords. Created by Hyacinth (talk) 13:49, 13 June 2010 using Sibelius 5.
Author: User:Hyacinth
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Thirteenth chord inversion with no fifth or ninth and the flatted seventh in the bass. Different voicing for guitar.
Author: Created by Hyacinth (talk) 19:36, 4 July 2009 using Sibelius 5.
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Diagonal barre chord: major seventh chord on G. The first finger fingers both the second fret on the first four strings and the third fret on the sixth string.
Author: User:Hyacinth
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Secondary leading-tone chord: viio7/V - V in C major. Created by Hyacinth (talk) 05:18, 23 May 2010 using sibelius 5.
Author: Hyacinth at English Wikipedia
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A major chord + minor 7th with following samples (listed in order):an equal tempered arpeggiothe matching equal tempered chordan arpeggio with just intonationthe matching chord with just intontation.
Author: Yvessch
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Secondary half-diminished leading-tone chord in Brahms Op. 119, no. 3, mm.49-51.
Author: Hyacinth
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[en]. It's a recording of me reading the seventh chapter of the matthew's gospel. [pl]. Jest to nagranie w którym czytam siódmy rozdział ewangelii św. Mateusza.
Author: Unfa
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Secondary dominant with barbershop seventh chords. V/V - V - I in F major (G7-C7-F). Derived from [1]. In just intonation. Sevenths are harmonic sevenths, and the F in the first measure is 27.26 cents lower than the F in the third measure. Pitch bend matches intervals.
Author: Hyacinth
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Thirteenth chord inversion with no fifth or ninth and the flatted seventh in the bass. Created by Hyacinth (talk) using Sibelius 5.
Author: Hyacinth at English Wikipedia
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*257th harmonic on C = ??. Just: 257:256 = 6.75 cents. Limit: 257-limit. MIDI pitch bend: 20,66
Author: Hyacinth
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This is a recording of a Wolf Tone on the major sixth or seventh above the open G on a cello. I recorded this sound using an Azden SGM-X microphone and edited it in Audacity.
Author: User:Mdd4696
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Seventeen recordings of children and preteens talking, playing, etc. Most of these were recorded at an american middle school, primarily sixth and seventh-graders.
Author: Digestcontent
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*Classic diminished octave/Large just major seventh on C = C♭. 48/25 = 1129.33 cents. Limit: 5-limit. MIDI pitch bend: 49,73
Author: Created by Hyacinth (talk) 09:37, 31 December 2011 (UTC) using Sibelius 5.
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*Two-hundred-thirty-first harmonic on C = B↑♭. Just: 231/128 = 1022.10 cents. Limit: 11-limit. MIDI pitch bend: 9,71
Author: Hyacinth
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*Twenty-first harmonic, harmonic seventh on G on C = F+ (Ben Johnston's notation). 21:16 = 470.78 cents. Limit: 7-limit. MIDI pitch bend: 83,54
Author: Created by Hyacinth (talk) using Sibelius 5.
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